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All Journal Jurnal Al-Bayan: Media Kajian dan Pengembangan Ilmu Dakwah Jurnal Pendidikan Bahasa Al-Idarah: Jurnal Manajemen dan Administrasi Islam Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Kalam: Jurnal Agama dan Sosial Humaniora Jurnal Profetik Jurnal Peurawi : Media Kajian Komunikasi Islam At-Tanzir : Jurnal Ilmiah Prodi Komunikasi Penyiaran Islam Jurnal Ilmu Komunikasi Balayudha (JIKOBA)
Azman Sulaiman
Universitas Islam Negeri Ar-Raniry Banda Aceh
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : Jurnal Profetik

 1 
CULTURAL COMMUNICATION THROUGH AUDIO-VISUAL MEDIA (Study of the films Children of Heaven, Color of Paradise, and Baran by Majid Majidi) A. Rani Usman; Ahmad Fauzan; Azman Sulaiman
Profetik: Jurnal Komunikasi Vol 13, No 2 (2020)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v13i2.1890

Abstract

Audio-visual or film is one of the strategic means of intercultural communication.  Films are often used as a medium of propaganda for partisan and partial political interests, leading to misunderstandings of a culture. The destruction of a nation's cultural meanings and values always involves audio-visual media to create psychological effects in building opinion and mobilizing the masses. Iran and its culture are the victims of world misunderstanding. However, the films directed by Iranian filmmakers have opened a ‘cultural dialogue’ with dignity and in an artistic manner. This study aimed to examine Iranian cultural communication patterns through cinema and identify Iranian cultural symbols that influence cultural communication. This research used Symbol and Value Theory. Symbols and values influence political and cultural campaigns. This research employed the Gestalt method that involved descriptive coding of sentences and images and recording of contents. Through Gestalt, we can interpret the meaning and behavior displayed by humans in certain situations. The films ‘Children of Heaven’, ‘Color of Paradise,’ and ‘Baran' directed by Majid Majidi, communicate essential aspects of Iranian culture, showing the spirit of resilience of Iranian society today, which is rarely included in the news due to global politics. The representation of Iranian culture is presented in very natural and simple ways without using visual effects. The reproduction of Iranian culture in the three films above uses a measured, intense, and substantive approach and shooting angle. The spirit of Sufism was reflected in the production process and the Iranian cinematic contents.
CONFLICT AND CULTURAL ADAPTATION OF THE ACEH ROHINGYA REFUGEES IN MEDIA OPINION Abdul Rani Usman; Azman Sulaiman; Muslim Muslim; Teuku Zulyadi
Profetik: Jurnal Komunikasi Vol 16, No 1 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i1.2491

Abstract

Increased political interests in a nation may lead to isolated citizens and conflicts of interest; so that ethnic minorities are oppressed, such as the Rohingya ethnic group in Myanmar. The Rohingya group as a minority in Myanmar, who fled to save themselves in Southeast Asia, were stranded in Aceh almost every year. The process of rescuing and sheltering the Rohingya refugees in Aceh experienced various problems, and one of them was cultural conflicts between the Rohingya refugees and the Acehnese people. The theory used in this study was a symbolic interaction with a descriptive qualitative method, and to understand the Rohingya issues through the mass media, the researchers used the media as data sources. The results of this study revealed that the Acehnese people were eager to save the Rohingya refugees due to religious similarities. Likewise, the regional government in coordination with the central government was also willing to save them on humanitarian grounds. In addition, UNHCR and volunteers from various organizations and non-governmental organizations were also working to serve and taking care of the needs of the Rohingya refugees. There were cultural conflicts between the Acehnese people and the Rohingya refugees due to cultural differences and mutual misunderstanding between their cultures. However, cultural adaptation could occur properly so that the refugees could survive and be comfortable in their daily lives in refugee camps. Cultural differences were an obstacle in the adaptation of the refugees in Aceh, but the similarity of religion was one of the factors of the cultural adaptation.
Co-Authors A. Rani Usman Ade Irma Ahmad Fauzan Al Zuhri Al-Zuhri Citra Kusumaningsih Deni Yanuar Fitrianti Fitrianti Hanifah Nurdin Miftahul Jannah, Siti Rozaina Kamsani, Nurhazlina Mohd. Ariffin Muslim Muslim Solly Aryza Syam, Hamdani M Teuku Zulyadi