Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal GETER : Jurnal Seni Drama, Tari dan Musik Terob : Jurnal Pengkajian dan Penciptaan Seni
Deny Tri Aryanti
Sekolah Tinggi Kesenian Wilwatikta Surabaya
Arts

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Character Analysis Analysis of Deconstruction on the Character of Kiran in ‘Tuhan Izinkan Aku Menjadi Pelacur!’ Novel by Muhidin M Dahlan Deny Tri Aryanti
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (313.913 KB) | DOI: 10.20111/terob.v13i1.39

Abstract

This study aims to describe the deconstruction form of Kiran’s life, the main character in the ‘Tuhan Izinkan Aku Menjadi Pelacur!’ novel, by Muhidin M Dahlan. In this study, the novel itself served as the source of data and it was analyzed by using Jacques Derrida’s deconstruction method. This study shows how the main character's desire to struggle against a religious culture is being deconstructed. She ultimately carried out the destruction and rebellion in the construction that he had previously accepted and solemnly believed in because of the disappointment felt by God and men. A reversal situation of someone who was once quite religious, to someone who no longer obeys his religion and God. She even disregarding His teachings and eventually losing faith in God's power. There are attempts to shake, break, and destroy Kiran's resistance in this instance.
A CRITICAL ANALYSIS OF THE THEATER PARADIGM ANTONIN ARTAUD Indra Tjahyadi; Deny Tri Aryanti
GETER : Jurnal Seni Drama, Tari dan Musik Vol 5 No 2 (2022): Oktober 2022
Publisher : Jurusan Sendratasik FBS Unesa

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini berfokus pada paradigma teater yang terdapat dalam pemikiran Antonin Artaud. Pendekatan yang digunakan dalam kajian ini adalah pendekatan kritis. Hal tersebut disebabkan pendekatan kritis memiliki relevansi dengan tujuan penelitian ini. Metode yang digunakan dalam penelitian ini adalah metode studi pustaka. Berdasarkan analisis yang ditemukan bahwa dalam paradigma teater Artaud terdapat enam konsep penting yang harus dipahami, yakni: 1) teater sebagai pandemi, 2) teater sebagai kembaran realitas, 3) puitika teater, 4) teater kejam sebagai metode pertunjukan, dan 5) teater sebagai medium penyucian diri manusia. Adapun konsep-konsep tersebut menurut Grotowski menjadikan paradigma teater Artaud sebagai paradigma yang berada di luar batas rasionalitas manusia. Grotowski menyebut paradigma teater Artaud tersebut sebagai “kegaiban teater”. Sedangkan Brook mengkritisi pemahaman teater Artaud sebagai sesuatu yang bersifat mistis. Oleh karena itu, Brook menyebut paradigma tater Artaud sebagai “teater suci” yang dapat membuat teater jatuh pada pemahaman spiritualitas.
DISKURSUS DISKRIMINASI GENDER DALAM TEKS LAKON LUDRUK TRENGGILING SISIK EMAS KARYA KARTOLO Aryanti, Deny Tri; Tjahyadi, Indra
GETER : Jurnal Seni Drama, Tari dan Musik Vol 7 No 1 (2024): April 2024
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v7n1.p1-16

Abstract

This research focuses on gender discrimination contained in the text of traditional ludruk art plays developed in East Java. The purpose of this study is to describe gender discrimination contained in the text of the traditional ludruk art play that developed in East Java. Sara Mills' Critical Discourse Analysis model is used as the theoretical basis in analyzing the object. The method used in this research is descriptive qualitative method. The material object in this research is the text of the ludruk play titled Trenggiling Sisik Emas by Kartolo. The formal object in this research is the dialog in the text or discourse containing gender discrimination contained in the lakon ludruk entitled Trenggiling Sisik Emas by Kartolo. The data collection technique used in this research is literature study. Based on the research conducted, it is found that (1) characters in the subject position experience gender discrimination in the form of subordination and violence, (2) characters in the object position experience gender discrimination in the form of violence, and (3) the position of readers who are invited to side with the practice of subordination and violence against women.
Co-Authors Indra Tjahyadi