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All Journal Jurnal Pamator : Jurnal Ilmiah Universitas Trunojoyo Madura Paradigma: Jurnal Kajian Budaya Wacana, Journal of the Humanities of Indonesia
Waworuntu, Adrianus L. G.
Faculty Of Humanities Universitas Indonesia
Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Representation Of Chinese And African Relationship Through Wolf Warrior 2 Film Cherli Septiani; Rahadjeng Pulungsari Hadi; Adrianus Laurens Gerung Waworuntu
Jurnal Pamator : Jurnal Ilmiah Universitas Trunojoyo Vol 15, No 2: Oktober 2022
Publisher : LPPM Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/pamator.v15i2.20246

Abstract

Film Wolf Warrior 2 (war Wolf2/ zhàn láng 2) by Wu Jing which was released in 2017, tells the story of a former Special Forces of the People's Liberation Army (TPR) named Leng Feng in Africa. Leng Feng was an employee of the export trade from China to Africa, but with the wars and epidemics that occurred in Africa, Leng Feng had to evacuate Chinese citizens who were in Africa to return to China. The film not only features the main character Leng Feng, but also features a setting in Africa and several dialogues mention things about Africa. Based on the observations made, the writer intends to research the film Wolf Warrior 2 which was released in 2017 which was made and directed by Wu Jing. Observations were made to see how the film Wolf Warrior 2 represents the relationship between China and Africa, and to see its meaning through the scenes in the film. Through descriptive qualitative methods, the researcher found that the film Wolf Warrior 2 displays diplomatic relations between China and Africa. 
Shenshi 紳士 atau Gentry Cina: Sekilas Sejarah dan Profil Kaum Aristokrat Cina pada Zaman Kekaisaran Waworuntu, Adrianus L.G
Paradigma: Jurnal Kajian Budaya Vol. 2, No. 2
Publisher : UI Scholars Hub

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Abstract

In order to comprehend the many aspects of social and cultural historiography of traditional China, it is imperative to recognize who are the main actors. In traditional Chinese society, there is a significant category known as the Chinese gentry, or the shenshi 紳士 in Mandarin. They were known as the Chinese scholar-official class who administered the traditional Chinese dynastic government system since more than two-thousand years ago until the abolishment of the system in 1911. The Chinese gentry emerged from the intellectuals who became officials by going through a special, open-recruited, educational system; a system that enabled every person from any strata in traditional society to enroll. However, their office and titles could not be passed to their offspring through birthright. All ministers, governors, magistrates, intellectuals, poets, men of letters, and also the metropolitan and local informal leaders emerged from this class. Chinese histories in the times of the various dynasties are decorated by the roles and actions of this shenshi.
The strategic adaptation of Chinese-Manadonese in the Reform Era Waworuntu, Adrianus L.G.; Alkatiri, Zeffry; Gani, Fuad
Wacana, Journal of the Humanities of Indonesia Vol. 18, No. 1
Publisher : UI Scholars Hub

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Abstract

This article is a further discussion of previous research which is a pilot project to observe patterns of cultural interaction within the Chinese community in Indonesia as a part of a project to understand the phenomenon of the multicultural society during the New Order Era. The specific target of this research is to study the socio-cultural interactions within the Chinese community in Manado during the Reform Era (2000-2014). This research aims to study the strategic adaptation of the Chinese in Manado, by analysing the obstacles and opportunities in their socio-cultural interaction with the locals. Using data from field research and literature studies, this qualitative research applies an ethnographic approach by observing various actions in their socio-cultural interactions.
Co-Authors Alkatiri, Zeffry Cherli Septiani Gani, Fuad Rahadjeng Pulungsari Hadi