Aqsa Mulya
Faculty of Languages and Arts, Universitas Negeri Medan, Indonesia

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Malay Dance Concept and Its Basic Elements Dilinar Adlin; Aqsa Mulya; Ruth Hertami; Inggit Prastiawan
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2365

Abstract

The large number of tribes living in North Sumatra causes this area to have a variety of art forms. Starting from the art forms brought by immigrants to the original art forms of North Sumatra, Malay art is one of them. Malay art is the prima donna of art in its native area, it is also one of the most popular art forms in the archipelago, especially its dance forms. Malay dance, like dance in other tribes, becomes a means to express or express how the soul of the people is. Through the presentation of the dance, the characters and customs that apply in the community can be understood. This fact is the reason for researchers to explain how the concepts and basic elements of Malay dance from North Sumatra. This study uses a qualitative approach.
IMPLEMENTATION OF OPEN BROADCASTER SOFTWARE STUDIO IN MUSIC PERFORMANCE MANAGEMENT THROUGH LIVE STREAMING Danny Ivanno Ritonga; Tri Danu Satria; Aqsa Mulya
Gondang: Jurnal Seni dan Budaya Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (608.046 KB) | DOI: 10.24114/gondang.v5i2.29638

Abstract

This study aims to compile the management of performing arts in musical performances through live streaming at the Music Education Study Program, State University of Medan and to develop methods for implementing Open Broadcaster Software Studio in musical performances through live streaming in the Music Education Study Program. This study uses a qualitative approach by following the opinions of Miles and Huberman, namely (1) data collection, which is carried out through interviews, observations, document digests, recording and recording; (2) data reduction, which is done by summarizing, selecting the main things, focusing on the important things, looking for themes and patterns and discarding unnecessary ones; (3) data display, which is done by showing data and presenting it in the form of narrative text and charts; (4) conclusion drawing/verification conducted by drawing conclusions and verifying the research findings. The results of the study indicate that the management of performing arts in Karya Musik performances through Live Streaming starts from the planning, organizing, actualling, and controlling stages. A show can be managed well if it has a good management system too. By having a good management system, the performance of the musical works will be able to achieve greater goals, targets, or outputs. Planning begins with preparing Human Resources and preparing hardware and software. The organization consists of the Program Director as the person in charge, Production manager who oversees the Floor Director and Talent/musicians, Multimedia manager who oversees IT operators, Software and Hardware Operators, and Camera Man, and Stage Manager who oversees Sound Operators and Lighting Operators. The implementation of Musical Performances through Live Streaming has been carried out 3 times. They are the Nusantara Tetabuhan Music Show, the Langkat Tamiang Rentak Show, and also the Orchestra Music Show. the methods and steps taken in implementing the OBS Studio software as a medium for the virtual musical performance process include input and output methods and using OBS Studio Software. The Method of Performing Live Streaming Music Works using OBS Studio Software begins with determining the settings and design layout, selecting Capture Card, Copy Code Live Streaming on Youtube, Paste Code Live Streaming to the OBS system, and Start Streaming.
Characteristics of East Sumatran Malay Dance as a New Dance Creation Engineering Foundation Dilinar Adlin; Ruth Hertami; Aqsa Mulya
Britain International of Linguistics Arts and Education (BIoLAE) Journal Vol 4 No 2 (2022): Britain International of Linguistics, Arts and Education - July
Publisher : Britain International for Academic Research (BIAR) Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/biolae.v4i2.706

Abstract

Malay Dance is one of the local content dances from North Sumatra Province - Indonesia. It is important that Malay dance is well understood by various groups, both students and the general public as art connoisseurs. Understanding of Malay dance aims to increase insight and comprehensive knowledge related to Malay dance and its characteristics. Thus, through a deep understanding of the characteristics of Malay dance, the skills to create new dances become more creative. This study aims to formulate or formulate the characteristics of Malay Dance as the foundation for engineering new dance creations. The results showed that the characteristics of Malay dance were grouped intointo three major parts, namely: a) head movement group which includes four (4) kinds of motion; b) group of hand movements which includes fourteen (14) kinds of motion; and c) group of footwork which is divided into eleven (11) kinds of motion. All of these characteristics become the foundation for engineering the creation of a new Malay dance by using the elements of energy, space, and time as a foothold.
Citizen-Based Arts Festivals in North Sumatra: Obstacles, Solutions, and Social Impacts Togatorop, Merdy Roy Sunarya; Hakim, Ifwanul; Mulya, Aqsa; Erizon, Erizon
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.65303

Abstract

This art study aims to reveal a new phenomenon of organizing art festivals based on community mutual cooperation or better known as citizen festivals. This study is based on the desire to produce a view and knowledge in seeing the challenges, solutions, and social impacts of citizen festivals. The study focuses on three citizen festivals representing three geocultural regions of North Sumatra, namely coastal, mountainous, and urban. The purpose of this study is to find the challenges faced by organizers in implementing Community-Based Art Festivals in North Sumatra and to reveal their solutions in facing these challenges, as well as to find the social impact of organizing Community-Based Art Festivals for the surrounding community. The method used in this study is a qualitative approach. The process of searching for data and information is carried out using interview, documentation, and literature study methods. The results of the study show that community-based festivals in coastal, mountainous, and urban areas have their own challenges. The Berhala Island marine culture festival on the Serdang Bedagai coast must deal with uncertain natural conditions. The Pancur Siwah Festival in the Karo mountains must grapple with religious ethics, the conservative attitude of the elders and the apathy of the younger generation. Meanwhile, the Jawa Deli Festival in Medan must be adaptive and collaborative with a multicultural social environment by facilitating various ethnicities. Some categories of impacts generated from these three types of festivals are cultural impacts, educational impacts, and economic impacts.