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All Journal Jurnal Sendratasik Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya JURNAL PENDIDIKAN TAMBUSAI These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan MASALIQ: Jurnal Pendidikan dan Sains Student Scientific Creativity Journal Jurnal Multidisiplin West Science Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Herlinda Mansyur
Prodi Pendidikan Tari, Universitas Negeri Padang
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Social Sciences Other

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KOREOGRAFI TARI PIRIANG BAKENCAK DI SANGGAR TARI TUAH SAKATO KECAMATAN PAUAH KOTA PADANG Rafi, Rafi; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105313

Abstract

Abstract This article aims to reveal and describe the choreography of Piriang Bakencak dance at Sanggar Tuah Sakato in Kecamatan Pauh Kota Padang. This type of research is qualitative research using descriptive methods. This research instrument is self-research and assisted by supporting instruments such as stationery and cameras. Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Piriang Bakencak dance was a group-shaped creation that used the composition of the group, and was directed by a lift in the Koto Anau tradition. This Bakencak dish dance is a development of tradition with a choreography approach. In Piriang Bakencak dance There are elements of dance composition consisting of theme, motion, top design, floor design, dramatic design, music design, process, equipment and choreography group. It was concluded that Piriang Bakencak dance was directed by planning choreography by the fact. Because Piriang Bakencak dance in the start of an idea that is present from the tradition, and was directed in a form of a clear, then directed again with more new movements. Keywords:   choreography, Piriang Bakencak Dance, Sakato Classes Workshops Dance
KEBERADAAN DAN PERAN PEREMPUAN DALAM TARI TAMPURUANG DI NAGARI KOTO BARU KABUPATEN SOLOK SELATAN Ningsih, Lisa Wahyu; Indrayuda, Indrayuda; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106685

Abstract

Abstract This study aimed to reveal and explain the existence and role of women in the Tampuruang dance in Nagari Koto Baru, South Solok regency. Besides, to reveal the role and reason why there must be a female dancer in the Tampuruang dance performed at the nagari Koto Baru until this time. This type of research was qualitative using descriptive methods. Data were obtained through direct observation and interviews, as well as documentation and literature studies. Data were analyzed based on the approach of Miles and Huberman, namely analyzing the phenomena that occur in Tampuruang dance performance activities and the phenomenon of women in Tampuruang dance. After collecting the data, it was collected, reduced, presented and verified and concluded. The results showed that the presence of women in Tampuruang dance became an important part of the performance. Also, women's activities are not only as dancers but also as musicians. Women are a symbol of sako and pusako holders and as a symbol of Bundo Kanduang, and as manager of internal family matters. Women are the owners of traditional houses that need to be highlighted in welcoming guests to the Koto Baru village. The reason for the need for women in the Tampuruang dance is as a dance icon and as a symbol of kinship matrilineal which symbolizes Bundo Kanduang as manager of household matters. Keywords: Tampuruang dance, female dancers, and roles.
KEBERADAAN TARI TAREA-READI KENAGARIAN KOTO GADANG GUGUK KECAMATAN GUNUNG TALANG KABUPATEN SOLOK Wahyuni, Sri; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105306

Abstract

AbstractThis article aims to reveal and describe the existence of Tarea-rea dance in Kenagarian Koto Gadang Guguk Kecamatan Gunung Talang  Kabupaten Solok. This type of research is qualitative research with a descriptive method. The main instrument of this research is its own research and assisted with supporting instruments such as stationery, cameras and Handycam.  Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations and interviews. The steps for analyzing data are data collection, analyzing data, describing data and making conclusions. The results showed that Tarea-rea dance is a art carried by the ancestors of the Guguk people who inherited hereditary with the traditional system. Tarea-rea dance was originally used as a dance at the time of the decline ceremony of rice harvesting. Since 2015 This dance is increasingly popular in the Kenagarian Koto Gadang Guguk as the performing arts. The existence of Tarea-rea dance is still recognized and cultivated by the community and local people also have recognized the existence of the dance in the Kenagarian Koto Gadang Guguk.Keywords: existence, Tarea-Rea dance
KOREOGRAFI TARI ZAPIN KAMPONG BOLAK DI KECAMATAN TEMBILAHAN KABUPATEN INDRAGIRI HILIR PROVINSI RIAU Nadila, Sagita Dwi; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106726

