Article Per Year (5 Year)
p-Index From 2020 - 2025
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This Author published in this journals
All Journal Cinelook: Journal of Film, Television, and New Media
Dynia Fitri
Institut Seni Indonesia Padang Panjang
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Mise-En-Scene Sebagai Pendukung Unsur Dramatik Film Penyalin Cahaya Husnil Fajri; Dynia Fitri; Wahyu Nova Riski
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3453

Abstract

This research aims to reveal and explore the role of mise-en-scene contained in each of the dramatic elements of the film. Supporting dramatic elements (conflict, suspense, curiosity and surprise) contained in the film, seen from the aspects of mise-en-scene, namely setting, make up & costume, lighting and staging: movement & performance.This research employs a qualitative research method with a descriptive approach. The research object chosen is the Photocopier (2021) directed by Wregas Bhanuteja. The data in this study were obtained from observations, interviews and documentation of the film. The theory used in analyzing mise-en-scene is the mise-en-scene theory by David Bordwell, Kristin Thompson & Jeff Smith based on the theory of dramatic elements by Elizabeth Lutters.The results of this study indicate that there are 25 scenes containing dramatic elements based on the level of significance of the presence of mise-en-scene in supporting dramatic elements. In this film, mise-en-scene plays a role in supporting dramatic element (conflict, suspense, curiosity, and surprise) so that the audience can feel it through settings, costumes, lighting and staging arrangements : movement & performance. While the make-up applied to the film does not have a major influence on each of the film's dramatic elements.
PENYUTRADARAAN FILM FIKSI PANDORA TANARA MENGGUNAKAN RITME INTERNAL UNTUK MEWUJUDKAN SUSPENSE Ani Marshella Johan; Zainal Abidin; Dynia Fitri
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3418

Abstract

Film is the right medium to convey messages to the wider community. Pandora Tanara is a fictional trailer genre film with duration 30 minutes. The film Pandora Tanara tells the story of a psychopathic mother who locks up her child and gives her drugs. The dynamic narrative structure and conflicts contained in the Pandora Tanara film scenario are manifested in internal rhythms to create tension. Internal rhythm is applied by paying attention to image movement, player movement, type of shot and sound, to create suspense in the film. Image cuts that adjust the rhythm of the character scenes in the film, as well as the selection of shots and sound effects. The purpose of creating this work is to create tension by using aspects that exist in internal rhythms.
Co-Authors Ani Marshella Johan Husnil Fajri Wahyu Nova Riski Zainal Abidin