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All Journal Tamaddun: Jurnal Kebudayaan dan Sastra Islam Majalah Ilmiah Tabuah: Ta`limat, Budaya, Agama dan Humaniora
Fikri Surya Pratama
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Religion Humanities Languange, Linguistic, Communication & Media Social Sciences

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Sejarah Perubahan Genre Dan Tujuan Bermusik Religi Di Indonesia: Sebuah Tinjauan Sejarah-Budaya Fikri Surya Pratama; Annisa Annisa
Tamaddun: Jurnal Kebudayaan dan Sastra Islam Vol 23 No 1 (2023): Tamaddun: Jurnal Kebudayaan dan Sastra Islam
Publisher : Fakultas Adab dan Humaniora UIN Raden Fatah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/tamaddun.v23i1.16903

Abstract

The arts, such as music, are one of the channels for the spread of Islam in the archipelago. In its development, human culture will continue to evolve, including music. From the time of Islamisation, through the colonial era to the modern era, religious music in Indonesia will undergo changes. This paper aims to explain the development of the genre and purpose of Islamic music in Indonesia. The research method used is the historical research method with its stages: 1) heuristics, research data sources are collected through literature studies; 2) source criticism, selecting the validity of research data sources; 3) interpretation with the cultural evolution theory approach; 4) historiography. The results showed that the development of classical Indonesian Islamic music was born according to the socio-cultural aspects of each region. In Java, Islamic music was born from the acculturation of Javanese culture and Islamic content. In Minangkabau, the Middle Eastern music culture (gambus & gamad) dominates instrumentally. However, the lyrical content remains on Islamic & Minangkabau themes. In later developments, Indonesian Islamic music began to be influenced by Western cultural genres and instruments. The changes are not only 'physical', but also in the purpose of contemporary Islamic music. Music that was once intended as a medium for da'wah and local Islamic cultural identity has slowly turned into 'market' oriented work or consumerism. Muslims who have become the majority have also had an influence in shifting music away from its original purpose of da'wah.
Eksistensi Taman Nasional Bukit Dua Belas dalam Pelestarian dan Pemberdayaan Lingkungan Hidup Suku Anak Dalam Doni Nofra; Fikri Surya Pratama; Attohiroh
Majalah Ilmiah Tabuah: Ta`limat, Budaya, Agama dan Humaniora Vol. 28 No. 2 (2024): Majalah Ilmiah Tabuah : Ta'limat, Budaya, Agama, dan Humaniora
Publisher : Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37108/tabuah.v28i2.1514

Abstract

The presence of Suku Anak Dalam (SAD) community within the Bukit Duabelas National Park (TNBD) area is inextricably linked to the park's management and existence. The SAD people live a nomadic lifestyle and rely on the natural resources within the park for their survival. This research will explain the TNBD management as an environmental protection, encompassing flora, fauna, and the habitat of SAD. This research is qualitative research and conducted at the Resort 2E TNBD area and the TNBD central office in Sarolangun City. The data collection techniques employed were field observation, interviews, documentation and a literature review. The data analysis employed triangulation techniques. The findings of this research demonstrate that effective management of the TNBD area necessitates a focus on maintaining the equilibrium of the ecosystem and the aspects of the lives of the Anak Dalam Tribe. As a biosphere reserve area with SAD in its vicinity, the Jambi regional government has been assisted by relevant partners and has actively involved SAD personnel and cultural aspects. The process commenced with the designation of national park zoning, proceeded with the protection of forest areas, and culminated in the empowerment of communities situated in the vicinity of Bukit Duabelas National Park.
Co-Authors Annisa Annisa Attohiroh Doni Nofra