I Gusti Ayu Jatiana Manik Wedanti
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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PEMANFAATAN WEBSITE PENJUALAN LUKISAN SEBAGAI MEDIA KOMUNIKASI PEMASARAN DI DESA TAKMUNG KECAMATAN BANJARANGKAN KABUPATEN KLUNGKUNG I Putu Adi Saskara; I Gusti Ayu Jatiana Manik Wedanti; Ida Bagus Komang Sindu Putra
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 18 No 1 (2023): Widya Duta Maret 2023
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (535.965 KB) | DOI: 10.25078/wd.v18i1.2009

Abstract

Takmung village is one of several in the Klungkung area. Takmung Village has a popular tourist destination known as "Nyoman Gunarsa Classical Painting Museum," which is famous for its paintings. However, Takmung Village itself is less known to the public as a village of artists. In contrast to Kamasan Village, Takmung Village's artists are much less known, and many of them do not have their stalls or time to sell their artworks. The use of websites comes in handy in this problem, which helps artists to advertise their services and sell their artwork online. Aside from providing information and selling its products, a website works as an indirect representation of its professionalism and legitimacy. In addition to the local artist, it helps introduce other artists. Therefore, by utilizing the art on this website, artists from various parts of the Klungkung district can also become famous. This study created the Griya Art House, an art gallery, implementing the Research and Development methodology as its foundation. Data Flow Diagrams and Entity Relationship Diagrams are used in this study's website creation procedure. The final result of this study stated that the effectiveness of the sales website on the purchasing power of paintings was demonstrated to be effective with a total of three product purchases. The creation of this website is expected to be able to contribute to the community in Takmung Village, Banjarangkan District, Klungkung Regency, especially artists as assistance in the form of website applications that are applied in marketing their work.
EKSISTENSI PURUSA DAN PRADANA DALAM PEWARISAN MENURUT HUKUM ADAT BALI I Gusti Ayu Jatiana Manik Wedanti; I Putu Adi Saskara; I Made Sugita
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 18 No 1 (2023): Widya Duta Maret 2023
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.777 KB) | DOI: 10.25078/wd.v18i1.2017

Abstract

Purusa and pradana are two important concepts in Balinese Inheritance Customary Law which in simple terms purusa is defined as male and pradana is defined as female. In its development, the meaning of purusa and pradana in Balinese Inheritance Customary Law is no longer that simple but has a broader meaning, namely purusa is interpreted as a son and/or daughter (in this case as sentana rajeg) who becomes the main heir while pradana is interpreted as as sons and/or daughters who will later leave their families and rights and obligations due to marrying out to follow their husband or wife. The majority of indigenous peoples in Bali embrace Hinduism and adhere to a patrilineal kinship system commonly referred to as kramusa/purusa. Inheritance in Balinese Customary Law does not only involve the distribution of inheritance in the form of property or in the form of materials, but also includes immaterial inheritance, namely inheritance in the form of responsibilities and obligations (swadharma) to ancestors and the community. Children as heirs who are able to continue the swadharma of their deceased parents can be appointed as heirs. In accordance with the concepts of purusa and pradana as legal principles in the inheritance of Balinese Customary Law that purusa does not have to mean a son and pradana does not have to mean a daughter. Either a boy or a girl can become a purusa or a pradana.