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All Journal Semiotika Social Sciences and Humanities Reviews
Maharani Sri Devi
universitas jember
Arts Humanities Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
Representation of Madurese Culture in the Novel Tanjung Kemarau: A Literary Anthropology Study Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad
Social Sciences and Humanities Reviews Vol. 1 No. 1 (2025): Social Sciences and Humanities Reviews
Publisher : CV. DYOQU PUBLISHING MANAGEMENT

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64780/sshr.v1i1.22

Abstract

Background: Literature functions not only as a medium of storytelling but also as a reflective space to explore cultural identity. The Madurese culture, though rich in traditions, values, and philosophical depth, is often represented through reductive stereotypes in mainstream narratives. Such portrayals risk eroding the authentic identity of the community. Aims: This study aims to analyse the structural elements of the novel Tanjung Kemarau by Royyan Julian and uncover representations of Madurese cultural identity through the lens of literary anthropology. Methods: Using a qualitative descriptive method and a literary anthropology framework, the novel was examined through its themes, characters, conflicts, settings, symbols, myths, and embedded philosophical values. Data collection included textual analysis and triangulation with ethnographic sources and expert consultations. Results: The findings reveal that Tanjung Kemarau integrates Madurese cultural elements, such as the value hierarchy of bhuppa', bhâbhu', ghuru, rato, the honour-bound principle potèa tolang è tembhâng potè mata, and community rituals like petik laut and matchmaking. Characters and settings illustrate tensions between traditional values and modern social dynamics. Myths and legends embedded in the narrative reflect a syncretic worldview rooted in ancestral wisdom. Conclusion: Tanjung Kemarau serves as more than a fictional narrative; it becomes a cultural archive that documents, critiques, and symbolically reconstructs Madurese identity. The novel validates literature’s potential as an ethnographic medium to reveal complex social realities and challenge dominant cultural discourses. Through this interdisciplinary approach, the study contributes to cultural preservation and supports culturally responsive literary education in a multicultural context.
Co-Authors Abu Bakar Ramadhan Muhamad Bambang Aris Kartika, Bambang Aris Dewi Angelina Titik Maslikatin