Dewi Purwaningsari
Universitas PGRI Palembang

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Karya Tari Sang Misionaris : Interpretasi Karya Misi Paulus Tjen On Ngiedi Keuskupan Pangkalpinang Rully Rochayati; Dewi Purwaningsari
Jurnal Pendidikan dan Penciptaan Seni Vol 2, No 2 (2022): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v2i2.295

Abstract

The Missionary is a dance work which is an interpretation of the work of Paulus Tjen On Ngie’s mission in the Pangkalpinang diocese area. The purpose of realizing this dance work is as an expression of his journey in proclaiming the gospel. The purpose of writing is as a from af accountability for the work. In addition, it is necessary to provide knowledge about the background of the work. The process of creating this dance creation methods, namely exploration, improvisasion, giving shape, and evaluation. These stages are combined with observations, interviewer, and documentation to strengthen the process of creating dance work. Related to this method, literature studies and recording in the from of videos or pictures are also carried out during the process is a dance work with a duration of 08.40 minutes. The from of dance work is very completeconsistingof title, dance moves, number of dancer, floor patterns, dance accompaniment mucis, dance properties, make-up, fashion, stage area, lighting.Overall this dance work is formed with a mature and planned concept and is complete according to the needs of the dance itself.
Elemen Estetis Sendratari Manarajang Lawok pada Pertunjukan Launching Calendar of Charming Event Palembang Tahun 2022 Rully Rochayati; Dewi Purwaningsari; Nita Maelatul Hasanah
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 5, No 3 (2023): Journal of Education, Humaniora and Social Sciences (JEHSS), February
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1214.722 KB) | DOI: 10.34007/jehss.v5i3.1415

Abstract

The purpose of this paper is to find out how the aesthetic elements contained in the Manarajang Lawok ballet. The problem is focused on the aesthetic elements of choreography. In order to approach this problem, a theoretical, a theoretical reference from Y. Sumandiyo Hadi was used in 2012 with the title choreography (From-Engineering-Content). The data were collected throuhg data triangulation and analyzed qualitatively. This study concludes that the manarajang lawok ballet is a new creation, dance by 10 dancers. The Manarajang Lawok ballet is discussed in 3 aesthetic elements of choreography, namely the concept of motion as an aesthetic element of choreography, namely the movements performed by dancers are focussed in such away as to make it look epic when performed. The conceptof space as an aesthetic choreography element which is further divided into positive-negative space discussions, levels using low, medium and high levels, floor patterns using locomotor movement, stasionary and pause, directions using the eight cardinal directions, dimensions which includes height, width and depth. It is also discussed in the concept of time as an aesthetic element of choreography, which is divided into three parts, aspects of the tempo of the fast and slow movements performed by the dancers, the aspect of rhythm, namely the strenght and softness of the movements performed, and the duration, which is 11 minutes 40 seconds.