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All Journal JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Jurnal Review Pendidikan dan Pengajaran (JRPP)
Priyoto Priyoto
Universitas Pertiwi
Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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AN ANALYSIS OF MORAL VALUE IN THE MOVIE “AQUAMAN” DIRECTED BY JAMES WAN (2018) Priyoto Priyoto; Irene Priskila
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 8 No 02 (2023): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v8i02.187

Abstract

This study aims to know the moral values and the types of moral values in Aquaman film. with moral approach. There are two research problems proposed from this “AQUAMAN” analyzing film. Based on the research problems, the researcher uses descriptive qualitative method in collecting the data. To analyze this film, the researcher applies moral value approach. There are two sources of data used to analyze the related issues, namely primary and secondary data sources. Primary data sources from the film Aquaman (2018) and other sources such as journals, websites, previous research, and other articles. In conclusion, the findings of this research shows there are many moral values found in the movie “AQUAMAN”, such as: love and affection, care, bravery, and sincerity. Then, Love, affection, care, bravery, and sincerity are very important parts of human life
Designed to Connect: David’s Programmed Emotional Responses in A.I. Artificial Intelligence (2001) priyoto priyoto; Sri Marleni; Bayu Hari Yudanto; Amira Raihana Amalia
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 01 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i01.330

Abstract

This study examines the programmed emotional responses of David, the central humanoid robot in Steven Spielberg's A.I. Artificial Intelligence (2001), with a focus on emotional connections design between artificial beings and humans. The research employs a descriptive qualitative method, integrating film analysis and theories of human-AI interaction to explore the narrative and technological frameworks that shape David's emotional expressions. The findings indicate that while David's emotional programming successfully evokes empathy and connection, it also prompts critical discussions about the authenticity of artificial emotions and their implications for human relationships. This study contributes to the broader dialogue on the role of emotions in AI development and their potential societal impacts
SELF-AWARENESS AND EMOTIONAL RECOVERY IN ARIANA GRANDE’S “THANK U, NEXT” AND “NO TEARS LEFT TO CRY” (2018) SONGS Fitriyana Fitriyana; Priyoto Priyoto; Lyla Nawakwulan
Jurnal Review Pendidikan dan Pengajaran Vol. 9 No. 3 (2026): Inpress Vol. 9 No. 3 Tahun 2026
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v9i3.48989

Abstract

Tujuan dari penelitian ini adalah untuk memahami kesadaran diri dan regulasi emosi dalam lagu “Thank U,Next” dan “No Tears Left to Cry” karya Ariana Grande dengan menerapkan metode kualitatif  untuk pengumpulan data dan analisis liriknya. Pendekatan fisiologis digunakan untuk memahami pemulihan emosional Ariana dengan mengadopsi teori Kesadaran Diri Duval dan Wicklund (1972). Penelitian ini mengidentifikasi kesadaran diri objektif, kesadaran diri pribadi, dan kesadaran diri publik, serta pengaturan diri dalam lirik Ariana. Temuan menunjukkan bahwa “Thank U, Next” mencerminkan kesadaran diri pribadi melalui introspeksi, penerimaan emosional  dan pertumbuhan pribadi setelah patah hati, selain itu “No Tears Left to Cry” menggambarkan kesadaran diri publik, yang menunjukkan ketahanan dan optimisme Ariana setelah trauma. Regulasi emosi kognitif terlihat jelas di kedua lagu tersebut, terutama melalui penilaian ulang, di mana emosi negatif diubah menjadi kekuatan dan kejernihan. Studi ini berpendapat bahwa lirik Ariana Grande tidak hanya berfungsi sebagai ekspresi pribadi, tetapi juga sebagai narasi psikologis penyembuhan. Melalui musik, ia mencontohkan bagaimana kesadaran diri dan penerimaan dapat mendorong pemulihan emosional, membuat lagu-lagunya relevan sebagai alat reflektif dalam wacana kesehatan mental modern.
Forms of Dehumanization in Never Let Me Go (2010): A Study of Mechanistic Dehumanization Sahilla Raina Rizki Siregar; Priyoto Priyoto; Fauzi Syamsuar
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 02 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i02.358

