Yulis Nila Sari
Universitas Pembangunan Nasional Veteran Jawa Timur

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Representasi Tokoh Perempuan dalam Film Black Panther: Wakanda Forever Yulis Nila Sari
Jurnal Ilmu Komunikasi Vol 4 No 2 (2021): Media Literacy (Educating the Nation)
Publisher : Progdi Ilmu Komunikasi UPN "Veteran" Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/jkom.v4i2.147

Abstract

The film Black Panther: Wakanda Forever places women as the main characters in the film. Princess Shuri is described as a tomboyish woman, without make-up, with short hair, and has a brave, strong and intelligent character. This central depiction of a female character shows an alternative side of femininity where women are no longer seen as weak. The unique presentation of female characters in this film attracts the attention of researchers to find out more about the representation of female characters. Not only Shuri's character is the focus of research but other figures such as the Wakandan warrior. In conducting the analysis the researcher uses a qualitative description method with the aim of explaining the results of the study. While the theory used is Roland Barthes' semiotics who wants to know the meaning of denotation, connotation, and signs in films. Through the research that has been carried out, it has resulted in findings that the second Black Panther film makes women the main superhero characters, which have changed the myths of beauty and women in patriarchal culture. Beauty is no longer constructed by meeting standard beauty myths such as white skin color and long hair. Women are also no longer portrayed as following a patriarchal culture where women are the number two figure. Women in this film are described as having the same strength as men so that there is equality in them. In addition, the film Wakanda Forever tends to present masculine dominance in female characters. It can be seen through the depiction of characteristics such as physique, personality and behavior of female characters.
AKTIVISME TAGAR #SAVENOVIAWIDYASARI DI TWITTER Yulis Nila Sari; Irwan Dwi Arianto
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 10, No 8 (2023): NUSANTARA : Jurnal Ilmu Pengetahuan Sosial
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v10i8.2023.4084-4095

Abstract

Penggunaan internet di Indonesia semakin meningkat setiap tahunnya, APJII pada November 2016 penggunaan internet ditemukan sebanyak 129,2 juta atau 97,4% dari total keseluruhan pengguna internet lebih sering mengakses media sosial. Di masa pandemi COVID-19 penggunaan Twitter meningkat hingga 20% pengguna tiap harinya. Aktivisme dengan tagar #savenoviawidyasari menjadi salah satu gerakan sosial yang memanfaatkan Twitter sebagai saluran komunikasi saat pandemi COVID-19. Pada tanggal 4 Desember 2021 itu setidaknya ada lebih dari 21 ribu pengunggah tweet yang menyertakan #savenoviawidyasari untuk menuntut keadilan bagi korban bernama Novia Widyasari. Penelitian ini dibuat dengan tujuan untuk mengetahui bagaimana aktivisme digital dalam kasus #savenoviawidyasari di Twitter. Metode yang digunakan yakni Netnografi berbasis data site Kozinets. Dalam menggunakan metode netnografi pengumpulan dan penyususan semua bentuk digital membentuk unit, sub struktur, dan struktur makna budaya. Aktivisme digital menurut Sandor Vegh dibagi dalam tiga kategori diantaranya kesadaran, mobilisasi, aksi dan reaksi. Sedangkan teori yang digunakan dalam melakukan analisis temuan menggunakan Network Society Manuel Castells. Ditemukan hasil bahwa kesadaran aktivisme dilihat dari jumlah suka dan komentar, mobilisasi dilakukan secara online dengan hashtag, dan aksi tuntutan hukum. Isu lainnya terkait #savenoviawidyasari seperti #percumalaporpolisi dan sahkan RUU TPKS. Segala gerakan aktivisme digital yang menunjukkan ketidakbecusan polisi berujung dengan tagar #percumalaporpolisi.