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All Journal Corak : Jurnal Seni Kriya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya ARTISTIC : International Journal of Creation and Innovation
Sri Marwati
Institut Seni Indonesia Surakarta
Arts Humanities Languange, Linguistic, Communication & Media

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TERUMBU KARANG SEBAGAI MOTIF HIAS PADA DESAIN TAS RANSEL Tri Sari; Sri Marwati
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3898

Abstract

Sadranan Beach is one of the beaches in the Special Region of Yogyakarta precisely in Gunung Kidul Regency. Sadranan Beach is famous for its rich coral reefs on its coastline. The beauty of the coral reefs found in Sadranan Beach is not found on other beaches because of the beauty of the coral reefs. However, many fishermen deliberately hunt coral reefs and are used as raw materials for buildings, ornaments, and retrieval of coral animals that use gathul which results in damage to coral reefs. Based on the above events the author is interested in creating a backpack design work with the use of coral reefs as ornamental motifs. The design of the backpack in the Final Task includes four stages of the process of designing and manufacturing a product as well as three stages and six steps of workmanship. The four stages are the feasibility study stage of the design project, the process stage of analysis of aspects of design and design concept, the stage of the process of drafting and making a plan, and the manufacturing process stage. The three stages and six steps of the work, namely the exploration stage, the planning stage and the embodiment stage. The process and results of the design work of this Final Task has three achievements, the first is to be able to design decorative motif designs from coral reefs. The second achievement is being able to design a backpack with ornamental coral reef motifs. The third achievement is to be able to realize the prototype of a backpack with ornamental motifs of coral reefs. The result of this backpack design work is in the form of 4 (four) backpack designs and two (two) prototype backpacks with coral reef decorative motifs. In 4 (four) designs it has the names montipora, acropora, acropoda, and sidesratra.
DESIGNING PARTY DRESS WITH WIJAYAKUSUMA BATIK MOTIF Siti Nafisah; Sri Marwati
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i1.4453

Abstract

Wijayakusuma flower is a unique and rare flower that only blooms once at night and after that it will wither and not bloom again. This uniqueness is an attraction to make it an inspiration for batik art work. The formulation of the studdy in this creation is how to visualize the Wijayakusuma flower in the form of a batik motif and implement it into party dresses. This artistic research uses three stages, namely exploration, design and visualization. The results of this study are the creation of the Wijayakusuma batik motif, the application of the Wijayakusuma floral batik motif to the party dresses, and the realization of the Wijayakusuma batik patterned party dress. The works of this party dress are entitled Selene, Amaris, Luna, and Neoma.
Exploration of Glow-in-the-Dark Pigment and Resin Materials in Relation to Types and Illumination Duration in Craft Products Chici Yuliana Nadi; Sri Marwati; Pratita Rara Raina
Corak Vol 15, No 1 (2026): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v15i1.17783

Abstract

This research was motivated by the limited availability of structured experimental data on innovative materials in the fields of craft and art. Glow-in-the-dark pigments and resin were chosen as the main focus due to their potential in experimental and contemporary creation. The purpose of this study is to explore the characteristics of glow-in-the-dark pigments and resin, and to examine the effects of light type and exposure duration on the visual quality of craft products produced. The approach used is practice-led research, positioning the creation process as the primary source of knowledge. The results show that epoxy resin has advantages over polyester and UV resin, while strontium aluminate–based pigments produce higher light intensity and longer afterglow duration than zinc sulfide. The experiments indicate that CAST R-GID and TOP R-GID samples produce similar luminescence after UV LED and white LED exposure, while ART R-GID shows dimmer and shorter-lasting luminescence due to uneven pigment distribution caused by longer curing times. In addition, UV LED illumination produces brighter and more durable luminescence compared to white LED. Longer exposure time results in more persistent afterglow
Co-Authors Chici Yuliana Nadi Pratita Rara Raina Siti Nafisah Tri Sari