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All Journal ELTIN Journal: Journal of English Language Teaching in Indonesia Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Wacana Saraswati Majalah Ilmiah Tentang Bahasa Sastra Dan Pembelajarannya Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Nusantara Journal of Multidisciplinary Science
Nissa Puspitaning Adni
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Religion Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media

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Language Variations in the Tetralogy Supernova: Kesatria, Putri dan Bintang Jatuh by Dewi Lestari (Study on Language and Gender) Nissa Puspitaning Adni
Wacana Saraswati Majalah Ilmiah Tentang Bahasa Sastra Dan Pembelajarannya Vol 22 No 1 (2022): Wacana Saraswati
Publisher : FAKULTAS PENDIDIKAN BAHASA DAN SENI IKIP SARASWATI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (460.443 KB) | DOI: 10.46444/wacanasaraswati.v22i1.452

Abstract

The paper presents the results of research on the relationship between language and gender, in the perspective of social phenomena, on which the language variation is not related to the built phonology, grammar and lexicon, but more to do with semantics or meaning of the language contained in the language. Lakoff (1975) states that there exist variations in the use of language which is based on a specific gender. It is said that, the language used by men tend to be right on target or not long-winded, blunt, flat intonation, and a purely cognitive or does not show colours over their emotions. Meanwhile, women's language is the opposite. This research applies the qualitative by taking its primary data from first supernova tetralogy novel, with the title Kesatria, Putri, dan Bintang Jatuh". The method used is the method of literature, which is the collection of data by using books or references relating to the issue being discussed by way of reading, understanding, and choosing the data that are applicable to be analysed further. In the data found that in the specific situation/context, gender inequalities are represented by linguistic inequality, on which men and women can be conventionally represented in the language.
An Analysis Of Cross-Cultural Communication Through Asian Player In Genshin Impact Dewa Bagus Dwi Cancerli Ananta; Ni Ketut Sri Rahayuni; Nissa Puspitaning Adni
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 2 No. 2 (2024): June: Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v2i2.700

Abstract

This study aimed to analyze the assumption of similarities in English language through some Asian player of the game and language differences from the game chat. In order to analyze both the assumption of similarities in English language and language differences, this study used a descriptive qualitative method, taking multiple steps of playing and communicating together with some Asian player, taking several screenshots of the game chat. According to Genshin Impact’s producer interview video, Asian Genshin Impact player had different expressions in the conversation such as vocabulary, utterance and even had different cultural background from where they live. Finally, because this is related to the world of fantasy games, the researcher invites readers to include participation to increase the effectiveness of communication between fellow players to support the development of English in the world and in anticipation of persuade young generations and general people to learn more their background culture.
Psychoanalysis On Conflict Of The Main Character Hannah Baker In The 13 Reasons Why Series Helena Nuarike Himan; Ni Ketut Sri Rahayuni; Nissa Puspitaning Adni
Nusantara Journal of Multidisciplinary Science Vol. 1 No. 10 (2024): NJMS - Mei 2024
Publisher : PT. Inovasi Teknologi Komputer

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Abstract

It investigates the conflict of the main character and how she solve the conflict based on her personality. The primary aim of this study is to find out the various conflicts experienced by Hannah Baker and also to find out how she resolves the conflicts within the framework of her personality. This study used primary data from the TV Series 13 Reasons Why. It applied note-taking and documentation method. It also use qualitative method which focused on subjective assessment of attitudes, opinions and behaviour. The result of this study was presented in the informal method. There are two theories used in this study, which are theory of Conflict by Kenney which further explaining a conflict within a single man, a conflict between men, a conflict between man and society, and a conflict between man and nature (1966) and theory of Personality by Freud (1923), which further explaining about the id, ego and the superego of the main character’s personality. The first theory used for this study to answer the first problem of the study in finding out the conflict Hannah Baker encounter in her life. This examination aims to uncover the various dimensions of her conflicts. The second theory is used to answer the second problem of the study which is to find out the personality factors that delves into the intricate, unconscious aspects shaping individual personality that contributing in the main character Hannah Baker’s psychological state.
AN ANALYSIS OF DEIXIS TYPES AND ITS’ REFERENCE IN “CINDERELLA” MOVIE Kadek Ari Widianti; Ni Luh Nyoman Seri Malini; Nissa Puspitaning Adni
ELTIN Journal Vol 12 No 2 (2024): VOLUME 12, ISSUE 2, OCTOBER 2024
Publisher : STKIP Siliwangi

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Abstract

The study aims to identify deixis types and their references in "Cinderella." Kenneth Branagh directed and Chris Weitz screen played this film. This study used descriptive qualitative research. The info came from the Cinderella script. The data was evaluated using Levinson's theory. The research discovered five types of deixis in Cinderella: person (998), spatial (84), time (47), place (98), and discourse (66). Furthermore, the reference meaning conveyed in deictic markers within the deixis found in the movie are revealed using the theory of anaphora such as anaphoric and cataphoric references.
Postmodern Feminism in the Movie K-Pop Demon Hunters (2025) Putu Marvitta Adira Prastiwi; Nissa Puspitaning Adni
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.6415

Abstract

The South Korean entertainment industry, propelled by the global Hallyu wave, continues to thrive internationally. However, it remains influenced by deeply rooted patriarchal norms, especially in the portrayal of women in popular media. This study explores the representation of women in the film K-Pop Demon Hunters (2025) through the lens of Luce Irigaray’s postmodern feminist theory (1985). Using a qualitative content analysis approach, the research investigates the film’s visual, narrative, and symbolic dimensions to examine how female characters are depicted. Unlike the traditional portrayal of passive femininity prevalent in Korean popular culture, K-Pop Demon Hunters presents its female protagonists as active, autonomous, and empowered individuals. These characters express their identities through bodily performance, voice, dance, and emotion—an embodiment of écriture féminine, or feminine writing. The film introduces a symbolic language that allows women to speak from their own experiences, disrupting the male-dominated narrative structures often seen in mainstream media. Additionally, the film challenges patriarchal conventions by offering subversive and multifaceted representations of women’s bodies, relationships, and agency. Rather than reinforcing objectifying tropes, it constructs a space where feminine identity is fluid, expressive, and resistant to hegemonic definitions. This approach not only redefines the role of women within the cinematic narrative but also opens possibilities for alternative gender discourses in Korean media. In doing so, K-Pop Demon Hunters exemplifies how popular media can serve as both a mirror and a critique of societal gender norms.   
Co-Authors Dewa Bagus Dwi Cancerli Ananta Helena Nuarike Himan Kadek Ari Widianti Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Putu Marvitta Adira Prastiwi