Abstract

Abstract The purpose of this study is to reveal and describe the ZapinKampong Bolak dance in Tembilahan District, Indragiri Hilir Regency, Riau Province based on Choreography aspect. This type of studywas a qualitative with using descriptive methods. The main instrument in this study was the researcher and was assisted by supporting instruments such as stationery and camera. The type of data used primary and secondary data. Techniques of Data collection were carried out by taking literature study, observation, interviews and documentation. The steps in analyzing data were done by collecting, reducting, presentating and drawing data conclusions. The result shows that the Zapin Kampong Bolak Dance in Citra Sebati Studio Tembilahan District, Indragiri Hilir Regency, Riau Province is a dance that illustrates the life and excitement of young people who do not become arrogant when meeting their friends in the village even though each of them has been successful overseas. The Zapin Kampong Bolak dance is played by a group of dancers  that are consisting of eight dancers and is divided into two male dancers and six female dancers. TheZapin Kampong Bolak dance has dance elements such as motion, music, themes, costumes, make-up, floor design, dramatic design and top design. The Zapin Kampong Bolak dance is first made to take part in a regional dance parade contest, then also staged for entertainment and greetings in Tembilahan District, Indragiri Hilir Regency, Riau Province.  Keywords: choreography, Zapin Dance, Kampong Bolak
PENINGKATAN HASIL BELAJAR TARI DENGAN MENGGUNAKAN MEDIA CHART DI SMP NEGERI 4 PARIAMAN Arviani, Yohana; Astuti, Fuji; Mansyur, Herlinda
SENDRATASIK UNP Vol 7, No 3 (2019): Seri D. Maret 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (87.465 KB) | DOI: 10.24036/jsu.v7i3.103406

Abstract

AbstractThis article aims to reveal and explain about how teachers interact with students and improve learning outcomes of students in learning the art of using the media Charts in SMP Negeri 4 Pariaman. This type of research this is a class action Research (PTK). The research was carried out in 2 cycle i.e. the cycle I and cycle II. The instruments used in this research is the written tests (cognitive) and test skills (psychomotor). The techniques used in data collection is the observation, knowledge (cognitive) tests and keterampilam tests (psychomotor). Technique of data analysis is carried out based on the activity of learning, student learning outcomes and assessment criteria. The results showed that the use of media art learning culture in chart in particular dance in Class VII. 4 SMP Negeri 4 Pariaman can improve the results of the study and was able to make student learning was directly involved in the practice of dance. On cycle I have not found an increase in student learning outcomes are significant but in cycle II by using the media, learners are more focused and serious in following the instruction. This is evident by the presence of learning outcomes grade VII. 4 on cycle I student learning outcomes the overall cognitive and psychomotor 62.95 and on student learning outcomes the overall cycle of psychomotor and cognitive 81.43. So there has been an increase in the results of learning the art of dance by using media chart and targets on want has been successful.Keywords: study results of dance, chart media
AYUAN BAGANDAI Pransisko, Pransisko; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105304

Abstract

Abstract The dance "Ayuan Bagandai" aims to enjoy traditional dance in different forms without losing the traditional elements. The dancers work on the dance "Ayuan Bagandai" with a form of dance creation that is sourced from the traditional dance of the Muko-muko community, namely Gandai dance. The dancers tell how we keep the traditional dance is increasingly liked and known by many people. The dance "Ayuan Bagandai" is inspired by the phenomenon of the Muko-muko society, which nowadays, the majority of the people do not care about a traditional dance. When the era of dance increase and become an asset to the local area, it will gradually disappear without supporting of the society to preserve the dance. this phenomenon is seen by the dancers in Muko-muko District. They prefer to play modern dance, without realizing they want to eliminate the traditional dance that has grown within the society group. Keywords:  Ayuan Bagandai
RADIX Rianti, Muthia; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105344

