Chici Yuliana Nadi
Institut Seni Indonesia Surakarta

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Pelatihan Pembuatan Aksesori Berbahan Resin dan Bunga Kering Bersama Mahasiswa Program Studi S-1 Pendidikan Kimia Universitas Sebelas Chici Yuliana Nadi
Jurnal Pengabdian Seni Vol 4, No 1 (2023): MEI 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jps.v4i1.9524

Abstract

Pelatihan pembuatan aksesori berbahan dasar resin dan bunga kering di Program Studi S-1 Pendidikan Kimia, Universitas Sebelas Maret (UNS) Surakarta merupakan salah satu upaya pendidik untuk memberikan pengalaman langsung kepada mahasiswa untuk berbagi pengetahuan dan praktik langsung bersama praktisi resin, yang juga merupakan dosen di Prodi Kriya, Institut Seni Indonesia (ISI) Surakarta. Peserta pelatihan berjumlah 27 orang yang merupakan mahasiswa semester ganjil tahun ajaran 2022/2023 yang telah mengikuti mata kuliah Kewirausahaan dan memiliki ketertarikan untuk belajar tentang resin. Metode yang digunakan dalam pelatihan adalah metode presentasi, demonstrasi, dan praktikum. Peserta pelatihan antusias bertanya dan praktik bersama praktisi untuk membuat aksesori berbahan resin dan bunga kering. Melalui pelatihan ini, selain menjadi bekal pengetahuan dan pengalaman bagi para peserta pelatihan, diharapkan pengetahuan tentang resin dapat menjadi pemantik bagi prodi untuk menyisipkan materi resin ke dalam salah satu mata kuliah praktik di Program Studi S-1 Pendidikan Kimia, UNS. Accessories-making workshop with resin and dried flowers in Bachelor of Chemistry Education Study Program, Sebelas Maret University, Surakarta is one of the educator’s efforts to provide the students with direct experience in knowledge sharing and practicing with resin practitioners, who are also lecturers in Craft Study Program, Indonesia Institute of The Art Surakarta. There were 27 participants in the training who were odd semester students of 2022/2023 academic year. They have taken Entrepreneurship course and have an interest in learning about resin. The methods used in the training were presentation, demonstration, and practicum methods. The training participants enthusiastically asked questions and practiced with practitioners to make accessories made from resin and dried flowers. Through this training, apart from being a provision of knowledge and experience for the students, the authors hope that knowledge about resin can be a trigger for study program to include resin material into one of the practical courses in Chemistry Education Study Program, Sebelas Maret University.
Exploration of Glow-in-the-Dark Pigment and Resin Materials in Relation to Types and Illumination Duration in Craft Products Chici Yuliana Nadi; Sri Marwati; Pratita Rara Raina
Corak Vol 15, No 1 (2026): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v15i1.17783

Abstract

This research was motivated by the limited availability of structured experimental data on innovative materials in the fields of craft and art. Glow-in-the-dark pigments and resin were chosen as the main focus due to their potential in experimental and contemporary creation. The purpose of this study is to explore the characteristics of glow-in-the-dark pigments and resin, and to examine the effects of light type and exposure duration on the visual quality of craft products produced. The approach used is practice-led research, positioning the creation process as the primary source of knowledge. The results show that epoxy resin has advantages over polyester and UV resin, while strontium aluminate–based pigments produce higher light intensity and longer afterglow duration than zinc sulfide. The experiments indicate that CAST R-GID and TOP R-GID samples produce similar luminescence after UV LED and white LED exposure, while ART R-GID shows dimmer and shorter-lasting luminescence due to uneven pigment distribution caused by longer curing times. In addition, UV LED illumination produces brighter and more durable luminescence compared to white LED. Longer exposure time results in more persistent afterglow