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LAMUT DAN MADIHIN Kesenian Tradisional Banjar di Tengah Arus Modernisasi Jahdiah, Jahdiah
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (155.056 KB) | DOI: 10.14710/sabda.7.1.105 - 116

Abstract

There are various types of Banjar traditional arts flourishing in South Kalimantan. Among others are rare types of traditional arts that are feared to be extinct. Lamut is one of those rare types of traditional arts, while Madihin seems to have significant progress. In performing Lamut, a big tambourine is played as an interlude by a palamutan, while Madihin is performed by a madihin artist called pemadihinan who also plays a tambourine. The tambourine is played by using two hands beating the tambourine in stomping rhythm of the opening, content and the act of performing rhyming quatrains.
The Practice of Local Wisdom in Folklore as A Builder of the Early Conservation Spirit Yayuk, Rissari; Jahdiah, Jahdiah; Riana, Derri Ris; Suryatin, Eka
Humanus Vol 22, No 2 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i2.122558

Abstract

The future generation must have insight and practice local cultural knowledge in the era of globalization. The study aims to illustrate the representation of folklore as builders of the early cultural conservation spirit. The research data is an anthology of South Kalimantan folklore by H. Fahrurazie et al. UPT published by Taman Budaya Kalimantan Selatan in collaboration with Pustaka Banua publisher in 2013. The research method is qualitative descriptive—documentation and observation research techniques. The research steps are observation, determination of data sources, data collection, data selection, data analysis, conclusions, and presentation of data. The results showed that the representation of folklore has the practice of local wisdom, including a) knowledge of natural phenomena; b) practice in finding a source of life in the form of farming, gardening, and fishing; c) the practice of using living technologies and equipment; and d) practice of moral values in the literary arts.  The conclusion is the source of insight and knowledge of wisdom, one of which is through folklore. Stakeholders, such as families, schools, and governments, play a role in providing oral and written literacy materials so that children get to know the culture early on.
Analysis of Balamut Performance Structure for Cultural Preservation in Southern Kalimantan Nursugiharti, Titih; Yulianto, Agus; Bahri, Saeful; Hidayat, Roch Aris; Jahdiah, Jahdiah; Safei, Mawar
Aptisi Transactions On Technopreneurship (ATT) Vol 8 No 1 (2026): March
Publisher : Pandawan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34306/att.v8i1.639

Abstract

Lamut is a traditional art form that has evolved and flourished alongside society. This performance art involves a solo theatrical presentation by an individual known as the Palamutan. Facing the threat of extinction due to modern societal dynamics, this study investigates lamut art, identifying the factors behind its decline, exploring methods for its revitalization, particularly among youth, and evaluating its contribution to national and local development, underscoring its cultural importance and need for preservation. This study highlight the rich cultural history of Lamut and its significance in the Banjar community. The study is to understand the decline of lamut, identify the factors affecting its practice, and propose methods to preserve it for future generations. The methodology employed is descriptive qualitative research, providing an explanatory framework for the findings. The study categorizes lamut into two types: entertainment lamut and therapeutic lamut. Results indicate that factors contributing to the decline include the long duration of performances, ritualistic aspects incompatible with Islamic teachings, and the marginalization of traditional arts in the face of modernity. The emphasis is that the preservation of lamut requires collaboration between artists, cultural practitioners, and relevant institutions to ensure its continuity.