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All Journal Jurnal Living Hadis Religia : Jurnal Ilmu-Ilmu Keislaman
Putri Ghoida’ Habibillah
UIN Maulana Malik Ibrahim Malang
Religion Humanities Social Sciences

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Alteration of Hadith Functions in TikTok Social Media Miski Miski; Putri Ghoida’ Habibillah
Jurnal Living Hadis Vol. 7 No. 1 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/livinghadis.2022.4002

Abstract

This article categorized as a netnographic study that refers to uploads on the TikTok platform with various kinds of discussions in the name of the prophet's Hadits or Sunnah. Therefore, the three questions proposed are: 1) how does the Hadits in the TikTok experience a change in function? 2) How efficient is TikTok in conveying the prophet’s teachings? 3) What are the motivations that trigger users to upload content based on the prophet's Hadits? By conducting the content analysis of this study, it could be conclude that: 1) the Hadits which have spread on TikTok have changed their function, which originally served as a bayan, have now become certain tools for certain purposes, 2) in that narrow space, the prophet's Hadits could not be delivered comprehensively and completely because the facilities provided by TikTok could not accommodate all explanations so that siltation appears, 3) the wide range and the availability of features that support the transaction process contribute the creation of a massive commodification process. In addition, this paper also reviews the transfiguration of pretensions which are implied in the TikTok circulation chain. Some of these things denoted that the hadits circulating on the TikTok have problems that could not be ignored.
“Stay at Home, Obey Sunnah”: Construction of Women's Piety Through QS. Al-Ahzab Verse 33 in Tiktok Social Media Post Putri Ghoida’ Habibillah; Miski
Religia: Jurnal Ilmu-Ilmu KeIslaman Vol 25 No 2 (2022)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/religia.v25i2.811

Abstract

This research aims to analyze the construction of women's piety through QS al-Ahzab verse 33 on social media TikTok. In tracing this construction of piety, the main question is: how is the vers visualized with a certain understanding? and what are the implications to the context of religious patterns in Indonesia? Using a netnographic approach and three analytical models (descriptive, critical, and correlative), this research shows that QS. al-Ahzab verse 33 in the TikTok is visualized with symbols showing the domestication of women at home by playing sound, text on video, captions, and relevant videos. In this case, there are four specific important findings. Firstly, the understanding related to QS. al-Ahzab verse 33 is synonymous with an understanding based on the reasoning in translation rather than on text or sources. Secondly, various posts related to this theme are partly directed toward financial interests. Thirdly, there is an attempt to confirm the identity of a group automatically eliminating the truth of another group's version. Fourthly, a new structuring structure is created in TikTok's social interactions, digital piety. This study contributes to the discourse on how digital platforms shape religious understanding by introducing the concept of "digital piety." The use of netnographic methods allowed for a detailed analysis of user interactions, trends, and implications within TikTok’s unique ecosystem.
Co-Authors Miski Miski