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All Journal Panggung Jurnal Desain Komunikasi Visual Nirmana Panggung
Apip Apip
Institut Seni Budaya Indonesia Bandung
Arts Humanities Education

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Representasi Mitos dalam Film Dokumenter Apip Apip
PANGGUNG Vol 21, No 1 (2011): Seni, Lokalitas, Vitalitas, dan Pemaknaan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8376.456 KB) | DOI: 10.26742/panggung.v21i1.850

Abstract

ABSTRACTThis research studies the representation form of myth in Ray Bachtiar Drajat’s film, “Ngalaksa” (2004). This research is using qualitative method to understand the representation form of myth in documentary film. The data analysis uses the methodof Charles Sanders Peirce’s semiotics. This research shows that, Ray Bachtiar sees ngalaksa ritual which is full symbol and ritual offerings as concrete examples of collage, montage, and assembling concepts which have been embraced by in the field of photography. This reality inspires Ray to actualize representation of ngalaksa in the form of documentary film when photography and multimedia arts are not satisfying enough for his expression, especially, for revealing facts into a discourse narratively. The dissolve of drawing, photo, video, and audio smoothen the representation of ngalaksa ritual which is closed to the thought background of myth, cosmology and agricultural life.Key words: ngalaksa, documentary film, representation of myth
Perancangan Komik “Bayu Samudera” sebagai Media Promosi Potensi Usaha Mikro Kecil dan Menengah (UMKM) di Karimunjawa Satriana Didiek Isnanta; Afri Wita; Apip Apip
Jurnal Desain Komunikasi Visual Nirmana Vol. 22 No. 2 (2022): JULY 2022
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (691.889 KB) | DOI: 10.9744/nirmana.22.2.89-95

Abstract

Kepulauan Karimunjawa terdiri dari 27 pulau yang secara administratif terletak di Kabupaten Jepara, Jawa Tengah. Karimunjawa mempunyai potensi alam yang luar biasa, pantai pasir putih dengan ombak lautnya yang landai serta keindahan karang laut beserta habitat yang ada di dalamnya membuatnya memjadi surga bagi pecinta snorkeling dan diving. Selain alam bawah lautnya yang indah, Karimunjawa juga memiliki potensi lainnya seperti makam Sunan Nyamplungan, hutan bakau, dan kayu khas Karimunjawa, yaitu Dewandaru. Selain itu, ada juga produk UMKM yang berkembang, tetapi sayang semuanya kalah oleh potensi alam bawah lautnya. Oleh karena itu, penting kiranya membuat media promosi kreatif yang menginformasikan potensi tersebut, yaitu melalui komik bahari berjudul “Bayu Samudera”. Metode perancangan yang dilakukan menggunakan metode kualitatif yang bersifat dekriptif dalam menganalisis sebuah peristiwa, aktivitas dan objek. Analisis yang digunakan adalah sintesis analisis, yang hasilnya sebagai dasar perancangan komik “Bayu Samudera”. Hasil dari perancangan komik ini adalah komik cetak maupun digital yang bertujuan untuk mempromosikan potensi produk UMKM di Karimunjawa.
Representasi Mitos dalam Film Dokumenter Apip Apip
PANGGUNG Vol 21 No 1 (2011): Seni, Lokalitas, Vitalitas, dan Pemaknaan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v21i1.850

Abstract

ABSTRACTThis research studies the representation form of myth in Ray Bachtiar Drajat’s film, “Ngalaksa” (2004). This research is using qualitative method to understand the representation form of myth in documentary film. The data analysis uses the methodof Charles Sanders Peirce’s semiotics. This research shows that, Ray Bachtiar sees ngalaksa ritual which is full symbol and ritual offerings as concrete examples of collage, montage, and assembling concepts which have been embraced by in the field of photography. This reality inspires Ray to actualize representation of ngalaksa in the form of documentary film when photography and multimedia arts are not satisfying enough for his expression, especially, for revealing facts into a discourse narratively. The dissolve of drawing, photo, video, and audio smoothen the representation of ngalaksa ritual which is closed to the thought background of myth, cosmology and agricultural life.Key words: ngalaksa, documentary film, representation of myth
Co-Authors Afri Wita Satriana Didiek Isnanta