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All Journal JIA (Jurnal Ilmu Agama) AL-HIKMAH : Jurnal Theosofi dan Peradaban Islam Relinesia: Jurnal Kajian Agama dan Multikulturalisme Indonesia
Salahuddin Harahap
Universitas Islam Negeri Sumatera Utara
Religion Arts Humanities

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Nilai-nilai Filsafat dalam Upacara Pernikahan Etnis Pakpak Kota Sidikalang Kabupaten Dairi Ernawati Padang; Sugeng Wanto; Salahuddin Harahap
AL-HIKMAH:Jurnal Theosofi dan Peradaban Islam Vol 4, No 2 (2022): AL-HIKMAH : Jurnal Theosofi dan Peradaban Islam
Publisher : UIN Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51900/alhikmah.v4i2.16080

Abstract

This paper aims to describe the historical development of the Pakpak Ethnic wedding ceremony and to describe the philosophical values contained in the Pakpak Ethnic wedding ceremony. This research is a qualitative research with the type of field research using a philosophical approach, so this research has a philosophical view research model in the field. This research was conducted in Sidikalang City, Dairi Regency. The primary data in this study were obtained directly through interviews. While the secondary data of this study was obtained through literature review. Data collection techniques in this study used observation, interviews, and documentation techniques. The analysis used in this research is philosophical hermeneutic method, with methodical steps used are description, internal coherence, interpretation, and holistic. The results of this study reveal that the Pakpak Ethnic Wedding Ceremony ideally consists of; 1) Menerbeb Puhun atau Memerre Emas Pilihan; 2) Mengiririt/Mengindangi; 3) Tanda Burju (Tunangan); 4) Menglolo/Mengkata Utang; 5) Muat Nakan Peraduben; 6) Tangis Sijahe atau Tangis Berru Pangiren. The philosophical values contained in the marriage ceremony of the Pakpak ethnic community, namely: rational values (each stage of the implementation of the Pakpak ethnic wedding ceremony has a basic foundation that is in accordance with common sense or is conclusive, logical, and methodical), critical values (procedures for implementing the Pakpak ethnic wedding ceremony is open to review to suit the circumstances of the times), systematic values (the implementation of the Pakpak ethnic wedding ceremony is well structured or implemented), and universal values (the implementation of the Pakpak ethnic wedding ceremony can be affirmed by everyone or the whole world).
RELASI AGAMA DAN ILMU PENGETAHUAN DI ERA DIGITAL DALAM PANDANGAN HARUN NASUTION Sonia; Mardhiah Abbas; Salahuddin Harahap
Relinesia: Jurnal Kajian Agama dan Multikulturalisme Indonesia Vol. 2 No. 2 (2023): Relinesia: Jurnal Kajian Agama dan Multikulturalisme Indonesia
Publisher : Anfa Mediatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.572349/relinesia.v2i2.1027

Abstract

Agama dan ilmu pengetahuan merupakan bentuk dari keberhasilan manusia, yang pada dasarnya muncul dari semangat yang sama agar manusia dapat bertahan hidup. Agama dan Ilmu pengetahuan lahir dari kebutuhan yang menjawab dari berbagai macam kebutuhan manusia dalam eksistensinya. Ketika manusia dilahirkan ia dalam keadaan tidak berdaya namun dalam dirinya memiliki bakat untuk mengembangkan akal pikiran yang akan menuntunnya mengarungi kehidupan. Agama dan ilmu pengetahuan merupakan alat untuk mengenali kebenaran dan kenyataan dalam struktur pengetahuan yang lebih luas. Maka secara epistemologis agama dan ilmu pengetahuan merupakan jenis pengetahuan yang dimiliki manusia di antara jenis pengetahuan yang lain; common sense, mitos, ideologi dan seni. Menurut Harun Nasution agama dan ilmu pengetahuan adalah satu kesatuan yang tidak bisa dipisahkan. Manusia tidak bisa hanya mengandalkan akal atau pengetahuannya saja melainkan harus dibarengi dengan pemahaman agama yang mampu membimbing dan memberi batasan terhadap perkembangan ilmu pengetahuan.
Interpretation of Tabarruj According to M. Quraish Shihab and Its Relevance to the Phenomenon of Self-Expression on Social Media Febriani Harahap; Salahuddin Harahap
JIA (Jurnal Ilmu Agama) Vol 26 No 1 (2025): Jurnal Ilmu Agama : Mengkaji Doktrin, Pemikiran, dan Fenomena Agama
Publisher : Fakultas Ushuluddin dan Pemikiran Islam Universitas Islam Negeri Raden Fatah Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/jia.v26i1.28949

Abstract

It is undeniable that the frequency of social media access by individuals, especially women, has a significant impact on the social aspects of their lives, particularly in terms of dress and behavior. This is because social media provides individuals with the opportunity to interact with one another without the constraints of time or location. This study aims to explore the understanding and concept of tabarruj according to M. Quraish Shihab's Tafsir al-Mishbah and its relevance to self-expression on social media. This study was conducted using qualitative methods and employed a library research approach along with descriptive-analytical data analysis. The findings of this study indicate that M. Quraish Shihab defines tabarruj as the attitude or behavior of a woman who displays her jewelry and attractive body parts to men who are not mahram, such as showing her chest and neck area, or wearing a headscarf but allowing it to hang down and be open. According to Quraish Shihab, dressing in modern fashion is similar to the clothing worn during the Jahiliyyah period. This interpretation is relevant to women who express themselves through photos or videos posted on social media, which often show parts of the body that, in Islam, should be covered or concealed from the view of non-mahram men. Dressing in a way that exposes the body or adopting a seductive style, even through a screen, can be seen as a form of contemporary tabarruj—a repetition of old patterns in new forms, according to Quraish Shihab’s interpretation.
Co-Authors Ernawati Padang Febriani Harahap Mardhiah Abbas Sonia Sugeng Wanto