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All Journal Jurnal Masyarakat dan Budaya Sanjiwani: Jurnal Filsafat
Tejo Bagus Sunaryo
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Religion Humanities Social Sciences

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Pergeseran Fungsi Bregada Prajurit Keraton Surakarta Tejo Bagus Sunaryo; Jussac Maulana Masjhoer
Jurnal Masyarakat dan Budaya Vol. 25 No. 1 (2023): Jurnal Masyarakat dan Budaya
Publisher : LIPI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jmb.2023.1639

Abstract

Bregada Surakarta palace is a military army that functions as a defence, security, and army of the Surakarta palace during colonialism in Indonesia. Bregada of the keraton Surakarta always experienced a shift in function in the post-independence period, especially during the leadership of King Paku Buwono XII. Although there has been a shift in function, the Surakarta palace troop still exists. This study aims to describe the process of shifting the function of the Surakarta palace warrior brigade. This research data uses literature review from historical records and ancient manuscripts and in-depth interviews with key informants. Based on the study results, the type of unit and the composition of the Surakarta Palace warrior brigade constantly changed from era to era. The brigades currently owned by the Surakarta Palace are the Music Corps, Tamtama, Jayeng Astra, Prawira Anom, Sarageni, Darapati, Jayasura, Baki, and Nyutra or Panyutra. The shift in the main functions of the Surakarta Palace Troops, as seen from the functions of the armed forces, defence and security, turned into traditional and cultural activities, mainly referring to their functions as performers of performing arts and tourism activists. Paku Buwono XIII, as a customary holder and successor to the previous king of the Surakarta palace, had a policy towards the sustainability of the Surakarta palace troupe. These policies include, among others, as a form of cultural preservation and adding to the activities of a soldier’s parade for the advancement of tourism in the city of Solo, Central Java.
PERILAKU NYENI ORANG JAWA SEBAGAI SALAH SATU KAJIAN FILSAFAT MANUSIA DALAM STUDI KASUS SENI PERTUNJUKAN Priatmojo, Dhewangga; Tejo Bagus Sunaryo
Sanjiwani: Jurnal Filsafat Vol 17 No 1 (2026)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Javanese nyeni behavior originates from the people's way of life, original form, and spirit, and is born out of the spontaneity of community life. During nyeni behavior, individuals may enter a trance-like state, wherein their consciousness is believed to be guided by sacred spirits. This research focuses on two main aspects: (1) How is the artistic behavior of Javanese society found in the traditional performing art of Kuda Lumping, and (2) what values are contained within it. Javanese nyeni behavior is found in the Kuda Lumping Turonggo Suro Lestari Budoyo art performance. Javanese nyeni behavior is found in the Kuda Lumping Turonggo Suro Lestari Budoyo art performance. The nyeni behavior of the Javanese people is manifested in the Kuda Lumping performance, particularly through the Turonggo Suro Lestari Budoyo art group. The expression of nyeni behavior in the Kuda Lumping Turonggo Suro Lestari Budoyo art performance is evident among the performing arts dancers, audience, and the society. The nyeni behaviors above have values that make performing arts dancers, the audience, and society have a sense of solidarity. Thus, this is a manifestation of harmony and balance in people's lives.
Co-Authors Jussac Maulana Masjhoer Priatmojo, Dhewangga