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All Journal GETER : Jurnal Seni Drama, Tari dan Musik Jurnal IMAJI Urban : Jurnal Seni Urban dan Industri Budaya
Yulfianti, Yola
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Arts Humanities Languange, Linguistic, Communication & Media

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Tubuh Urban dan Teknologi: Refleksi Pertunjukan Kolaboratif Dua Generasi Yulfianti, Yola
Urban: Jurnal Seni Urban Vol 3, No.1: April 2019
Publisher : Sekolah Pascasarjana Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsu.v3i1.31

Abstract

This article is a reflection of a coreographer’s artistic practice, especially in the creation process of two works titled “Cuy-Gimana Cara Nolong Eluh Pindah dari Zaman BB ke Zaman Z” (2018) and “Cuy-Gang X Tanah Tinggi” (2019). These works are the results of collaborative works between generations, which is represented by Tony Broer, theatre artist and Yola Yulfianti, choreographer and dance film artist. This collaboration has brought them, specifically Yola Yulfianti, to finding a new creative approach. These two works have brought a choreographer to a next level, becoming director. For an observer, these two works have shifted to become a work of theatre performance. By mastering technology and the artists’ sensitiveness to the environment, good works will be created in the spirit of multimedia.Tulisan ini adalah suatu refleksi terhadap praktik artistik seorang koreografer, khususnya dalam proses penciptaan pertunjukan yang berjudul “Cuy- Gimana Cara Nolong Elu Pindah dari Zaman BB ke Zaman Z” (2018) dan “Cuy- Gang X Tanah Tinggi” (2019). Karya-karya tersebut merupakan hasil upaya penciptaan yang sifatnya kolaboratif antargenerasi, yang diwakili Tony Broer, seorang pekerja teater, dan Yola Yulfianti, koreografer. Kerja kolaboratif ini membawa pada penemuan pendekatan kreatif baru. Kedua karya ini membawanya pada titik bekerja sebagai sutradara karena kedua karya ini di mata pengamat telah bergeser menjadi sebuah karya pertunjukan teater. Dengan penguasaan teknologi dan kepekaan terhadap lingkungan, tercipta karya-karya dengan semangat multimedia.
Analysis of the Development Typology of Film Content Creators: Seen from Content Strategy on the Instagram Platform. Syafitri, Ananda; Yulfianti, Yola; Gunawan, Iwan
IMAJI Vol. 17 No. 1 (2026): Film Artistik dan Film Komersial: Estetika, Industri dan Ideologi Hiburan
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/imaji.v17i1.425

Abstract

Pesatnya perkembangan media sosial telah melahirkan profesi kreator konten, termasuk dalam bidang film di berbagai platform, termasuk instagram. Meskipun jumlah kreator konten film di Instagram terus meningkat dengan beragam fokus dan gaya penyajian, kajian akademis yang mencakup sejauh mana perkembangan serta tipologi kreator konten film pada platform instagram masih terbatas. Penelitian ini bertujuan untuk menganalisis tipologi perkembangan kreator konten film di Instagram ditinjau dari strategi konten yang diterapkan. Penelitian menggunakan pendekatan deskriptif-kualitatif dengan metode etnografi digital. Subjek penelitian dibatasi pada akun pembuat konten film berbasis konten yang aktif dan konsisten. Data dikumpulkan melalui observasi akun Instagram yang diseleksi berdasarkan tingkat keaktifan dan dianalisis melalui aspek fokus konten, konsistensi visual akun, variasi format konten, serta relevansi konten. Hasil penelitian menunjukkan ekosistem pencipta konten film di Instagram sangat beragam. Kreator konten film global mendominasi jumlah dan menunjukkan variasi bahasan serta kekuatan identitas visual yang lebih konsisten dibandingkan kreator konten film nasional, yang masih cenderung mengandalkan materi visual bawaan film.
The Decolonizing the Papuan Body: Hybridity and Identity Politics in Jecko Siompo’s Animal Pop Choreographic Practice: Dekolonisasi Tubuh Papua: Hibriditas dan Politik Identitas dalam Praktik Koreografi Pop Hewan Jecko Siompo Jugganza, Frans Junias; Murda, Muhammad Ilham Mustain; Farid, Hilmar; Yulfianti, Yola
GETER : Jurnal Seni Drama, Tari dan Musik Vol 9 No 1 (2026): April 2026
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In Indonesia's contemporary dance landscape, the Papuan body is often caught in the tug-of-war between the legacy of colonial representation and the dynamics of urban modernity. This article aims to analyze how  Jecko Siompo's Animal Pop rearticulates Papuan identity through choreographic practices in Jakarta. The research uses a qualitative approach with a case study design, through visual observation of the work, archival review, and continuous engagement with the choreographer's artistic environment. The findings show that Animal Pop does not simply combine Papuan movements and global hip-hop, but rather presents a body practice that simultaneously negotiates ecological memory, references to fauna movements, and urban rhythms. The dancer's body serves as a living archive that maintains the tendency of environment-based movement while responding to the demands of metropolitan life. Movement patterns such as grounded postures, asymmetrical articulation, and rhythmic transitions indicate the existence of  repeated embodied negotiation processes  . This article concludes that Jakarta is not only a production space, but also an important site in the transmission and reformulation of Papuan identity, especially through Jecko Siompo's artistic and pedagogical practice. Through the perspective of decolonial aesthetics, Animal Pop shows that decolonization does not take place as an abstract discourse, but as a living, situational, and continuously negotiated practice of movement. These findings contribute to the development of the study of contemporary dance, particularly in understanding the body as a medium of articulation of cultural identity and memory in urban spaces.
Co-Authors Hilmar Farid, Hilmar Iwan Gunawan Jugganza, Frans Junias Murda, Muhammad Ilham Mustain Syafitri, Ananda