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All Journal Junior Medical Journal Jurnal Kajian dan Penelitian Umum
Auliannisa Ramadhani
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Overview of the Average Amount of Fluid Expelled by Patients Undergoing Continuous Ambulatory Peritoneal Dialysis Therapy for The Last 3 Month and Its Review According to the Islamic View Auliannisa Ramadhani; Linda Armelia; Muhammad Arsyad
Junior Medical Journal Vol 1, No 2 (2022)
Publisher : Junior Medical Journal

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (303.996 KB) | DOI: 10.33476/jmj.v1i2.2875

Abstract

Chronic kidney disease (CKD) is a clinical condition characterized by a slowly progressive and permanent decline in kidney function. One of the renal failure therapy facilities that can be chosen is Continuous Ambulatory Peritoneal Dialysis (CAPD). Patients with CAPD can perform dialysis independently, but there are several factors that affect the ability in CAPD so that the balance of the amount of dialysate fluid expenditure is disturbed. Therefore, a study was conducted to determine the effectiveness of CAPD therapy based on a review of the average amount of fluid released during therapy during the last 3 months This retrospective study was a descriptive cross-sectional study using a consecutive sampling technique, where the researcher reviewed primary data based on respondents' answers to the questionnaire and secondary data from the CAPD therapy patient diary. The results showed Based on demographic analysis we can conclude that 27 respondents (60%) are male, 43 respondents (95.56%) were in the age range 20-60 years, 42 respondents (93.33%) were Muslim, 30 respondents (66.6%) are Javanese, 21 respondents (46.7%) have a high school education, 23 respondents (51.11%) are workers with 24 respondents (53.3%) not willing to answer the income earned for a month. The average weight and height of the respondents respectively was 66.67 kg (SD 12.8) and 163.69 cm (SD 7.39). Analysis of the characteristics of respondents' CAPD therapy found 22 respondents (48.89%) had undergone therapy for 1-3 years, 39 respondents (86.67%) used combination fluids with 23 respondents excreting an average of 800-1000 fluids per day. 29 respondents (64%) admitted had experienced the amount of fluid that came out less with the most felt symptom was edema (31%). On the other hand, 38 respondents (84.4%) claimed to have experienced more fluid discharge with no symptoms (79%).
Bentuk Penyajian Tari Lemea Di Sanggar Dulang Mas Pada Acara AMAN Di Desa Lubuk Kembang Auliannisa Ramadhani; Herlinda Mansyur
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 5 (2023): Oktober : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i5.429

Abstract

This study aims to describe the form of presentation of the Lemea Dance at the Dulang Mas Studio at the Alliance of Indigenous Peoples of the Archipelago in Lubuk Kembang Village, North Curup District, Rejang Lebong Regency. This type of research is qualitative using descriptive analysis method. The key research instruments were the researchers themselves and assisted by data collection equipment such as stationery, interview guides, photo cameras and video cameras. The data in this study uses primary data and secondary data. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. The steps to analyze the data are data reduction, data presentation and data verification. The results showed that the form of presentation of the Lemea dance at Dulang Mas Studio at the Archipelago Indigenous Peoples Alliance event at Lubuk Kembang Village, North Curup District, Rejang Lebong Regency was a creative dance with a representational form of presentation and functioned as entertainment. The elements in the presentation of the Lemea Dance consist of 5 dance movements, 6 female dancers, musical accompaniment (Accordion, Gong, Tamtam, Redap, Kulintang, Tamborin, Toktok and Cymbals), clothing styles (belts, outerwear and cloth belts) and the addition of head accessories (buns, orange flowers, cempako flowers, and yellow scarves tied in a bun) and other accessories (bracelets, coin necklaces and earrings), make-up using beautiful makeup, props (Sauk, Kerontong, Taleng Cakik , Dapar, Knife and Gerigik), and the performance venue for this Lemea Dance is displayed in an open field in front of the main stage.
Co-Authors Herlinda Mansyur Linda Armelia Muhammad Arsyad