Abstract

Abstract The creation of "RADIX" Dance works aims to create creative dance works and reveal ideas inspired by the root bridge found on the south coast. The dance Works "RADIX" is inspired by the root bridge (the titular title) found in the village of Pulut-Pulut, in the district IV Nagari Bayang Utara. The plot of the "RADIX" dance interpreting the shape of the root braid into the dancer's body. What is the process of root braid on the bridge of the titular temple to become a bridge. This work of "RADIX" further illustrates how the root characteristics of the titular bridge are on the point. The properties of the roots are bending, propagating and strongly interpreted to the body of the dancer through the motion that corresponds to the root character. Dancers in the work "RADIX" should kill the character of the motion like the roots, because with the character of this dance work will be conveyed to the audience. The dance Works "RADIX" is a symbolic dance. The nature of the roots is interpreted to the body of the embodied through motion, stage, cosmetology, fashion, lighting, and emphasized by the music. Keywords: Radix, Radix Dance, Perform Art
SILEK LANYAH: PERKEMBANGAN DARI TRADISI KE KREASI DI DESA KUBU GADANG KELURAHAN EKOR LUBUK KECAMATAN PADANG PANJANG TIMUR KOTA PADANG PANJANG Khairah, Wardhatul; Desfiarni, Desfiarni; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106574

Abstract

The purpose of this study is to describe and analyze the development of Silek Lanyah from tradition to creation in Kubu Gadang Village, Ekor Lubuk Village, Padang Panjang Timur District, Padang Panjang. The type of study was a qualitative with descriptive methods. The instrument of study was the researcher and it was assisted by supporting instruments such as stationery, camera and gadget / smartphone. The type of data used primary and secondary data. Techniques of data collection carried out by doing literature study, observation, interview and documentation. Techniques of data analysis were done by doing collection, reduction,  data presentation and making conclusions. The result shows that Silek Lanyah has progressed in terms of the quality of the movements, performers, costumes, music and practice camp or targets. The development of Lanyah Silek originates from Silek Tuo Gunuang as a source of Silek Lanyah movement. Young men and women in Kubu Gadang Village as the perpetrators of Silek Tuo Gunuang preserve their traditional arts that are developed in a new form, which become a martial arts attraction as a icon of touristm.Keywords: silek lanyah, the development, tradition to creation
Creating an Indonesian Archipelago Creation Dance for Elementary School-Aged Children Mikaresti, Pamela; Mansyur, Herlinda
International Conference on Elementary Education Vol. 4 No. 1 (2022): Proceedings The 4th International Conference on Elementary Education
Publisher : Elementary Education Study Program School of Postgraduate Studies Universitas Pendidikan Indonesia in collaboration with UPI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (288.517 KB)

Abstract

Preserving traditional dances of the Indonesian archipelago, one of which is through education starting from elementary school-aged children. However, there are some obstacles faced by teachers of elementary schools, including the lack of knowledge of art because the learning material obtained at colleges is not adequate. In addition, art teachers who are classroom teachers at elementary schools generally do not have artistic skills, especially in terms of dance. The purpose of this study is to create an Indonesian archipelago creation dance for elementary school-aged children as a step in inheriting cultures through introducing the cultures of the Indonesian archipelago to elementary school-aged children. In terms of research method, this study used ethnographic qualitative research method and dance creation method. The result of this study is a creation dance resulting from the development of the traditional dances of Andun Dance and Kejei Dance from Bengkulu. In conclusion, this Indonesian archipelago creation dance is an innovation in introducing the regional cultures of the Indonesian archipelago by including this learning material in the course of Art Education at Elementary School in the study program of Elementary School Teacher Education.
Koreografi Tari Piriang Bakencak Di Sanggar Tari Tuah Sakato Kecamatan Pauah Kota Padang Rafi Rafi; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 2 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (742.901 KB) | DOI: 10.24036/jsu.v8i1.106522

