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All Journal Jurnal Widya Biologi Pranatacara Bhumandala: Jurnal Riset Planologi Lantera Widya
I Putu Gede Suyoga
Institut Desain dan Bisnis Bali Denpasar
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Immunology & microbiology Medicine & Pharmacology Public Health Social Sciences Transportation

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KAYU BAHAN BANGUNAN TRADISIONAL BALI DALAM PERSPEKTIF EKOLOGI BUDAYA I Putu Gede Suyoga; I Made Gede Anadhi
JURNAL WIDYA BIOLOGI Vol 13 No 02 (2023): Widya Biologi
Publisher : UNHI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyabiologi.v13i02.3570

Abstract

Kayu adalah bahan bangunan utama dalam khasanah arsitektur tradisional etnis Bali. Pemanfaatannya sudah diatur dalam sejumlah pustaka kearsitekturan tradisional Bali. Hal ini dapat dipahami sebagai hasil adaptasi ekologis yang terabstraksi dari filosofi Tri Hita Karana. Bagaimana aspek-aspek filosofi tersebut teraplikasi dalam praktik kultural etnis Bali? Studi dengan kualitatif dengan deskriptif interpretatif ini, menelaah dengan pendekatan Ekologi Budaya. Hasil studi menunjukkan praksis etnis Bali dalam pemanfaatan kayu sebagai bahan utama bangunan tradisional Bali, merupakan kompleksitas gagasan, etika pola prilaku, dan artefak simbolik yang sarat makna ekologi. Ketentuan klasifikasi kayu, arah tebang, tabu/larangan, dan lain-lainnya adalah sebagian kecil dari aplikasi sosio kultural. Aspek parhyangan menekankan pendekatan sistem kepercayaan dan ritual periodik. Aspek pawongan dan palemahan dengan panduan pilihan kayu untuk masing-masing bangunan. Pada akhirnya praksis kolektif etnis itu menjadi karakter sosial, yakni mencintai lingkungan alam sekitar sebagai bagian dari ekologi global.
MEMAHAMI ETNOEKOLOGI PADA TATA KELOLA AIR RUMAH TRADISIONAL BALI I Putu Gede Suyoga; Ni Ketut Ayu Juliasih
JURNAL WIDYA BIOLOGI Vol 14 No 01 (2023): Vol 14 No 01 (2023): Widya Biologi
Publisher : UNHI Press

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Abstract

Air sebagai salah aspek penting dalam ekosistem mendapat perhatian khusus dalam rancang bangun rumah tradisional etnis Bali. Tata kelola air tersebut meliputi sumber air bersih, drainase air hujan, dan air limbah domestik. Pemikirannya terinci secara konsepsi pada sejumlah manuskrip lontar kearsitekturan tradisional dan teraplikasi pada desain rancang bangun di setiap satuan lahan hunian etnis Bali. Fokus studi kualitatif dengan landasan teori etnoekologi ini mengungkapkan beberapa hasil kajian, seperti berikut ini. Secara teoretis, uraian lontar Asta Bhumi dan Asta Kosala Kosali merupakan landasan konsepsi desain perancangannya. Konsep ini terkait erat dengan aspek cosmos dan corpus. Secara praxis, mentradisi pada penataan ruang dan bangunan-bangunan bale yang berpola menyebar pada sebuah karang paumahan ’lahan hunian’. Terdapat sonasi untuk letak semer ‘sumur’, paon ’dapur’, bada ’kandang’, natah ’halaman’, teba ’lahan kosong’, songembah ’drainase’, dan jelinjingan ’got’. Semua itu menunjukkan bahwa rumah tradisional etnis Bali, merupakan sebuah adaptasi budaya yang sangat kuat mengungkapkan upaya konservasi air. Secara holistik dari lingkungan terkecil rumah tangga, melalui mekanisme sistem kepercayaan aspek keilahian air (cosmos), pengetahuan lokal konsepsi air (corpus), dan praktik tata ruang, bangunan, dan utilitas airnya (praxis).
MENGURAI KONSEP TATA RUANG ARSITEKTUR PURA DI WILAYAH NUSA PENIDA, KLUNGKUNG I Putu Gede Suyoga
Pranatacara Bhumandala: Jurnal Riset Planologi Vol 4 No 1 (2023): Pranatacara Bhumandala: Jurnal Riset Planologi
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/pranatacara_bhumandala.v4i1.4176

Abstract

The Nusa Penida area has a temple architectural spatial concept that is different from the temple architectural spatial concept that is developing on the mainland island of Bali. Historical aspects and the role of local elites in terms of ownership, placement and conversion of cultural, social, symbolic, and economic capital strongly underlie the different of development. A qualitative study with a focus on exploring architectural spatial concepts on the territorial boundaries of Nusa Penida is the focus of this study. Bourdieu’s generative structuralism theory, underlies data analysis with an interpretative descriptive approach. The results of the study show that there are seven spatial planning concepts of temple architecture that are developing, namely: the concept of Pemuteran Mandara Giri, Manusa Pandita, Asta Gangga, Dalem Nusa, Territorial, Swagina, and Kawitan. This conception has underpinned the construction of thousands of temple architectures spread across the Nusa Penida area.
PENGENALAN KONSEP DAN KONTEKS ARSITEKTUR PARHYANGAN BERDASARKAN ASTA KOSALA KOSALI BAGI PEMANGKU DAN SERATI PADA DIKLAT KEPEMANGKUAN DAN TUKANG BANTEN DI GRIYA GEDE MANIK UMAJATI, PEMOGAN, DENPASAR SELATAN I Putu Gede Suyoga
Jurnal Lentera Widya Vol 4 No 2 (2023): Jurnal Lantera Widya Juni 2023
Publisher : LPPM Institut Desain dan Bisnis Bali

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Abstract

One of the basic knowledge regarding the architecture of the parhyangan or the area and sacred places (temple) of Hindu worship should be understood by uncles or pinandita, Serati or banten artisans, and traditional prajuru as administrators of traditional villages in an effort to protect Hindus. Training (education and training) is an effective means of achieving this goal. Provision of learning materials with interactive lecture methods and practice. Training activities with concept material and architectural context parhyangan through kepamangkuan, serati, and traditional prajuru training activities organized by the Griya Gede Manik Umajati Foundation. The results of the study show that by placing worship architectural works as a sign system, through the theory of semiotics as a science of signs, it can be understood the content of the signifier and the signified or their form, function, and meaning. The understanding of the 40 participants at the beginning of the training showed that on average 74 percent understood the Parhyangan architectural work only in terms of its architectural form or appearance and function (signs/markers), while 26 percent did not understand in terms of meaning (signature). Both regarding spatial, building, and worship. After the training took place, the results of the evaluation showed an increase in participants' understanding of the complexity of the Parhyangan architectural work, which concerns the conception and philosophy that underlies it. context in the form of status of the temple, characteristics, radius of sanctity, variants of spatial and building layouts, functions, choice of good days for construction, rituals, and worship spells. The evaluation results showed an average increase of 99 percent of the participants' understanding of the training material, while 1 percent still needed further elaboration, especially regarding the new model of shrine phenomena, ceremonies, and worship spells. The pre-posttest results showed an average increase in understanding for all participants by 25 percent. and cult spells.
Co-Authors I Made Gede Anadhi Ni Ketut Ayu Juliasih