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All Journal JURNAL PUSTAKA KOMUNIKASI Jurnal Kopis: Kajian Penelitian dan Pemikiran Komunikasi Penyiaran Islam
Khairul Arief Rahman
Universitas Singaperbangsa Karawang
Languange, Linguistic, Communication & Media Social Sciences

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Fenomena “Jasa Penulis Online” dan Diferensiasi Sistem Komunikasi dalam Menjalankan Website di Indonesia Khairul Arief Rahman
Jurnal Kopis: Kajian Penelitian dan Pemikiran Komunikasi Penyiaran Islam Vol. 5 No. 1 (2022): Vol. 5 No. 1 (2022): Jurnal Kopis: Kajian Penelitian dan Pemikiran Komunikasi P
Publisher : Institut Agama Islam Tribakti (IAIT) Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33367/kpi.v5i1.2310

Abstract

This paper will be explain the differentiation of communication system in running website industry in Indonesia. Problems regarding abour regulation on ITE Law which is still dwelling on content, of courses also sees complexity of the website industry in Indonesia itself. However, this is problematic when content creator judge or defined as productive people in communicate via social media and others. Meanwhile, the owner of website see the rise of “Online Writer Services” (JPO) as benefit to expand their business. The main problem is automatically leads to communication between website’s owner and JPO which can have impact on the content. This happens as shaped of system implementation to deal with complexity on the distribution and production of content. This paper is expected able to describe the differentiation of communication system in running website industry in Indonesia along with the advantage and the disadvantage of the quality of content that created by system and infrastructure. The method uses in this paper is literature studies and concepts regarding system differentiation.
Perempuan sebagai Objek dalam Tren Medusa Trauma di TikTok Serly Oktavia Nur Bela; Fardiah Oktariani Lubis; Ema Ema; Khairul Arief Rahman
Jurnal Pustaka Komunikasi Vol 9, No 1 (2026): (In press)
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/pustakom.v9i1.6221

Abstract

The “Medusa Trauma” phenomenon on TikTok represents a new form of female suffering presented as an audio-visual trend. The term is used metaphorically to describe psychological trauma caused by betrayal or abuse by someone close, with the symbol of Medusa from Greek mythology originally a beautiful woman who was cursed into a monster after experiencing sexual violence representing defensive strength born from emotional wounds. This study applies Sara Mills’ model of Critical Discourse Analysis (CDA) to examine the subject and object positions within the Medusa Trauma narrative and how gendered power relations are constructed in digital culture. The analysis is conducted on two levels: micro (textual, audio, and visual representations in TikTok content) and macro (ideological and structural context of patriarchy in digital culture). Previous studies have rarely addressed the representation of women in viral digital trends and the potential commodification of trauma, leaving a research gap that this study aims to fill. The findings reveal that this trend serves not only as a space for emotional expression but also reproduces patriarchal discourse that positions women as passive symbols of suffering. The contribution of this research lies in providing a critical understanding of gender construction in digital culture and its implications for the representation of women’s trauma.
Co-Authors Ema Ema Lubis, Fardiah Oktariani Serly Oktavia Nur Bela