Abstract

This article aims to reveal and describe the choreography of Piriang Bakencak dance at Sanggar Tuah Sakato in Kecamatan Pauh Kota Padang. This type of research is qualitative research using descriptive methods. This research instrument is self-research and assisted by supporting instruments such as stationery and cameras. Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Piriang Bakencak dance was a group-shaped creation that used the composition of the group, and was directed by a lift in the Koto Anau tradition. This Bakencak dish dance is a development of tradition with a choreography approach. In Piriang Bakencak dance There are elements of dance composition consisting of theme, motion, top design, floor design, dramatic design, music design, process, equipment and choreography group. It was concluded that Piriang Bakencak dance was directed by planning choreography by the fact. Because Piriang Bakencak dance in the start of an idea that is present from the tradition, and was directed in a form of a clear, then directed again with more new movements.
Co-Authors Afiatri Gelurena Afifah Asriati Almadina Putri Alya Putri Anak Agung Istri Sri Wiadnyani Aqilla, Qorri Ardina Khairunnisa Arif Agustakdir Rahman Arviani, Yohana Aulia R, Rindena Auliannisa Ramadhani Ayuning Dwi Kusrini Chintia Renata Putri Cici Aulia Sari Darmawati Darmawati Darmawati Darmawati David Hernandes Deby Deswariani Dede Putri Perdani Desfiarni Desfiarni Devina Utami Dina Mutiatul Khairat Dona Evrie Dona Indriani Elga Pratiwi Rahmadani Elizar Elizar Elizar Elizar, Elizar Endang Nuryani Etika junita Fadhilah Amalia Hasanah Fani Putri Anggraini Fara Tiurma Andrina Fernanda Putri Fitri Latifah Fitri Wahyuni Fittry, Hasanah Fuji Astuti Fuji Astuti Gemala Dewi Gusti Maharani Haryono Haryono Hasibuan, Sindi Melani Ichanur Safri, Oktry Indah Fajar Wati Indah Septiani Indrayuda Indrayuda Izlatul Maulida Jupriyanto Jupriyanto Kamilia Maghfudzah Khairah, Wardhatul Kurnia Hidayati Laily Wulan Rahmawati Lapeni Pebria Maibur Lara Sintia Lativa Andriani Lhaxmi Nuari Maghdalena Tri Jureta Maharani Maharani Meika Meika Meika Meizul Ofriananda Melany, Sandra Mikaresti, Pamela Muhammad Afif Nabila Rahmi Isdiani Nadila, Sagita Dwi Nelvy Ayunda Sari Nerosti Nia Mardiani Ningsih, Lisa Wahyu Niro Mayelza Nur Annisa Nurul Fazila Ismail Pransisko Pransisko Pransisko, Pransisko Putri S Mulyadi Putri, Chintia Renata Rafi Rafi Rafi, Rafi Rahayu Febri Armi Rahma Dianti Rahma Sinta Rahmi Ul Fadhilah Ramadhan, Adrian Rara Febiola Raudatul Hayati Reza Septiana Rianti, Muthia Rifatil Indah Riska Fitriani Risna Dewi Rizka Putri Ananda Sella Oktafira Gea Seri Malini Sindi Melani Hasibuan Soraya , Atika Sri Wahyuni Suci Silvia Ningsih Suci Wahyuni Sukhma Suci, Suci Silvia Ningsih Sury Rahmadani Susmiarti Syinta Triagnesti Tiara Virginia Aulia Tiaranti Dwi Pradita Tri Rafika Sari Uthi Sonia Utia, Yuwaffa Veny Apriliyola Yolanda Putri Yose Fernando Yosi Muliana Yuliasma Yuliasma Yundari, Yundari Zora Iriani Zulfika Putri