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MAKNA REPRESENTAMEN KENDARAAN PADA FILM ANIMASI ANAK CAR TOONS COMPILATION: KAJIAN SEMIOTIKA C.S. PEIRCE Soekma Yeni Astuti; Yanuaresti Kusuma W.
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36442

Car Toons Compilation is an animated film by the YouTube channel First Toons which contains a compilation of episodes of Car Toons, including A Tow Truck, A Water Truck, and A Tractor. Car Toons tells a different story in each episode but still includes car elements. This study aims to discuss the semiotic understanding of the animated film by using Peirce's semiotic theory, especially icons, indexes, and symbols. The method used in this study is a qualitative method with descriptive analysis, which emphasizes the process of semiosis with the meaning of the relationship between signs or representamen in the elements of animated films and their benefits for children. The study results show that the animated films A Tow Truck, A Water Truck, and A Tractor have imaginary icons, namely visuals based on similarities to reality. The Tow Truck's indexicality as a saviour for a breaking car has a symbol of a towing tool that has a tip like a fishing hook on the back of the truck. The indexicality of the Water Truck is used to save alive whales even though they are on land. The blue object is a symbol of water. Tractor truck indexicality that agricultural land can be planted due to tractor services, its symbolism is that the animation of land with plants is agricultural land. Based on this discussion, the meaning of representamen provides benefits for children in the form of understanding the types of trucks and their uses.

Encouraging Children’s Environmental Awareness through Pictorial Children’s Story Sea Change Yanuaresti Kusuma Wardhani; Yudhanita Pertiwi; Hardono Hardono
Jurnal Sinestesia Vol. 13 No. 1 (2023)
Publisher : Pusat Studi Bahasa dan Publikasi Ilmiah

Show Abstract | Download Original | Original Source | Check in Google Scholar

Rising sea level as one of the effects of climate change may probably destroy the coastal area. This nature phenomenon is explained in a pictorial children's storybook entitled Sea Change. The story tells about rising sea level in Fiji, and it is suitable to the reality occurring in Fiji. Rising sea level reaches the land by the sea, hence the people living there must be relocated. Sea Changes is analyzed using ecocritical approach and semiotic theory. This study aims to reveal the meaning of visual appearance which goes to the values containing in the story. The analysis reveals four ecocritical elements by Scott Slovic, these are where the humans are, where the humans live, how the humans treat the environment, and how humans treat other humans. The four questions are answered using semiotic theory by Charles Sanders Peirce. The method used in this study is a qualitative method with descriptive analysis, which emphasizes the process of semiosis with the meaning of the relationship between signs or representamen in the pictorial book and the values for children. The results of the study are that Sea Change gives some value for children, these are about where humans properly live, and how humans properly treat the environment and other humans.

Willy Loman’s Superiority Complex Reflected in Arthur Miller’s Death of a Salesman Hardono Hardono; Ellen Feliana; Norita Prasetya Wardhani; Yanuaresti Kusuma Wardhani
J-Lalite: Journal of English Studies Vol 4 No 1 (2023): June
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2023.4.1.8145

The focus of the study is to describe the characteristics of the superiority complex and explain the causes of the superiority complex reflected by Willy Loman in Arthur Miller’s Death of a Salesman using the superiority complex theory proposed by Adler. This study used a descriptive qualitative method to analyze the problems. It employs qualitative research to categorize the evidence in a frequency table. The study shows that Willy exhibits all of the characteristics of aggressiveness expected of the self-accusative type. The most dominant traits Willy suffers from are exaggerated claims about himself and hostility toward the depreciation type. He also undergoes all of the causes of the superiority complex, such as Pampered Lifestyle and Feeling Neglected. So, from the social perspective, The death of Willy Loman reflects the heavy burden of his life in achieving his dream to be a successful parent who educates his sons. His obsession causes him to commit suicide, and he develops a superiority complex to sacrifice for his family.

Balinese peasants’ resistance in two short stories tahun baru di sawah bapak and pura subak (an analysis of ecocriticism) Yanuaresti Kusuma Wardhani; Budi Susanto
Journal of Applied Studies in Language Vol. 7 No. 1 (2023): Jun 2023
Publisher : Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/jasl.v7i1.46-55

Tourism is the most beneficial sector in Bali, Indonesia. Either domestic or foreign tourists visit Bali to enjoy its beauty and unique culture. Tourism in Bali is based on society, nature, and culture. One of the interesting tourist attractions comes from Bali’s amazing nature. To accommodate nature-based tourism, many hotels, villas, and resorts are built. It requires a broad area, and sometimes land conversion from the agricultural sector into the tourism sector happened. The phenomenon of agricultural land conversion is reflected in two stories Tahun Baru di Sawah Bapak and Pura Subak. The analysis is about the main characters who are peasants. They do resistance and fight against land conversion. Both stories are analyzed using the theory of ecocriticism. The research method uses qualitative research. The result of the analysis is that conversion is not suitable with the Balinese value, Tri Hita Karana. The analysis ends up with similarities and differences between the two stories. Those conclude that land conversion which happened in holy areas may trigger problems. Nevertheless, it has been happening since a long time ago and still going on.

