I Komang Sumaryana Putra
Udayana University, Bali, Indonesia

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The Analysis of Three Dimensions of The Main Character in Percy Jackson Gres Rewung Kadmaerubun; I Gusti Ayu Gede Sosiowati; I Komang Sumaryana Putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 30 No 1 (2023): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (815.639 KB) | DOI: 10.24843/ling.2023.v30.i01.p04

Abstract

The aim of this study is to analyze the three dimensions of the main character in Percy Jackson and the Olympians: The Lightning Thief movie. The data which are used in this study are taken from a movie entitled Percy Jackson and the Olympians: The Lightning Thief. This study applied a theory proposed by Egri (1960) to analyze the three dimensions of the character and a theory proposed by Kenney (1966) to classify the method of characterization into five methods: Discursive Method, Dramatic Method, Contextual Method, Mixing Method, and Characters on the other Characters Method. The data were collected by using documentation method and note taking technique. Descriptive and qualitative method were used to analyze the data. Based on the analysis, it shows that the main character in Percy Jackson and the Olympians: The Lightning Thief movie is Percy Jackson. The findings of this study indicate that in the movie, it shows all of the three dimensions of the character. There is also method of characterization used by the author in the movie.
Bulian Saa: Exploring the Distinct Characteristics of Ritual Language of North Bali’s Indigenous Community I Komang Sumaryana Putra; George Saad; Amrita Nugraheni Saraswaty; I Kadek Surya Jayadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 2 (2025): Symbolism in Balinese Rituals
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i02.p02

Abstract

Bulian Saa is a distinct form of Balinese Hindu ritual language used by the Bali Mula, the indigenous Balinese community of Bulian Village, North Bali. Unlike other Balinese Hindu ritual languages, Bulian Saa exhibits lexical and structural features that diverge significantly from the standardized ritual language used across Bali, particularly in the names of deities, temples, and sacred elements. This research explores Bulian Saa in comparison with standard Balinese Hindu ritual language, with a focus on the Panca Sembah (Five Turns of Worship). This comparison enables a thorough investigation of the unique characteristics of Bulian Saa that are reflected in language identity and language preference of Balinese Hindu people in Bulian village. The study’s significance lies in documenting and analysing this under-researched variant of Balinese ritual language, fostering its preservation, and providing insights for broader discussions on the relationship between language, tradition, and identity in minority communities.