Article Per Year (5 Year)
p-Index From 2020 - 2025
1.116
P-Index
This Author published in this journals
All Journal Capture : Jurnal Seni Media Rekam Jurnal IMAJI Da'watuna: Journal of Communication and Islamic Broadcasting Offscreen: film and television journal Journal of Scientific Research, Education, and Technology Ezra Science Bulletin Cinelook: Journal of Film, Television, and New Media
Zainal Abidin
Institu Seni Indonesia Padang Panjang
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Social Sciences Other

Published : 7 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 7 Documents
Search

 1 
PENYUTRADARAAN FILM FIKSI PANDORA TANARA MENGGUNAKAN RITME INTERNAL UNTUK MEWUJUDKAN SUSPENSE Ani Marshella Johan; Zainal Abidin; Dynia Fitri
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3418

Abstract

Film is the right medium to convey messages to the wider community. Pandora Tanara is a fictional trailer genre film with duration 30 minutes. The film Pandora Tanara tells the story of a psychopathic mother who locks up her child and gives her drugs. The dynamic narrative structure and conflicts contained in the Pandora Tanara film scenario are manifested in internal rhythms to create tension. Internal rhythm is applied by paying attention to image movement, player movement, type of shot and sound, to create suspense in the film. Image cuts that adjust the rhythm of the character scenes in the film, as well as the selection of shots and sound effects. The purpose of creating this work is to create tension by using aspects that exist in internal rhythms.
PENYUTRADARAAN FILM GORESAN PENSIL: GESTURE SEBAGAI REPRESENTASI BUDAYA SUNDA Fauziah, Ika; Abidin, Zainal
Offscreen Vol 3, No 1 (2024): Offscreen: Journal Of Film and Television (January-June 2024)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/os.v3i1.4436

Abstract

Goresan Pensil the movie tells about the main character who faces problems, the gesture of the main character will be shown in this movie. Gestures in this movie are shown through the representation of Sundanese culture. The object of creation in this movie is a scenario that tells of a high school boy named Deo who has painting skills and dreams of becoming an architect, but on the other hand his father has another wish which requires him to continue his father's dream of becoming a teacher. Because according to his father being a teacher is a very noble job. Deo refuses, because according to Deo being an Architect is also part of a noble job. The aesthetic concept of the creation of Goresan Pensil the movie is in optimizing the gesture of the main character by paying attention to the representation of Sundanese culture. The main character actors are able to communicate using nonverbal communication to emphasize what is conveyed and are able to communicate using gestures to convey a feeling, as well as to signify several gestures found in Sundanese culture.
Analisis bentuk Kasih Sayang Seorang Ayah kepada anaknya dalam film Miracle In Cell No.07 : Analisis isi Deskriptif Sari, Indah Permata; Abidin, Zainal; Tayo, Yanti
Da'watuna: Journal of Communication and Islamic Broadcasting Vol 4 No 2 (2024): Da'watuna: Journal of Communication and Islamic Broadcasting
Publisher : Institut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/dawatuna.v4i2.5016

Abstract

This research examines the analysis of the form of a father's affection for his child in the film Miracle in Cell No. 07. This research uses qualitative methods to produce descriptive data in the form of written or spoken words from Film Miracle in Cell No. 07. Film is the mass media that has the most influence on imitation of human behavior patterns, sometimes information from films enters the subconscious of the human mind. This study aims to determine the form of father's affection for his child verbally and non-verbally from Film Miracle in Cell No. 07 07. Affection is a unique relationship pattern between two or more human beings. This relationship pattern is characterized by feelings of affection, mutual love, mutual love, mutual care and mutual giving, thus, it can be said that, affection is a basic human need. , so it will affect someone's life.
Artificial Intelligence (AI) in Film Script Writing Riski, Wahyu Nova; Abidin, Zainal
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5621