Representasi Keperempuanan dan Sistem Patriarki dalam Novel Tarian Bumi Karya Oka Rusmini Zahratul Umniyyah; Yanuaresti Kusuma Wardhani; Nurhadianty Rahayu
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 4 No. 3 (2024)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/deiktis.v4i3.688

Representations of womanhood and patriarchy are presented in the novel Tarian Bumi by Oka Rusmini. Stuart Hall's representation theory is used as a theoretical framework. This research explores female figures who experience gender injustice and how patriarchal domination is deeply rooted in Balinese society. By analyzing the female characters, this article finds that women in Tarian Bumi often face various forms of gender injustice. Women experience limited freedom and life choices, derogatory judgments based on caste and physical appearance, and the burden of traditional gender roles that require them to sacrifice personal well-being to meet social expectations. Rigid social norms and sanctions for breaking norms strengthen patriarchal domination, making women who try to violate these norms get severe social sanctions. This article reveals how the novel provides an overview of social realities experienced by Balinese women, criticizing and challenging unfair patriarchal norms. Tarian Bumi exposes oppressive social structures and fights for gender justice in society. This article contributes to discussions about gender representation in literature and the importance of literature as a tool for social change. Keywords: patriarchy, representation, womanhood

Balinese Cultural Continuity: Heroine’s Role in Luh Ayu Manik Mas at War with the Spirit World Yanuaresti Kusuma Wardhani; Yudhanita Pertiwi; Estrella T. Arroyo; Nurhadianty Rahayu; Zahratul Umniyyah
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 5 No. 1 (2025)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/deiktis.v5i1.1267

This research explores the role of the heroine in preserving Balinese cultural identity, focusing on the character of Luh Ayu Manik Mas from the children's story, "At War with the Spirit World." By employing Roland Barthes's mythological analysis, we delve into the denotative and connotative meanings embedded within the narrative. Denotatively, the heroine is portrayed as an independent and strong figure, essential for cultural continuity. She actively engages in preserving Balinese traditions, such as participating in water rituals and protecting the environment. Connotatively, the heroine embodies qualities of bravery, sacrifice, and a deep connection to Balinese cultural values. Her actions highlight the significance of environmental sustainability and the preservation of cultural heritage in the face of modern challenges. By analyzing the character of Luh Ayu Manik Mas, this research demonstrates how literature can contribute to the maintenance of cultural identity. The heroine's journey serves as a powerful tool for transmitting cultural values and inspiring future generations to embrace and preserve Balinese traditions.

Interpellation Mechanism In Jian Rong’s Wolf Totem Yudhanita Pertiwi; Sri Saraswati; Yanuaresti Kusuma Wardhani
Journal of Innovative and Creativity Vol. 5 No. 2 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i2.3024

This paper explores the concept of ideology through the lens of Louis Althusser's theories, particularly interpellation, experienced by Chen Zen in Jiang Rong’s Wolf Totem. The purpose of this research is to go beyond oversimplified ideas of false consciousness and investigate how ideology essentially influences people's worldviews, directs group behaviour, and pervades every facet of human existence, from government system to personal identities. The research was carried out using descriptive qualitative method. It meticulously analyzes the novel Wolf Totem by Jiang Rong to demonstrate Althusser's concepts in practice. The results and discussion focus on how the protagonist, Chen Zhen, a Han Chinese student in Inner Mongolia, experiences a profound ideological shifting. Through his engagement in Mongolian culture and his observations of wolves, Chen's previous "tired and weary" identity is gradually replaced by a new perspective, symbolizing the "wolf's blood" flowing in his blood. This shift is an example of the unconscious process of interpellation, in which people are "hailed" into particular subject positions, which eventually serves to either support or undermine pre-existing social structures. In conclusion, the paper demonstrates how Wolf Totem vividly illustrates the dynamic interaction between state-imposed ideology and alternative cultural ideologies, revealing how they shape identities, worldviews, and social relations. This analysis ultimately advances our knowledge of conflict and collaboration in a complex world.

