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All Journal SENI Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM)
Devi Nirmala Muthia Sayekti
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KONSTRUKSI MAKNA SELENDANG SEBAGAI SENJATA DALAM FILM PAHLAWAN SUPER WANITA ‘SRI ASIH’ (2022) Devi Nirmala Muthia Sayekti
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This paper is aimed to observe the presence of scarf employed by woman superhero in the movie entitled ‘Sri Asih’ (2022). Up to this day, the function of scarf as a part of costume, either for dancing or other performances, is commonly used for property. It was a few numbers of studies observing the meaning attached to scarf when it is worn by the performer, or in other context. Meanwhile, the story of Sri Asih in its movie can construct new meaning related to the presence of the scarf. This research is using qualitative and descriptive way. By employing the theory of Reading Images by Theo van Leeuwen and Gunther Kress, this paper tries to explore how the presence of scarf can construct a new meaning beyond such a property of costume. Even more, the way of making meaning of its power to the Sri Asih’s scarf also prove that representation of scarf for women is closely related in Nusantara’s culture context. A number of women’s role often need scarf as their ‘weapon’ to walk on their job.Keywords: Sri Asih Movie, Analysis of Shawl, Costume, Semiotics, Reading Images
Identifikasi Visual Morfologis sebagai Strategi Kuratorial dalam Pengelolaan Koleksi Keris Museum Majapahit Trowulan Bening Tri Suwasono; Sunarmi Sunarmi; Devi Nirmala Muthia Sayekti
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i1.7888

Abstract

The Majapahit Museum houses a significant collection of tosan aji, particularly keris, which holds important historical, technological, and symbolic value within Javanese culture. However, a substantial portion of the collection lacks clear provenance and stratigraphic context, resulting in data gaps and potential misinterpretations, especially regarding Majapahit-period attribution. This study aims to examine strategies for managing non-stratigraphic keris collections through standardized visual-morphological identification as an initial curatorial approach. The research employs direct artifact observation, morphological analysis of blades and ricikan, visual examination of pamor configurations, and a review of museological, keris studies, and archaeometallurgical literature. The findings demonstrate that standardized morphological identification provides a systematic framework for preliminary classification while preventing speculative chronological claims. The study also emphasizes the necessity of separating blade analysis from keris fittings and highlights the limitations of visual assessment in determining tangguh, which requires support from non-destructive metallurgical analyses. As a practical contribution, this article proposes strengthening curatorial standards through the development of morphology-based artifact labels (manual and digital), multidisciplinary scholarly catalogues, and the integration of documentation and material analysis technologies. This approach positions the Majapahit Museum as a knowledge-producing institution in tosan aji studies rather than merely a repository of artifacts.   Kata Kunci : Museum Majapahit, Keris, Identifikasi Morfologis, Ricikan, Tangguh Keris
Co-Authors Bening Tri Suwasono Sunarmi