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The Third Typology: The Development of Catuspatha of Denpasar City Km. Deddy Endra Prasandya; Made Wina Satria
Architectural Research Journal Vol. 1 No. 1 (2021): ARJ: Architectural Research Journal
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

In Bali, crossroad or pempatan agung is not only seen as a channel of movement. Crossroad or better known as catuspatha in Balinese architecture has sacred meaning and values. In the days of the kingdoms, associated with its status as the center of the royal capital, catuspatha was functioned as the natah of the city. It was the center of citizen activities. Along with the development of times, technology, and the influence of economic, social and cultural factors, the catuspatha was increasingly experiencing development and changes. This study seeks to identify the development and changes of the catuspatha of Denpasar City based on the theory of The Third Typology by Anthony Vidler. The research method used is typical normative criticism which has the belief that buildings and urban areas are always built through a model based on the types of structural, functional, and shape. The results show that The Third Typology also applies to the catuspatha of Denpasar City, where its development and changes can be seen from three typologies, including the first typology which emphasizes natural philosophy, the second typology which is more modernist ideology, and the third typology neo rationalist which emphasizes on continuity of form and history.

RANCANG BANGUN APLIKASI GAMIFIKASI UNTUK MENINGKATKAN KESADARAN KEAMANAN SIBER Raden Budiarto Hadiprakoso; Wina Agus Satria
JURNAL ILMU KOMPUTER Vol 8 No 2 (2022): Edisi September
Publisher : LPPM Universitas Al Asyariah Mandar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35329/jiik.v8i2.232

Pada awal tahun 2021 Badan Siber dan Sandi Negara melaporkan data serangan siber yang terjadi di Indonesia. Jumlah serangan yang diterima pada kuartal pertama tahun 2021 lebih dari 88 juta serangan. Serangan pengumpulan informasi menyumbang sebanyak 43% dari serangan ini. Serangan pengumpulan informasi menyumbang sebanyak 43% dari serangan ini. Sangat penting untuk menemukan cara untuk meningkatkan kesadaran keamanan siber untuk mencegah serangan pengumpulan informasi semacam itu. Akibatnya, sebuah penelitian dilakukan untuk menggunakan gamifikasi instruksional kesadaran keamanan siber untuk meningkatkan kesadaran keamanan siber komunitas. Menggunakan Software Development Lifecycle (SDLC) Personal Xtreme Programming, aplikasi gamifikasi SadarSiber ini dibuat dalam bentuk permainan kuis. Berdasarkan hasil kuesioner yang dibagikan kepada responden, aplikasi gamifikasi SadarSiber dapat meningkatkan kesadaran keamanan siber dan mencegah pengguna mengekspos data pribadinya kepada pihak yang tidak dikenal.

Kajian Ketahanan Aspek Fisik Rumah Bali Aga dalam Merespons Covid-19 Studi Kasus Rumah Adat Desa Pedawa Made Wina Satria; Km. Deddy Endra Prasandya; Nyoman Ratih Prajnyani Salain
Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Vol 20, No 2 (2022): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v20i2.60730

The purpose of this study was to formulate criteria and indicators for buildings that have resistance to covid-19, then study the physical aspects of the Pedawa Village traditional house building. This study is a mixed method study that integrates qualitative and quantitative methods. Interpretive criticism were used to formulate the criteria. Measurements with a 1-3 scale and JMP statistical analysis tool were used to formulate the conditions of physical aspects of the Pedawa Village traditional house. The result shows that there are three main criteria for Covid-19 responsive buildings, including utility, layout, and materials. The evaluation of the Pedawa Village traditional houses show that the house meets 12 of the 18 indicators of the covid-19 response house. These indicators include water supply, drainage, building orientation, ventilation direction, distance between buildings, site area, open space, building massing composition, and choice of materials and materials.

