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Cosmology Design Products Wears To Pura In Bali I Nyoman Dana
Mudra Jurnal Seni Budaya Vol 32 No 3 (2017): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v32i3.181

Bali is one of the areas in Indonesia that still upholds the customs and arts of traditional culture and is admired by the world community. Customary products to the temple are part of the struggle to keep local wisdom. Design cosmology is a transcendental dimension that has a very complex exploration. Life is deep, also full of uncertainty. Ideas, creativity, passion, and ideals, creativity, concepts that overlap, whether intangible or not. The style in the design is a reflection of the behavior and attitude of human life at a certain time, and in line with the dynamics of life, such as social dynamics, cultural development and value. Design can be a reflection of the times in each period. Designer style can be a product trend if he is able to meet the needs and tastes of society. If the design word would be made to satisfy the needs of the community or the person who would carry out a customary and cultural activity for example, then the draft concept should begin from who and when it will be used, it should be considered as a considerate consideration by a designer, so that what they are designed to be acceptable to users of the design.Bali adalah salah satu daerah di Indonesia yang masih menjunjung budaya adat dan budaya kesenian yang masih dikagumi oleh masyarakat dunia. Produk adat tradisional ke pura merupakan bagian dari perjuangan untuk menjaga kearifan lokal. Desain kosmologi adalah dimensi transendental yang memiliki eksplorasi yang sangat kompleks. Gaya dalam desain merupakan cerminan dari perilaku dan sikap budaya manusia pada waktu tertentu, sejalan dengan dinamika kehidupan, seperti dinamika sosial, perkembangan budaya dan nilai. Desain bisa menjadi cerminan zaman di setiap periode. Gaya perancang bisa menjadi tren jika ia mampu memenuhi kebutuhan dan selera konsumen. Anadai mengatakan, desain akan dibuat untuk memenuhi kebutuhan masyarakat atau orang yang akan melakukan kegiatan adat dan budaya, maka draf konsep harus dimulai dari siapa dan kapan akan digunakan disain, hal ini perlu dilakukan. Disajikan sebagai pertimbangan yang cukup matang oleh seorang desainer, Sehingga apa yang disain mereka dapat diterima oleh pengguna desain.

P PENERAPAN MOTIF FLORA KAYONAN BALI PADA MEJA DAN KURSI BELAJAR Kadek Angga Putra; I Nyoman Dana; I Gusti Ngurah Agung Jaya CK
Hastagina : Jurnal Kriya Seni Vol 1 No 02 (2021): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i02.652

The work entitled "The Kayonan Bali Motif On The Tables And Chairs" was a form of the creator's response to the pandemic situation that resulted in learning done from home. In this creation, the focus of the work will be embodied in tables and learning. The application of the Balinese motive of the kayonan flora on the tables and chairs was intended in addition to giving a new visual so that the work would have Balinese cultural art value, for in a Balinese kayonan is the art of fine arts, the art of the display value of Balinese culture. The design stage begins with the collection of data as reference in the design of tables and chairs of learning.The technique used in the creation of these tables and learning chairs was that the cast used the polyester resin 3126. In the process, the material is cast using a safe aga paint because it has been through the elimination process. Then the parts already cast are assembled based on the work image and last on finishing using mowilex 504. Table called darana's calm sense and chair called an prejudicial to focus is expected to be useful for learning on time pandemic. These tables and learning chairs are also expected to provide a sense of pride for users, especially for the younger generation, to love and preserve the Balinese cultural arts even more.

Pengembangan Motif Daun Pare Sebagai Motif Hias Karya Pintu Kuwadi Di Galih Ukir I Putu Maha Diadnyana; I Nyoman Dana; Ni Kadek Karuni
Hastagina : Jurnal Kriya Seni Vol 2 No 01 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i01.1020

This creation was made with the aim of developing one of the decorative styles in Galih Ukir with the title: "Development of Galih Ukir Pare Leaf Motifs as Ornaments for the Embodiment of Kuwadi Doors". From the explanation of this title, a design development will be carried out, especially from the Pare decorative motif found in Galih Ukir so that we look forward to a new motif from the results of this development which will be applied to the kuwadi door product. In addition to the development of the ornamental pare leaf motif in Galih Ukir, the problems that must be solved are the production process of the kuwadi door during the internship/work practice, the form of development of the bitter melon leaf motif, and the finishing techniques applied to the kuwadi door work. In creation using the methodology, it is generally described in terms of exploratory, experimental, and driven by real issues identified in the practice of the work and reinforced by the theory of the three pillars of craft creation formulated by SP Gustami such as exploration, planning, and embodiment. In the discussion it can be concluded that the implementation of the creation of a kuwadi door with the motif of developing bitter melon leaves with the production process or the realization of a kuwadi door is carried out through various stages starting from the design stage, the material processing process, to the final stage, namely the finishing stage, so that a kuwadi door with a development motif is realized. bitter melon leaves in Galih Ukir. And during the implementation of the internship, the knowledge gained is related to knowledge, skills and technology in the realization or production process of kuwadi doors with ornamental motifs of developing bitter melon leaves.

