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All Journal Ilmu Dakwah: Academic Journal for Homiletic Studies MetaCommunication; Journal Of Communication Studies
Sunaryanto Sunaryanto
STID Dirosat Islamiyah Al-Hikmah Jakarta
Arts Humanities Social Sciences

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Ideological Construction of the Mass Media: Study of Religious Moderation News in the National Online News Media and its Relation to Moderate Da’wah Sunaryanto Sunaryanto; Sofyan Rizal
Ilmu Dakwah: Academic Journal for Homiletic Studies Vol 17, No 1 (2023): Ilmu Dakwah: Academic Journal for Homiletic Studies
Publisher : Faculty of Da'wah and Communication, UIN Sunan Gunung Djati, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/idajhs.v17i1.18109

Abstract

This study analyzes the ideological construction of the mass media in reporting on religious moderation and its relation to moderate da’wah on Kompas.com and Mediaindonesia.com. This research is a type of qualitative research. News as a unit of analysis was selected by purposive sampling each of 3 (news) for each media. Problems are analyzed with Robert M. Entman's framing analysis which is part of the analysis of mass media texts. This research concludes that Kompas and Media Indonesia construct ideology in religious moderation news which is associated with issues of intolerance and radicalism. These two national media construct news on religious moderation using a moderate national ideology. Concerning moderate da’wah, these two national media do not directly write news with moderate da’wah messages. These two national media construct support for moderate da’wah narratives by constructing religious moderation news. Ideologically, these two national online news media construct news by supporting the practice of religious moderation and the practice of moderate da’wah. The implication is that these two national online mass media need to continue to produce news campaigning for religious moderation and moderate da’wah. News construction related to religious moderation and moderate da’wah needs to be done to help prevent the emergence of radical, extremist, and liberal views.
Representasi Wajah Masyarakat Gunung Kidul dalam Film Pendek Njagong: Perspektif Meanings and Media Sunaryanto Sunaryanto; Ahmad Rofi Syamsuri
Metacommunication: Journal of Communication Studies Vol 10, No 2 (2025): SEPTEMBER
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/mc.v10i2.19001

Abstract

This research critically analyzes the representation of the Gunungkidul community in the short film Njagong. Employing a qualitative method with a critical paradigm from media and cultural studies, this study applies Gill Branston and Roy Stafford’s textual analysis. This framework investigates four concepts: semiotics, structuralism, denotation/connotation, and ideological codes. Semiotically, signifiers like bamboo houses, traditional utensils (e.g., kukusan, irik), dry fields, and salt connote poverty, constructing a social meaning of enduring impoverishment. Structurally, the film depicts a community without class division, where everyone exists in the same social stratum—impoverished farmers working barren land. Connotatively, rural women are portrayed as underdeveloped due to limited education access. The region itself is constructed as barren, dry, and non-modern, suggesting it is unfit for habitation. These representations are reinforced through ideological codes and myths: that villages are too harsh for a proper life and that rural women, expected to marry young, do not require higher education. This study contributes to media and cultural studies by demonstrating how rural representation in film extends beyond depicting material conditions to actively perpetuating ideologies and myths that sustain social inequality. It enriches the discourse on how film can simultaneously reproduce and critique stigmas against marginalized regions. Ultimately, the research underscores the importance of a critical perspective in viewing media as a contested arena where local identity negotiates with dominant discourses of poverty, gender, and modernity.
Co-Authors Ahmad Rofi Syamsuri Edi Mulyono Sofyan Rizal