Interpellation Mechanism In Jian Rong’s Wolf Totem Yudhanita Pertiwi; Sri Saraswati; Yanuaresti Kusuma Wardhani
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i3.4151

This paper explores the concept of ideology through the lens of Louis Althusser's theories, particularly interpellation, experienced by Chen Zen in Jiang Rong’s Wolf Totem. The purpose of this research is to go beyond oversimplified ideas of false consciousness and investigate how ideology essentially influences people's worldviews, directs group behaviour, and pervades every facet of human existence, from government system to personal identities. The research was carried out using descriptive qualitative method. It meticulously analyzes the novel Wolf Totem by Jiang Rong to demonstrate Althusser's concepts in practice. The results and discussion focus on how the protagonist, Chen Zhen, a Han Chinese student in Inner Mongolia, experiences a profound ideological shifting. Through his engagement in Mongolian culture and his observations of wolves, Chen's previous "tired and weary" identity is gradually replaced by a new perspective, symbolizing the "wolf's blood" flowing in his blood. This shift is an example of the unconscious process of interpellation, in which people are "hailed" into particular subject positions, which eventually serves to either support or undermine pre-existing social structures. In conclusion, the paper demonstrates how Wolf Totem vividly illustrates the dynamic interaction between state-imposed ideology and alternative cultural ideologies, revealing how they shape identities, worldviews, and social relations. This analysis ultimately advances our knowledge of conflict and collaboration in a complex world

Negotiating Multiculturalism: Recentering the Kid Characters’ Voice in Na Willa Dan Rumah Dalam Gang Nurhadianty Rahayu; Siti Masrifatul Fitriyah; Yanuaresti Kusuma Wardhani; Zahratul Umniyyah
POETIKA Vol 14, No 1 (2026): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v14i1.112933

Not all children’s books provide the space to examine how children think and interrogate natural, cultural, and social phenomena through their cognitive and communicative lenses. However, Na Willa dan Rumah dalam Gang foregrounds children’s voices that are often overlooked, if not pushed to the periphery. Framing the text as a form of resistance narrative, this study aims to unravel how multiculturality is negotiated through the perspective of the novel’s protagonist and her interactions with adult characters. Given the focus of this study on uncovering the negotiation of multiculturality in a children’s novel, Fairclough’s Critical Discourse Analysis (CDA) framework is employed. Consequently, the findings are structured according to Fairclough’s three levels of discourse meaning-making. The first dimension of textual analysis examines authorial language style and intertextuality as tools for establishing an ideological stance. The second dimension highlights discursive practice in relation to the novel’s production and circulation. The third dimension employs recontextualization of critical multiculturalism (McLaren and Farahmandpur, 1999) to explore how the novel recenters the child as an active subject in meaning-making and in negotiating multicultural issues. In addition to recontextualized critical multiculturalism, the analysis also draws on linguistic and narratological understandings of discourse. This approach helps clarify how the author’s ideological orientation is textually manifested. The findings show that Na Willa dan Rumah dalam Gang situates children’s subjectivity at the centre of meaning-making around diversity, presenting it as a lived and celebrated experience rather than a merely anticipated ideal. Although children’s voices are recentred, adult characters still function as primary moral guides within the narrative. Overall, the study offers a renewed perspective on children’s literature as a medium for reimagining more nuanced forms of critical multiculturalism.

From Page to Screen: The Plot Transformation of Roald Dahl's Matilda into Matthew Warchus's Movie Dina Dyah Kusumayanti; Ferina Windi Setiani; Yanuaresti Kusuma Wardhani
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.10309

This article discusses the adaptation of Roald Dahl's novel Matilda (1988)into the movie Roald Dahl's Matilda The Musical (2022), directed by Matthew Warchus. This research focuses on the transformation of intrinsic elements, which is the plot of the novel to the movie. The transformation of the novel into the movie is classified as the telling-to-showing mode. The transformation from written text to audio-visual media involves changes such as subtractions and additions, which are influenced by the differences in the mediums of expression. The three main issues discussed in this article are (1) the transformations of the plot in the novel into the movie, (2) the ideology reflected in the works by the author and the adapter, and (3) the motives of the adapter. This research uses a comparative method with Linda Hutcheon's Theory of Adaptation and Roland Barthes's semiotics. The findings show the ideology of patriarchy by the author in the novel and the ideologies of children's education rights and feminism by the adapter in the movie. Furthermore, this study reveals the motives of the adapter, which include personal motives, as reflected in the ideological changes, and economic lure motives, demonstrating how creative and commercial factors shape the adaptation process.

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