Nurdian Ichsan
Faculty Of Visual Art And Design, Institut Teknologi Bandung

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DEWA PALSU SISTEM PERILAKU DOMINASI PADA SOSIAL MEDIA INSTAGRAM Rivan Mandala Putra; Deden Hendan Durahman; Nurdian Ichsan
ATRAT: Jurnal Seni Rupa Vol 9, No 1 (2021): KARYA RUPA DALAM PERSPEKTIF MAKNA, FUNGSI, DAN IMPLEMENTASI
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i1.1666

Abstract

The domination behavior system is a study and observation made by the author about the emergence of a hierarchy of superior identities (influencers) against subordinate identities on Instagram social media, and how this affects followers of the dominant virtual identity. The method used in seeing and responding to these phenomena is to relate the phenomena that occur, the behavior shown by virtual identities, and their relation to the work carried out by the author. The writer transforms these findings into several characters to roll out the story, including Dewi, Human, and Slave. Each character is a representation of the domination behavior carried out by a superior virtual identity against his subordinates. The author tries to make an experimental cinema installation work, where the premise of the story is taken from the observations of behavior on social media. With this work, the author hopes to be able to provide and offer an experience that is not only cinematic but also aesthetic in a way that tends to be new with a story that tends to be sharper than most cinemas. Keywords: Dominant Behavior, Experimental Cinema, Social Media, Power.------------------------------------------------------------------------------------------Sistem perilaku dominasi merupakan studi dan pengamatan yang dilakukan penulis tentang munculnya hierarki identitas-identitas unggul (influencer) terhadap identitas-identitas yang lemah (subordinate) pada media sosial Instagram, dan bagaimana hal tersebut memengaruhi pengikut-pengikut identitas virtual yang dominan tersebut. Metode yang digunakan dalam melihat dan merespons fenomena tersebut adalah dengan mengaitkan antara fenomena yang terjadi, perilaku yang ditunjukkan oleh identitas-identitas virtual, dan kaitannya dengan karya yang diusung penulis. Temuan tersebut penulis transformasikan menjadi beberapa tokoh untuk menggulirkan cerita di antaranya Dewi, Manusia, dan Budak. Setiap tokoh merupakan representasi perilaku dominasi yang dilakukan oleh identitas virtual unggul terhadap bawahannya. Penulis mencoba untuk membuat karya instalasi sinema eksperimental, di mana premis cerita diambil dari hasil pengamatan perilaku yang ada pada media sosial. Dengan karya ini, penulis mengharapkan dapat memberikan dan menawarkan pengalaman yang tidak hanya sinematik namun juga estetik dengan cara yang cenderung baru dengan bahasan cerita yang cenderung lebih tajam dari sinema kebanyakan.Kata kunci : Perilaku Dominasi, Sinema Eksperimental, Sosial Media, Kekuasaan.
Sur/Face: Self-Portrait in Porcelain Nurdian Ichsan
Journal of Visual Art and Design Vol. 15 No. 1 (2023): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2023.15.1.1

Abstract

This paper discusses artworks that were created through a practice-led research approach. Considering practice-led research, the content of this paper encompasses every possible relation to the artworks, such as the perspective and statements of practice, considerations, thoughts behind the themes, observations, and interpretations of the creative process. All these aspects are grouped into two sections: the context of the practice and self-reflection on the practice. This research found that material-oriented and media-based approaches are not inseparable in ceramic art practice. Indeed, both perspectives are very valuable to understand the creative process as well as the appreciation of art works. Due to the creative process in art requiring non-linear thinking, the contents of this paper are not hierarchical in one direction. Instead, it can be conceived as offering multiple perspectives to understand the making process and the resulting artifact. In some way, this paper can be considered as a narrative style of writing, which is appropriate to reveal the creative process.