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All Journal MUDRA Jurnal Seni Budaya BUANA GENDER : Jurnal Studi Gender dan Anak
Ambar Alimatur Rosyidah
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Whose Women's Bodies Belong to: FemTech's Feminist Political Economy (FPE) and Potential Risks: FemTech's Feminist Political Economy (FPE) and Potential Risks Farah Fajriyah; Ambar Alimatur Rosyidah; Syfa Amelia
BUANA GENDER : Jurnal Studi Gender dan Anak Vol. 8 No. 1 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/bg.v8i1.6622

Abstract

Femtech opens space to fulfill women's right to information on sexual and reproductive health and raises the potential for control over women's bodies. This study aims to explore the potential risks of FemTech related to women's bodies in cyberspace and uncover the exploitation and misuse of women's data. Women as users in an organized manner are seen as commodity objects, which indirectly makes women digital laborers. This study uses analysis of the Feminist Political Economy (FPE) lens from Bezanson & Luxton in three conceptual areas, namely the expansion of production models, the sex/gender system, and the analysis of domestic labor as a contribution to labor reproduction. This article develops an FPE analytical framework for studies of technology-related reproductive health. The researcher summarizes user data collected in Indonesia's top ten FemTech applications by entering the keyword' menstrual calendar' in the iOS App Store and Android Play Store. This research finds that women as Femtech users are shackled in the reality of hegemonic masculinity and lack of reproductive freedom, are in a commodity circle, and are exposed to risks as digital workers. Keyword: FemTech, Feminist Political Economy, Digital Labor, Social Reproduction
Becoming an Active Subject: Women's Art Collective Eco-Artivism for Ecological Sustainability in Indonesia Ambar Alimatur Rosyidah; Sahara Ulfa, Dhiya; Hermin Indah Wahyuni
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2688

Abstract

This study explores the eco-artivism of women's art collectives for ecological sustainability by looking at actor-networks, eco-art as a non-human actor, and women's art collective negotiations. In Indonesia, eco-artivism is used to raise ecological awareness and strengthen socio-environmental protests in the ecological crisis. To explain the relationship of ecological sustainability in the artistic works of women's art collectives, we underline the connection between ecofeminism and Actor-Network Theory (ANT). We used a case study method with the Perempuan Pengkaji Seni (PPS) community, an art collective of female artists, workers, and researchers based in East Java, Indonesia. We find that the eco-artivism of women’s art collectives is an attempt to make women and nature become active subjects. These efforts can be seen in three resulting themes: the PPS network as a women's art collective, eco-art from the scars left by natural disasters to the impact of industrialization, and the negotiation of PPS as a women’s art collective for environmental sustainability.
Co-Authors Farah Fajriyah Hermin Indah Wahyuni Sahara Ulfa, Dhiya Syfa Amelia