Aesthetic Study of Temple Architecture in Bali: A Case Study of Pamesuan Pura Puru Sada, Pura Agung Kentel Bumi, and Pura Batuan Made Wina Satria; Km Deddy Endra Prasandya
Architectural Research Journal Vol. 4 No. 1 (2024): Architectural Research Journal
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/arj.4.1.2024.20-26

A temple as a place of worship is a sacred building, the center of worship of Ida Sang Hyang Widhi Wasa (God Almighty for Hindus) and His manifestations, so that its placement is in a part that is considered main in the land plan of a village or other special place according to applicable local village regulations. In the construction and planning, determining the size, layout, as well as the meaning and symbolism of each temple building in Bali has been stated in the lontar Asta Kosala. Meanwhile, the land management is stated in lontar Asta Bumi. Even though it was built based on concepts from the same lontar source, the shape and appearance of each temple can be very different. Each region in Bali has a unique architectural style, both in ornamentation, use of materials, and even the proportions of the form. In the view of Balinese architecture, the assessment of aesthetic quality is more focused on meaning, taste, and philosophical values, so the assessment tends to be subjective. This research seeks to examine the relationships between humans and the environment, especially those related to aesthetic aspects. The research method used is interpretive criticism, which is not influenced by certain views or doctrines and does not base itself on measurable objectivity. The results of the research show that there is an influence of formal aesthetics on the sensory and symbolic, where the shape and dimensions of the gates (both Candi Bentar and Kori Agung) have given an aesthetic impression to observers, which is then captured by visual sensors and interpreted.

The Third Typology: The Development of Catuspatha of Denpasar City Km. Deddy Endra Prasandya; Made Wina Satria
Architectural Research Journal 8-14
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/arj.1.1.3298.8-14

In Bali, crossroad or pempatan agung is not only seen as a channel of movement. Crossroad or better known as catuspatha in Balinese architecture has sacred meaning and values. In the days of the kingdoms, associated with its status as the center of the royal capital, catuspatha was functioned as the natah of the city. It was the center of citizen activities. Along with the development of times, technology, and the influence of economic, social and cultural factors, the catuspatha was increasingly experiencing development and changes. This study seeks to identify the development and changes of the catuspatha of Denpasar City based on the theory of The Third Typology by Anthony Vidler. The research method used is typical normative criticism which has the belief that buildings and urban areas are always built through a model based on the types of structural, functional, and shape. The results show that The Third Typology also applies to the catuspatha of Denpasar City, where its development and changes can be seen from three typologies, including the first typology which emphasizes natural philosophy, the second typology which is more modernist ideology, and the third typology neo rationalist which emphasizes on continuity of form and history.

Aesthetic Study of Temple Architecture in Bali: A Case Study of Pamesuan Pura Puru Sada, Pura Agung Kentel Bumi, and Pura Batuan Made Wina Satria; Km Deddy Endra Prasandya
Architectural Research Journal 20-26
Publisher : Program Studi Arsitektur, Fakultas Teknik dan Perencanaan, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/arj.4.1.2024.20-26

A temple as a place of worship is a sacred building, the center of worship of Ida Sang Hyang Widhi Wasa (God Almighty for Hindus) and His manifestations, so that its placement is in a part that is considered main in the land plan of a village or other special place according to applicable local village regulations. In the construction and planning, determining the size, layout, as well as the meaning and symbolism of each temple building in Bali has been stated in the lontar Asta Kosala. Meanwhile, the land management is stated in lontar Asta Bumi. Even though it was built based on concepts from the same lontar source, the shape and appearance of each temple can be very different. Each region in Bali has a unique architectural style, both in ornamentation, use of materials, and even the proportions of the form. In the view of Balinese architecture, the assessment of aesthetic quality is more focused on meaning, taste, and philosophical values, so the assessment tends to be subjective. This research seeks to examine the relationships between humans and the environment, especially those related to aesthetic aspects. The research method used is interpretive criticism, which is not influenced by certain views or doctrines and does not base itself on measurable objectivity. The results of the research show that there is an influence of formal aesthetics on the sensory and symbolic, where the shape and dimensions of the gates (both Candi Bentar and Kori Agung) have given an aesthetic impression to observers, which is then captured by visual sensors and interpreted.

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