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Vulnerability of City Ecology: a Narrative of Female Labors and Informal Workers Ramdhon, Akhmad
Jurnal Perempuan Vol 19, No 1 (2014): Women Bodies in Ecology
Publisher : Yayasan Jurnal Perempuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34309/jp.v19i1.88

Abstract

Cities and women have experienced the most vulnerable condition under the premise of economic development specifically those living in poverty. Women working in informal sectors are portrait of vulnerable family in cities where men as breadwinner sometimes unable to fulfill the financial basis. They then have to take the risks of living in slum areas in a prohibited territorial area that unable providing basic needs such as clean water, good air ventilation, sanitation, air circulation, and public or common room. Accumulation of this migration to cities has transformed cities into the most vulnerable place to live for those having no money—gentrification.
Vulnerability of City Ecology: a Narrative of Female Labors and Informal Workers Ramdhon, Akhmad
Jurnal Perempuan Vol 19, No 1 (2014): Women Bodies in Ecology
Publisher : Yayasan Jurnal Perempuan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Cities and women have experienced the most vulnerable condition under the premise of economic development specifically those living in poverty. Women working in informal sectors are portrait of vulnerable family in cities where men as breadwinner sometimes unable to fulfill the financial basis. They then have to take the risks of living in slum areas in a prohibited territorial area that unable providing basic needs such as clean water, good air ventilation, sanitation, air circulation, and public or common room. Accumulation of this migration to cities has transformed cities into the most vulnerable place to live for those having no money—gentrification.
The Role Of People-Centered Community Planning Towards Urban Kampung Sustainability: A Case Study On Industrial Clusters In Kampung Kauman And Sondakan Surakarta N.H, Kusumaningdyah; Ramdhon, Akhmad
Jurnal Tata Kota dan Daerah Vol 7, No 1 (2015)
Publisher : Fakultas Teknik, Universitas Brawijaya

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Abstract

Surakarta is one of cities in Indonesia which implements an appropriate planning process and has a good condition for governance initiatives. Its planning process involves citizens participation in order to achieve sustainable development. This research aims to clarify the role of people centered community planning in Kampung Kauman and Kampung Sodakan as study cases. Method used Egan Wheel Diagram to measure the neighbourhood asset management. Result shows that the eight elements of Egan Wheel’s i.e.; social culture, governance, environtment, transportation, sercice, equality, economy, and neighborhood are appeared and elaborate. Both of key-persons are succeed to trigger people in two kampung get well initiative and involve in maintaning their community assets. Eventhough, youth community also have good willingness to manage and maintain their assets. From this research can be showed that building social capability is not a simple process, including defining skills and supplying training. Their successfull depends on the coordination and commitment of keyperson factors and local institutions.Keywords : kampung kota, citizen participation, Egan Wheel.
The Sea Alms Tradition in Rowo Village, Kebumen: Adaptation to Environmental Uncertainty through Actor-Network Theory Mubarok, Kasirul; Mundayat, Aris Arif; Ramdhon, Akhmad
International Journal of Social and Political Sciences Vol. 2 No. 2 (2025): August, 2025
Publisher : Austronesia Akademika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69812/ijsps.v2i2.135

Abstract

The relationship between humans and the environment has become a central focus in both social and ecological research, particularly among communities reliant on natural resources. This study examines the Sedekah Laut (Sea Alms) tradition practiced in Rowo Village, Kebumen Regency, as a cultural adaptation mechanism to address environmental uncertainty. The primary objective is to understand how this ritual reflects the community’s response to unpredictable natural conditions. Employing a qualitative approach grounded in Actor-Network Theory (ANT), the research explores the interactions between human and non-human actors involved in the tradition, including the sea, ritual objects, community leaders, and local beliefs. Data were collected through field observations, in-depth interviews, and document analysis. Findings reveal that Sedekah Laut is not only a symbolic expression of gratitude and spiritual reverence toward the sea but also serves as a practical strategy to reinforce communal bonds and manage uncertainty in a changing environment. The sea is perceived as both a provider and a sacred entity, deserving of respect and offerings. Through collective participation in the ritual, the community cultivates a shared sense of resilience, interdependence, and social solidarity. In conclusion, the Sedekah Laut tradition illustrates how local knowledge and cultural practices can function as adaptive strategies in the face of environmental challenges, offering insights into the dynamic relationship between society and nature as conceptualized through Actor Network Theory.
Consolidation of Disability Groups in Fighting for "Right to City" in Surakarta City Wandy Wiguna, Ringgana; Utami, Trisni; Ramdhon, Akhmad
International Journal of Educational Research & Social Sciences Vol. 4 No. 1 (2023): February 2023
Publisher : CV. Inara in Colaboration with www.stie-sampit.ac.id

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51601/ijersc.v4i1.611

Abstract

A city is a spatial space in which there are many groups of individuals who gather with each other by relying on social relations. As a social space, the city evokes a lot of activity in it. In this perspective, the social space explains that disputes, consensuses, negotiations, and conflicts ultimately occur in the city space due to the power relations of the actors in it. One of the actors who play the role is the disabled group. They are within the city and have the right to be able to feel everything that is provided within the city. Accessibility difficulties for some community groups including people with disabilities. This is important to discuss because people with disabilities are also part of society. They have the right to use public facilities and public security, which the state must provide for them. The purpose of this study is to look at the consolidation of disabled groups in defending the right to cities. The result of this research is that disabled groups can communicate between institutions and communities with the Surakarta government. They succeeded in pushing several policies and trustees until they were included in the formulation of programs from existing Government Organizations.
Drama and Jokes Reminding Human Rights: Sekber’ 65 Advocacy Human Rights Issues Through Ketoprak Saputro, Munanda Okki; Ramdhon, Akhmad; Zuber, Ahmad
Ilomata International Journal of Social Science Vol. 7 No. 2 (2026): April 2026
Publisher : Yayasan Ilomata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61194/ijss.v7i2.2105

Abstract

The resolution of gross human rights violations during the 1965 Tragedy in Indonesia still faces structural obstacles, particularly through legal mechanisms and state policies. In this situation, the victim community has developed alternative culture-based advocacy strategies. Previous research has indicated that artistic activities serve as an alternative means of advocating for human rights victims, healing trauma, and political struggle. This article analyzes Ketoprak Srawung Bersama (KSB), a performance art practice initiated by the victim community under the Joint SekBer'65 Surakarta, as a cultural strategy in human rights advocacy. Using an interpretive qualitative approach with an ethnographic approach, data was collected through in-depth interviews, participatory observation, and documentation studies. In this analysis, uses Henri Lefebvre's spatial production and Antonio Gramsci's hegemony, as well as Victor Turner's liminality. The results show that KSB functions as a space for the production of alternative narratives, a medium for the negotiation of collective memory, and an affect-based advocacy strategy that challenges the state's hegemonic narrative about the 1965 Tragedy. Performing arts in this context not only represent the experiences of victims but also become a social practice that expands the discourse on human rights in the public sphere, likes agrarian issues, structural inequality, and exploitation. In the performance, the victims of '65 were involved in scriptwriting, acting, and directing. This was a novelty in previous research, which only addressed art as an alternative, but did not show how victims were involved in artistic productions that became a new space for victims of human rights violations.