ANALYSIS OF MATERIAL INVENTORY CONTROL THE METROSTATER CONSTRUCTION PROJECT IN DEPOK Kohar, Sulistyadi; Dana, I Nyoman; Agung, Wardana; Nurasyiah, Anna
Sustainable Environmental and Optimizing Industry Journal Vol 4, No 2 (2022)
Publisher : Universitas Sahid

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36441/seoi.v4i2.1189

In the last 10 years the construction sector boom has increased rapidly. The Government's Long-Term Plan and the leniency of government policies on investors wishing to invest in Indonesia have stimulated the growth of the construction sector in Indonesia. Increasingly adequate infrastructure encourages entrepreneurs or contractors to invest in public and private projects. One of the private construction projects being handled is the Depok Metrostater Project. This project is located in the city of Depok which has a Transit Oriented Development (TOD) concept. Currently the project is still in the construction stage of the foundation and in its implementation it requires concrete iron as raw material. To ensure material availability, the contractor will perform a scheduled recapitulation of materials according to usage needs. This material scheduling implements material stock inventory control that must be available in the warehouse, so as not to overstock. For this reason, an optimal inventory control analysis is needed through the Economic Order Quantity (EOQ) method, Lot For Lot, Fixed Period Requirement (FPR), and the Wagner and Within algorithms. The comparative results of the inventory method analysis based on the Wagner and Within Algorithm methods provide the most economical results with the minimum total cost of Rp. 583,466,945, - among the other three methods. and Contractors can make efficiency by 35%

Penerapan Mesin 3D Print Dalam Pembuatan Rancangan Produk Perhiasan di PT. Kapit Mas Yogi Artana, I Putu; Gede Arimbawa , I Made; Dana, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Jewelry is an object used to decorate body parts. The production process of making jewelry in the modern era currently utilizes sophisticated technology such as computer-aided design (CAD) and 3D printing machines. Today, many jewelry companies use (CAD) technology and 3D printing machines to facilitate the process of realizing jewelry, one of which is at PT. Kapit Mas. PT. Kapit Mas uses a 3D printer direct casting machine, namely a 3D printer machine that can be directly waxed with the Uniway brand. Another advantage of the Uniway machine is that this machine can print 3D with a high level of detail. The jewelry creation process at PT. Kapit Mas is carried out using the methods of observation, interviews, literature studies and active participation. The selection of this method is in line with the way the jewelry creation process is carried out at PT. Kapit Mas. The application of very modern technology, namely computer-aided design (CAD) and the Uniway 3D printing machine, makes it easier to make pendant, earrings, rings, charms and earcuff jewelry. In addition, other supporting tools and technologies also make it easier to make jewelry. PT. Kapit Mas uses CAD and 3D printing to simplify the process of jewelry realization, the application of 3D printing direct casting machines greatly facilitates the creation of jewelry samples where jewelry samples can be created in various sizes very quickly and with great precision

Penerapan Mesin 3D Print Dalam Pembuatan Rancangan Produk Perhiasan di PT. Kapit Mas Yogi Artana, I Putu; Gede Arimbawa , I Made; Dana, I Nyoman
Hastagina : Jurnal Kriya Seni Vol 4 No 2 (2024): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Jewelry is an object used to decorate body parts. The production process of making jewelry in the modern era currently utilizes sophisticated technology such as computer-aided design (CAD) and 3D printing machines. Today, many jewelry companies use (CAD) technology and 3D printing machines to facilitate the process of realizing jewelry, one of which is at PT. Kapit Mas. PT. Kapit Mas uses a 3D printer direct casting machine, namely a 3D printer machine that can be directly waxed with the Uniway brand. Another advantage of the Uniway machine is that this machine can print 3D with a high level of detail. The jewelry creation process at PT. Kapit Mas is carried out using the methods of observation, interviews, literature studies and active participation. The selection of this method is in line with the way the jewelry creation process is carried out at PT. Kapit Mas. The application of very modern technology, namely computer-aided design (CAD) and the Uniway 3D printing machine, makes it easier to make pendant, earrings, rings, charms and earcuff jewelry. In addition, other supporting tools and technologies also make it easier to make jewelry. PT. Kapit Mas uses CAD and 3D printing to simplify the process of jewelry realization, the application of 3D printing direct casting machines greatly facilitates the creation of jewelry samples where jewelry samples can be created in various sizes very quickly and with great precision

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