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All Journal Ghurnita: Jurnal Seni Karawitan Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM)
I Putu Nanda Yoga Mayura
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Arts Humanities Education Social Sciences

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Music Creation Tirta Pemutih | Kreasi Musik Tirta Pemutih I Putu Nanda Yoga Mayura; Ni Ketut Dewi Yulianti; I Made Dwi Andika Putra
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Abstract

Tabuh kreasi Tirta Pemutih is a work created from the transformation of an object from a holy spring in the Pura Dalem Pemutih area. The uniqueness obtained such as water waves, the name of a temple where this object is located, and the duality of different water sources are the ideas in the creation of this work. The purpose of creating tabuh kreasi Tirta Pemutih is to transform the ideas obtained into a concept through the Balinese karawitan music. The creation of this work uses the method of creation from Alma M. Hawkins which includes the exploration stage, the improvisation stage, and the forming stage. From this method, the creator carries out a creative process to create tabuh kreasi Tirta Pemutih. The result of the creation process in tabuh kreasi Tirta Pemutih is that the creator is able to transform the ideas obtained from a holy spring into a tabuh kreasi entitled Tirta Pemutih. In essence, tabuh kreasi Tirta Pemutih is a medium to introduce a holy spring object to the listeners through concepts that have been created and presented in a dissemination.   Keywords: Holy Spring, Tabuh Kreasi, Tirta Pemutih  
Karya Karawitan Citra Jalatarangga I Putu Nanda Yoga Mayura; I Ketut Garwa; I Gede Yudarta
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.8411

Abstract

Citra Jalatarangga is a karawitan composition that is contextually inspired by the duality of freshwater and seawater springs found at Geger Beach. The duality embodied in this idea serves as the fundamental concept and is subsequently implemented in the formulation and structuring of Balinese karawitan performance techniques. This paper discusses the process of creating the work, the formal structure of the composition, and the aesthetic values contained within it. The karawitan composition Citra Jalatarangga employs three theoretical frameworks as analytical tools to describe the duality of the different water sources. Transformation theory is used to determine the form and structure of the composition, creativity theory serves as a reference in the creative process, and postmodern aesthetic theory functions as a guideline for applying aesthetic nuances to the work. The creative method used in the creation of Citra Jalatarangga is the Panca Sthiti Ngawi Sani method, which consists of five stages: the inspiration stage (ngawirasa), the exploration stage (ngawacak), the conception stage (ngarencana), the execution stage (ngawangun), and the production stage (ngebah). This work utilizes several instruments from the Gamelan Semara Dana as its expressive medium and is structured into three sections, each representing the duality of the water sources through different formulations and performance techniques. In addition, instrument arrangement, costume design, and lighting design also function as supporting aspects in the presentation of the work, which was staged at Wantilan Banjar Sawangan, Desa Adat Peminge.
Co-Authors Garwa, I Ketut I Gede Yudarta, I Gede I Made Dwi Andika Putra