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CULTURAL COMMUNICATION THROUGH AUDIO-VISUAL MEDIA (Study of the films Children of Heaven, Color of Paradise, and Baran by Majid Majidi) A. Rani Usman; Ahmad Fauzan; Azman Sulaiman
Profetik: Jurnal Komunikasi Vol 13, No 2 (2020)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v13i2.1890

Audio-visual or film is one of the strategic means of intercultural communication. Films are often used as a medium of propaganda for partisan and partial political interests, leading to misunderstandings of a culture. The destruction of a nation's cultural meanings and values always involves audio-visual media to create psychological effects in building opinion and mobilizing the masses. Iran and its culture are the victims of world misunderstanding. However, the films directed by Iranian filmmakers have opened a ‘cultural dialogue’ with dignity and in an artistic manner. This study aimed to examine Iranian cultural communication patterns through cinema and identify Iranian cultural symbols that influence cultural communication. This research used Symbol and Value Theory. Symbols and values influence political and cultural campaigns. This research employed the Gestalt method that involved descriptive coding of sentences and images and recording of contents. Through Gestalt, we can interpret the meaning and behavior displayed by humans in certain situations. The films ‘Children of Heaven’, ‘Color of Paradise,’ and ‘Baran' directed by Majid Majidi, communicate essential aspects of Iranian culture, showing the spirit of resilience of Iranian society today, which is rarely included in the news due to global politics. The representation of Iranian culture is presented in very natural and simple ways without using visual effects. The reproduction of Iranian culture in the three films above uses a measured, intense, and substantive approach and shooting angle. The spirit of Sufism was reflected in the production process and the Iranian cinematic contents.

RELIGIOUS MODERATION THROUGH PERSIA-ACEH INTERCULTURAL COMMUNICATION Usman, Abdul Rani; Sulaiman, Azman; Fauzan, Ahmad; Zulyadi, Teuku; Salahuddin, Afrizal; Putri, Nanda; Jannah, Maisal; Misra, Laini
Islam Futura Vol 24, No 2 (2024): Jurnal Ilmiah Islam Futura
Publisher : Universitas Islam Negeri Ar-Raniry

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/jiif.v24i2.17443

The cultural encounter between Aceh and Persian traditions occurred through the approach of Sufism during the early spread of Islam in the Nusantara, where Islam was embraced as a socio-cultural ideology by the Acehnese people. The formalization of structural Islamic law in Aceh today has effectively closed off the possibility of religious moderation within the diversity of new cultural expressions. One of these measures is the establishment of Shafi'i school regulations as the main model in Aceh, which impacts the restriction and adjustment of certain traditions and arts that do not align with this school of thought. As a result, intercultural communication becomes an alternative approach to rebuilding mutual understanding, emphasizing the importance of tolerance, and appreciating cultural differences in Indonesia. However, the desired form of moderation has not yet materialized, as evidenced by the emergence of coercive attitudes within a singular religious perspective. Through an intercultural communication approach, this study reveals the moderation attitudes manifested from the cultural encounter between Aceh and Persia. The presence of Persian-style gravestones, still visible in several areas of Pidie (such as Giging, Bungiy, Meunasah Raya Paleue, and Cot Satu), serves as evidence of this cultural exchange. The descriptive-analytical method employed in this research uncovers several findings, including that history demonstrates the intense cultural communication between Persia and the Acehnese people as an expression of religious moderation. However, over time, with the implementation of structural Islam, the attitude of religious moderation has gradually eroded, either directly or indirectly.

Masjid Sebagai Media Komunikasi Islam untuk Meningkatkan Efektivitas Dakwah di Kalangan Generasi Muda Fauzan, Ahmad
An-Nasyr Vol 11 No 2 (2024): An-Nasyr
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam (IAI) Al-Aziziyah Samalanga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54621/jn.v11i2.978

Masjid memiliki peran strategis sebagai pusat komunikasi Islam yang tidak hanya berfungsi sebagai tempat ibadah tetapi juga sebagai pusat pembinaan spiritual dan sosial umat. Namun, keterbatasan dalam pendekatan komunikasi yang relevan sering kali menghambat masjid dalam menjangkau generasi muda di era digital. Penelitian ini bertujuan untuk mengeksplorasi strategi komunikasi masjid yang adaptif guna meningkatkan efektivitas dakwah bagi generasi muda. Metode yang digunakan adalah kajian pustaka (library research), yang mengumpulkan dan menganalisis literatur terkait peran masjid, komunikasi Islam, dan karakteristik generasi muda. Hasil penelitian menunjukkan bahwa kolaborasi antara pengurus masjid dan generasi muda, penerapan teknologi modern, serta pendekatan komunikasi yang interaktif dan relevan merupakan kunci dalam menjawab tantangan ini. Kesimpulan penelitian ini mengungkapkan bahwa masjid yang adaptif terhadap kebutuhan generasi muda dapat meningkatkan partisipasi mereka dalam kegiatan dakwah. Penelitian ini berkontribusi dengan menawarkan strategi praktis dan inovatif yang dapat diimplementasikan untuk memaksimalkan peran masjid di era digital.

RELIGIOUS MODERATION THROUGH PERSIA-ACEH INTERCULTURAL COMMUNICATION Usman, Abdul Rani; Sulaiman, Azman; Fauzan, Ahmad; Zulyadi, Teuku; Salahuddin, Afrizal; Putri, Nanda; Jannah, Maisal; Misra, Laini
Islam Futura Vol 24 No 2 (2024): Jurnal Ilmiah Islam Futura
Publisher : Universitas Islam Negeri Ar-Raniry

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/jiif.v24i2.17443

The cultural encounter between Aceh and Persian traditions occurred through the approach of Sufism during the early spread of Islam in the Nusantara, where Islam was embraced as a socio-cultural ideology by the Acehnese people. The formalization of structural Islamic law in Aceh today has effectively closed off the possibility of religious moderation within the diversity of new cultural expressions. One of these measures is the establishment of Shafi'i school regulations as the main model in Aceh, which impacts the restriction and adjustment of certain traditions and arts that do not align with this school of thought. As a result, intercultural communication becomes an alternative approach to rebuilding mutual understanding, emphasizing the importance of tolerance, and appreciating cultural differences in Indonesia. However, the desired form of moderation has not yet materialized, as evidenced by the emergence of coercive attitudes within a singular religious perspective. Through an intercultural communication approach, this study reveals the moderation attitudes manifested from the cultural encounter between Aceh and Persia. The presence of Persian-style gravestones, still visible in several areas of Pidie (such as Giging, Bungiy, Meunasah Raya Paleue, and Cot Satu), serves as evidence of this cultural exchange. The descriptive-analytical method employed in this research uncovers several findings, including that history demonstrates the intense cultural communication between Persia and the Acehnese people as an expression of religious moderation. However, over time, with the implementation of structural Islam, the attitude of religious moderation has gradually eroded, either directly or indirectly.

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