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All Journal Tekstual CENDERAWASIH: Jurnal Antropologi Papua
Citra Buana Halil
Khairun University
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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THE USE OF MACRO FUNCTION IN TENNESSE WILLIAM’S DRAMA “A STREETCAR NAMED DESIRE” DISCOURSE ANALYSIS Citra Buana Halil; Azzan Wafiq Agnurhasta
Tekstual Vol 21, No 1 (2023): Tekstual: Humaniora
Publisher : Universitas Khairun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33387/tekstual.v21i1.6288

Abstract

This article aims to know particular types of macro function and how its appear in the utterances on the drama. The writer uses purposive sampling technique to choose which sample were to be analyzed. The data were determined according to it needs and purpose of this research. The writer found some samples from this research. There are seventy samples which called hard sample. The result of this research is macro functions further divided into types but the writer only take five function namely: emotive (10), metalinguistic(13), directive (18), phatic (6), and referential (2).Keywords: Macro Function, Drama, and Discourse Analysis
Representation of Woman in the “Film Marlina: si Pembunuh dalam Empat Babak” Retno Angraeni S; Citra Buana Halil
CENDERAWASIH: Jurnal Antropologi Papua Vol 6 No 2 (2025): Desember 2025
Publisher : Universitas Cenderawasih

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31957/jap.v6i2.4729

Abstract

In the modern era, opportunities for women and men should be equal. However, this is still far from the reality faced by women in rural areas in certain regions. Women continue to encounter various forms of gender inequality, such as stereotypes, marginalization, subordination, and the double burden. The practice of upholding justice is often marked by the inner conflict of the main character in defending her rights or fighting against injustice. "Marlina: Si Pembunuh dalam Empat Babak" is a film released in 2017 that tells the story of a rural woman named Marlina, who struggles to confront the gender injustice she experiences. According to a gender perspective, women are often represented as weak and oppressed; however, Marlina's character as a rural woman is not depicted in this way. The urgency of this research is to challenge the stereotypes about rural women as figures who are weak, oppressed, and powerless. This research employs a descriptive analysis method based on Stuart Hall's theory of deconstructive representation. The way to identify the female figures depicted in this film is by reconstructing the image of women who are identified as weak. Nevertheless, Marlina's character serves as an icon (role model) who can take action in resistance. The results of this study indicate that: First, Marlina is a female figure who attempts to break free from the conservative image often associated with rural women. Second, the message conveyed through the encoding and decoding process is that women can resist and defend their justice and self-esteem.
Co-Authors Azzan Wafiq Agnurhasta Retno Angraeni S