Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal Ghurnita: Jurnal Seni Karawitan
I Wayan Srutha Wiguna
Unknown Affiliation
Arts Humanities Education Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
The Music Composition Tajen Jangkrik | Komposisi Musik Tajen Jangkrik I Wayan Srutha Wiguna; I Komang Sudirga
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tajen Jangkrik consists of two words, namely tajen which means fight, and cricket is a small insect with a loud sound. Tajen Jangkrik is a Balinese musical art work that describes the process of playing cricket fighting games. This work raises the phenomenon of youth and old people in Bali past or present, especially in Kesiman Village who play cricket fights for gambling or betting. This work will be realized in the form of innovative musical works using the media, namely Gamelan Semarandana and Gamelan Selonding. The purpose of the creation of this work is as a criticism through Balinese musical works of art to the public that this gambling game is not good to do, it can harm oneself because of betting and harm the living things that are used as a means of playing. The method used in the process of creating works is the creation method of Alma M. Hawkins with three stages in it, namely the exploration stage, the improvisation stage and the forming stage. The recommendation that can be given is how the stylist combines two gamelan barungan with different techniques, materials and characteristics into one complete work. From these recommendations, hopefully it can be an inspiration as a reference for future works.
Karya Karawitan Eksperimental “Marebu Agung” I Wayan Srutha Wiguna
GHURNITA: Jurnal Seni Karawitan Vol 4 No 3 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i3.4257

Abstract

"Marebu Agung" is an experimental music composition that inspired the idea of the Ngerebong ceremony in Kesiman Petilan Village, East Denpasar, Denpasar City. The composer's interest in the aspects of the Ngerebong ceremony, such as ritual aspects through the ceremony stages and musical elements through the instruments or gamelan that accompany the ceremony, drove the composer to realize it in an experimental artwork. In this case, the composer aimed to transform the Ngerebong ceremony into an experimental music composition by combining the musical aspects of the ceremony, including Ancag-ancagan or Leluangan motifs on the Gong Kebyar and motifs of Batel, Bapang, and kale on the Baleganjur Bebarongan. Marebu means neutralizing, while agung means nature, so marebu agung means neutralizing or purifying nature. In this case, it refers to the Ngerebong ceremony itself, carried out to purify the nature of Kesiman. Three problem formulations become the focus of this creation: how the creation process, form, and aesthetics. Methods used in the creation process is Panca Stithi Ngawi Sani from I Wayan Dibia, consisting of ngawirasa, ngewacak, ngerencana, ngawangun, and ngebah. This creation's theories include creativity, aesthetics, and transformation. This creation has a magical tone and highlights pattern processing based on combining two Karawitan motifs in the Ngerebong ceremony.  
Co-Authors I Komang Sudirga