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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Anisatun Khasanah, Anisatun
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE STEREOTYPICAL IMAGES OF INDIAN SOCIETY AS PORTRAYED IN THE BEST EXOTIC MARIGOLD HOTEL MOVIE Khasanah, Anisatun; Sili, Surya; Nasrullah, Nasrullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (219.972 KB) | DOI: 10.5281/ilmubudaya.v3i2.1870

Abstract

Literary works and movie sometimes depict about stereotypes of certain race and ethnic. Author and director embed similar negative features to them; hence it becomes a justification that those races and ethnic truly have such negative features. It is like European people who often represent the Orient (Asian people) by negative features in their works. This study is purposed to examine the stereotypical images of Indian society and how they are represented in The Best Exotic Marigold Hotel movie by using Orientalism and Bal?s focalization theories. The researcher used qualitative-descriptive method in reference to Mikos? movies analysis method. The result shows that there are 5 stereotypical images of Indian society in The Best Exotic Marigold Hotel movie. Those stereotypical images are barbaric, inauthentic, irrational, backward, and weak. All the stereotypical images are represented through British characters (character-bound focalization or internal focalization) which put Indian society as object of focalization. Karya-karya sastra dan film terkadang menggambarkan stereotip dari ras dan etnis tertentu. Penulis dan sutradara memberikan ciri-ciri negatif yang sama kepada mereka, sehingga hal itu menjadi sebuah pembenaran bahwa ras dan etnis tersebut benar-benar memiliki ciri-ciri negatif. Seperti halnnya orang Eropa yang sering merepresentasikan orang-orang Timur (Orang Asia) menggunakan ciri-ciri negatif di karya-karya mereka. Penelitian ini bertujuan untuk menganalisis gambaran stereotip dari masyarakat India dan bagaimana gambaran stereotip tersebut direpresentasikan di film The Best Exotic Marigold Hotel menggunakan teori Orientalism dan Fokalisasi Bal. Metode yang digunakan adalah qualitatif-deskriptif dengan referensi metode analisis film Mikos. Hasil penelitian menunujukkan ada 5 gambaran stereotip masyarakat India di film The Best Exotic Marigold Hotel. Gambaran stereotip tersebut adalah bar-bar, tidak dapat dipercaya, tidak rasional, terbelakang, dan lemah. Semua gambaran stereotip tersebut direpresentasikan melalui karakter-karakter orang Inggris (fokalisasi karakter atau fokalisasi internal) yang menempatkan masyarakat India sebagai objek fokalisasi.
HAJIKU BUDAYAKU: SEBUAH SEMIOTIKA BUDAYA DI SAMARINDA Khasanah, Anisatun; Akhlak, Annisa; Safitri, Imelda Intan
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 3, No 1 (2017): June 2017
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (195.03 KB) | DOI: 10.30872/calls.v3i1.818

Abstract

The Hajj is the fifth in pillars of Islam which has special meaning for Moslem in Indonesia, especially in Samarinda. Cultures in Samarinda surely influences the large numbers of hajj applicants in this city. Thus cultures affect the high number of hajj waiting applicants in Samarinda. Performing Hajj has been impure which can be seen from some symbolic aspects that are meaningful, mystic, and contemplative.  This phenomenon can be analyzed by a study named cultural semiotic. This research is purposed to reveal symbolic meanings of hajj in Samarinda’s society. The method which is used is the deep interview to 12 interviewees who have ever performed Hajj in Samarinda Seberang, Sungai Pinang, and Samarinda Kota. The result is there are five cultures that encourage Samarinda’s people in performing Hajj, and there are 5 relations between hajj status and social status in Samarinda.Keywords: the hajj, culture, semiotic, Samarinda
Co-Authors Annisa Akhlak, Annisa Imelda Intan Safitri, Imelda Intan Nasrullah Nasrullah Sili, Surya