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Interpretation Struggles on Holy Place for Pura Uluwatu in Desa Adat Pecatu, South Kuta, Badung Arniati, Ida Ayu
International Research Journal of Management, IT & Social Sciences Vol 4 No 2: March 2017
Publisher : International Journal of College and University (IJCU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21744/irjmis.v4i2.405

Abstract

The present study was intended to learn about the interpretation struggles that occurred around Bhisama Kesucian Pura that were established into Bali Provincial Regulation No. 16, in 2009 on Spatial Planning of Bali Province 2009-2029 (hereinafter referred to as Regional Regulation of RTRW Bali Provincial 16/2009) specifically for Pura Uluwatu area. This regulation raised the pros and cons between the society components. Interpretation struggles occurred due to there was no support and reject radius Area of holy place for Pura Uluwatu. There were two issues to be discussed in this paper, the first the cause of the struggle over the interpretation of the Holy Places Area at Pura Uluwatu, secondly the implications of interpretations struggle itself on the religious life, social and cultural.
Analisis Pementasan Tari Leko Pada Upacara Dewa Yadnya Di Banjar Tangkup, Desa Kedisan, Kecamatan Tegallalang, Kabupaten Gianyar Surya Wahyuni, Ida Ayu Ketut; Astuti, Ni Made Dwi Ari; Arniati, Ida Ayu
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.3678

Abstract

The performance of the Leko Dance at the Dewa Yadnya ceremony in Banjar Tangkup, Kedisan Village, Tegallalang District, Gianyar Regency, has a uniqueness in terms of its performance and its existence is quite rare. This makes the Leko Dance important to study. In this study, the problems to be discussed are focused on two things, namely the reasons for performing the Leko Dance at the Dewa Yajnā ceremony in Banjar Tangkup and the form of the Leko Dance performance. This study uses a qualitative method. Data collection was carried out using observation techniques, in-depth interview techniques, and document study techniques. The technique used to analyze the data is verstehen. The results of the study show that the performance of the Leko Dance is based on the religious encouragement of the community which is based on sincere feelings called ngayah. Mythologically, the performance of the Leko Dance is believed by the Banjar Tangkup community to be a duwe sesuunan at Pura Puseh. The variety of movements and the structure of the presentation of the Leko Dance in Banjar Tangkup are very simple, delivered with soft, flexible and supple movements, consisting of the panglembar and pengipuk parts. In the Leko Dance, two characters appear, namely the male character and the female character. The male character in this case is the role of Natraduwa and the female character is the two nymphs who tempt Natraduwa in his hermitage.