Abstract

Artificial intelligence has influenced various aspects of human life in recent years. The film industry is no exception to be affected by the expansion of artificial intelligence. Focusing on the process of short movie scenario development, this research aims to explore the extent to which artificial intelligence or AI can play a role in the creative process of filmmaking. This research uses an innovative exploration method using action research methods with a special focus on the art-based action research approach. Using three experimental cycles, this research found that artificial intelligence has a series of limitations in its function to assist the film script creation process, therefore, it is unlikely that artificial intelligence can replace humans completely soon. However, this research found that despite all its limitations, artificial intelligence has a significant role in helping film creators simplify the initial steps of the film script development process, if it is utilized in the right way. This research makes a substantial contribution to the discussion regarding the use of artificial intelligence in the filmmaking creative process. Keywords: film, screenplay, artificial intelligence, AI
Mise-en-scene dalam Sang Penari-nya Ifa Isfansah Abidin, Zainal
IMAJI Vol. 5 No. 2 (2013): IMAJI
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tinjauan kritis terhadap mise-en-scene dalam film Sang Penari arahan sutradara Ifa Isfansah merupakan pemaparan yang berisi kritik terhadap unsur-unsur di luar unsur sinematografis, yang meliputi unsur seni peran atau acting, pengemasan tata artistik dan unsur pencahayaan. Telaah kritis tersebut dinilai berdasarkan resepsi dan interpretasi penulis yang dikaitkan dengan beberapa teori mise-en-scene, yang berisi batasan dan indikasi-indikasi tentang bagaimana aspek mise-en-scene dapat diwujudkan secara maksimal dalam sebuah film. Tulisan ini diawali dengan kajian tentang pentingnya optimalisasi mise-en-scene dalam film sekaligus menelaah relasi antara mise-en-scene dalam sebuah kreativitas pembuatan film. Kajian tersebut ditindaklanjuti dengan pemaparan seputar cerita dan konflik film Sang Penari yang ditegaskan dalam film dari scene awal hingga scene terakhir.
Directing My Life Fiction Film Using Mise En Scene Implementation to Realise Realism Style Pratama, Ferli Mulianto; Rustim; Abidin, Zainal
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 1 (2025): Vol. 4 No. 1 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i1.644

Abstract

The fictional film My life tells the story of a young child forced to work due to economic hardship. Through this narrative, the filmmakers aim to convey an important lesson to the audience: children, especially those underage, should not be subjected to labour. The film adopts a Realist style of direction to enhance its portrayal, ensuring that the narrative feels as authentic and true to life as possible. The Realist approach focuses on presenting reality as it is, minimising artistic manipulation to maintain the integrity of the events depicted. This approach is reinforced by the mise en scene, a key element under the director's responsibility. Mise en scene encompasses all visual components within the frame, such as acting, costumes, settings, makeup, and the performance of the actors. Through this, My life serves as both an artistic piece and a social commentary, highlighting the harsh realities of child labour while urging reflection on societal issues. The film's direction emphasises realism by capturing the emotional and physical truths of the characters' experiences, making it a poignant portrayal of the struggles faced by underprivileged children in Indonesia.
MENYUTRADARAI FILM FIKSI ELEGI PANASEA DENGAN PENEKANAN EKSPRESI UNTUK MEMPERKUAT EMOSI TOKOH UTAMA Fahreza, Ilham; Abidin, Zainal
EZRA SCIENCE BULLETIN Vol. 3 No. 1 (2025): January-June 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i1.233

Abstract

Sutradara film merupakan orang yang bertugas memimpin proyek kreatif didalam sebuah produksi film serta menuangkan isi yang terkandung didalam skenario menjadi adegan sesungguhnya dalam bentuk audio visual. Skenario Elegi Panasea bergenre drama tragedi menceritakan Raka seorang pemuda yatim piatu yang dipaksa melunasi hutang yang ditinggalkan orang tuanya, untuk mengatasinya Raka terpaksa melakukan perjalanan mencari Andra saudaranya yang sudah lama meninggalkan rumah. Sutradara akan memperlihatkan penekanan ekspresi untuk memperkuat emosi tokoh utama pada karakter Raka yang didasarkan pada ekspresi wajah, ekspresi verbal, ekspresi fisik dan tindakan-tindakan emosional. Dalam menciptakan film Elegi Panasea pengkarya sebagai sutradara menggunakan metode penciptaan melalui tiga tahapan pra produksi, produksi hingga paska produksi. Pengkarya menerapkan konsep penekanan ekspresi untuk memperkuat emosi tokoh utama pada tokoh Raka pada scene 1, 4, 8, 8a, 9, 10, 11, 12. Menggunakan teori ekspresi dari Nimatuzaroh dan Prasetyaningrum dan teori emosi dari M. Darwis Hude. Pengkarya sebagai sutradara menggunakan teknis director as interpreatator untuk mewujudkan kebebasan pemain dalam berekspresi masih dalam pantauan sutradara. Setelah segala proses penggarapan dilaksanakan, maka pengkarya berhasil menyutradarai film fiksi Elegi Panasea dengan menggunakan penekanan ekspresi untuk memperkuat emosi tokoh utama pada karakter Raka.
Co-Authors Ani Marshella Johan Dynia Fitri Fahreza, Ilham Fauziah, Ika Indah Permata Sari Pratama, Ferli Mulianto Rustim Tayo, Yanti Wahyu Nova Riski