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Perkembangan Konsep Regionalisme Kritis Kenneth Frampton (1985-2005) Dimas Wihardyanto; . Sherlia
JURNAL ARSITEKTUR Vol 2, No 1 (2011): Desember
Publisher : Universitas Bandar Lampung (UBL)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (766.916 KB) | DOI: 10.36448/jaubl.v2i1.298

Abstract

This paper outlines the development of Critical Regionalism Concept, introduced by Kenneth Frampton, whom a professor in history and architecture. His most influential achievement was a book titled "Toward A Critical Regionalism", that introduced critical regionalism theory/thought as a response of globalization and universalization impact. His thought was based on the worry of excessive impact of modernism and globalism, and political situation at that time, causing buildings of western classic architecture style replaced by modern architecture style as symbols of industrialism. Critical Regionalism theory tried to put back architecture and buildings to the context and the development of its surrounding, as an effort to strengthen local identity by seeing its potency and noticing every details in buildings. Now, this theory is widespread and developed by world architects. These architects succeed in making modern architecture more tactile and tectonic, creating creative and tectonic structures forms, which able to counter universalism in architecture by placing back technology as instrument in architecture
STUDY ON SPATIAL CHARACTERISTICS ON RUMAH PANGGONG IN SIJUK DISTRICT, BANGKA BELITUNG Dimas Wihardyanto; Sherlia .
Dimensi: Journal of Architecture and Built Environment Vol. 45 No. 1 (2018): JULY 2018
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (510.946 KB) | DOI: 10.9744/dimensi.45.1.93-100

Abstract

Rumah Panggong is a form of local architecture in Belitung Island, where there are not many architectural studies focusing on it. This study focused on the spatial aspect, because space is the firstly generated architectural design idea to facilitate activities or society culture before later developed into the form, structure, materials, and so forth. The approach used was qualitative descriptive with emphasis on data collection method using field observations, as well as data analysis method using a coding system, which included open coding, axial coding phase and selective coding phase. Through this research, it was found that Rumah Panggong is formed into 3 parts, namely mother room, suyok or porch, and cesspit. These 3 parts form the typo-morphology of the building. The basic spatial ideas of Rumah Panggong can be identified by its functionality, effectiveness, flexibility and most essentially its mother room existence.
Tipologi Karakteristik Visual Wajah Bangunan Kawasan Kota Tua Balikpapan Tiara Rukmaya Dewi; Nadia Almira Jordan; Sherlia
COMPACT: Spatial Development Journal Vol 2 No 1 (2023): COMPACT- Special Issue "Seminar Nasional Compact"
Publisher : Perencanaan Wilayah dan Kota, Institut Teknologi Kalimantan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35718/compact.v2i1.819

Abstract

Kawasan kota tua Balikpapan yang terletak pada Kawasan Perumahan PT. Pertamina telah ada sejak tahun 1900an dan menjadi cikal bakal (spine) dari struktur Kota Balikpapan. Pada perubahan periode perkembangan kota, beberapa bangunan hunian ditetapkan menjadi bangunan cagar budaya yang dilindungi, akan tetapi cenderung tidak dilestarikan menjadi ciri khas bangunan lokal. Kelompok bangunan peninggalan periode tersebut menunjukkan fasad dengan komposisi, dimensi, dan ragam hias, yang dapat berpengaruh terhadap karakteristik visual kawasan terutama pada kelompok fungsi yang sama. Karakteristik bangunan melalui tampilan dan wujud fisik cenderung dapat membentuk jalinan massa dan ruang dalam skala waktu (sejarah perkembangan kota) dan skala spasial (watak dan penampilan ruang) dalam lingkup kawasan dan kota. Dalam konteks yang lebih dalam pada studi tipologi, kualitas fisik yang diberikan oleh suatu sistem visual pada suatu kawasan dapat menimbulkan image yang kuat terhadap kawasan secara utuh. Penelitian ini bertujuan untuk mendapatkan tipologi karakteristik visual fasad bangunan hunian kawasan kota tua Balikpapan melalui metode analisis visual. Teknik komparasi gaya bangunan melalui ciri khas tipologi elemen pembentuk fasad bangunan dilakukan untuk melihat signifikansi satu atau kombinasi budaya dalam gaya bangunan. Hasil penelitian menunjukkan terdapat perpaduan 3 tipologi karakteristik visual rumah tinggal, yaitu arsitektur Belanda yang ditunjukkan dengan elemen balustrade, arsitektur vernakular yang ditunjukkan dari pemakaian material, dan arsitektur tropis modern yang menggunakan banyak bukaan dan kemiringan atap untuk merespon iklim.
City Branding Design from the Identification of Local Values of Penajam Paser Utara Regency Fulkha Tajri M; Olivia Febrianty Ngabito; Denny Huldiansyah; Sherlia; Sasferi Yendra
VCD Vol. 8 No. 2 (2023): Journal of Visual Communication Design VCD
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v8i2.4238

Abstract

Penajam Paser Utara Regency is in a strategic location to improve its brand identity. Its existence adjacent to the new State Capital (IKN) is an opportunity with great potential for developing all Penajam Paser Utara Regency (PPU) sectors. The natural wealth in the form of the sea, endemic fauna in the form of sambar deer, Mastogok traditional motifs and some rice-producing areas that can be said to be the granary of IKN food security are local values that will be visualized in the form of a logo that characterizes Penajam Paser Utara Regency, plus a location that can be said to be "Serambi Nusantara" which means that PPU is the front porch / front page of IKN. The method in designing the city branding logo of Penajam Paser Utara Regency is practice-based (Practice-based research) because the foundation at the beginning is the experience of directly observing and obtaining data directly from the community, regional officials, and local customary leaders. The stages in this method include observation, improvisation, and realization. Ultimately, this paper shows a comprehensive design process for creating a visual identity for a city/district, which begins with research, visual enrichment, and visual design finalization.