Abstract

Film as a modern literary form reflects complex social and philosophical realities, including questions of humanity, identity, and systemic oppression. This study examines the forms of dehumanization depicted in the film Never Let Me Go (2010), directed by Mark Romanek and adapted from Kazuo Ishiguro's novel. The research focuses on how cloned individuals Kathy, Tommy, and Ruth are systematically stripped of their full human status through institutional mechanisms, social norms, and bodily exploitation. Employing a qualitative descriptive method within a postmodernist framework, this study applies Nick Haslam's Dehumanization Theory (2006), specifically the concept of mechanistic dehumanization, to analyze how the clone characters are treated as passive, replaceable, and object-like beings whose existence is defined solely by their biological utility. The analysis draws on dialogues, scenes, characterization, and narrative events in the film as primary data. Findings demonstrate that dehumanization in Never Let Me Go operates through objectification, institutional control, marginalization, and the commodification of the human body mechanisms that normalize the exploitation of clones while denying them autonomy, dignity, and recognition. This study contributes to the academic discourse on dehumanization, dystopian cinema, and the ethics of identity construction in technologically advanced societies
Blurred Perception: Briony Tallis' Misunderstanding, Misinterpretation, and Destruction in Atonement (2007) through Sigmund Freud's Psychoanalytic Theory Priyoto Priyoto; Nabila Putri Nurcahyani; Sahril Mujani
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 02 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i02.359

Abstract

This study examines how Briony Tallis' misunderstanding of the relationship between Cecilia Tallis and Robbie Turner develops into misinterpretation and ultimately leads to destruction in Joe Wright's Atonement (2007). Using a descriptive qualitative method, the research applies Sigmund Freud's psychoanalytic theory as elaborated in Albertine Minderop's Psikologi Sastra, focusing on the defense mechanisms of repression, projection, and rationalization, the notion of psychological conflict, and the classification of emotions such as guilt, self-punishment, shame, and sadness. The framework is used to trace the unconscious psychological processes that shape Briony's perception and drive her toward a false accusation with irreversible consequences for the people around her. This article presents the theoretical and methodological foundation of the study together with an initial findings and discussion section tracing this psychological process through four key scenes; precise scene timestamps and short verbatim quotations remain to be finalized in a subsequent stage of the research following a dedicated re-viewing of the film. The study is expected to contribute to literary studies by showing how a psychoanalytic reading can explain the process through which a character's inner conflict transforms into a larger narrative of misinterpretation and destruction
Emotional and Social Loneliness in Spaceman (2024): A Psychological Analysis Based on Robert S Weiss Theory Nabila Sumarlin; Priyoto Priyoto; Lilik Pujiani
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 02 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i02.360

Abstract

This study examines the portrayal of loneliness experienced by Jakub, the main character in the science fiction drama film Spaceman (2024), directed by Johan Renck. Applying Robert S. Weiss’ loneliness theory through a descriptive qualitative method, the research analyzes how Jakub’s loneliness is constructed across two dimensions: emotional loneliness, arising from the absence of a deep interpersonal bond with his wife Lenka, and social loneliness, arising from his physical isolation on a solo mission 500 million kilometers from Earth. The primary data consist of scenes, dialogues, monologues, memories, and cinematic elements from the film. The findings reveal five key portrayals of Jakub’s loneliness: (1) the silence of unanswered communication as emotional loneliness; (2) Lenka’s farewell message and the collapse of the intimate bond; (3) memory, guilt, and the self-inflicted dimension of emotional loneliness; (4) public denial as a masking of emotional loneliness; and (5) physical isolation and the absence of social integration as social loneliness. This study contributes to literary and cinematic studies by demonstrating that contemporary science fiction film can serve as a meaningful medium for the representation of complex human psychological experience.
Co-Authors Amira Raihana Amalia Bayu Hari Yudanto Fauzi Syamsuar Fitriyana Fitriyana Irene Priskila Lilik Pujiani Lyla Nawakwulan Nabila Putri Nurcahyani Nabila Sumarlin Sahilla Raina Rizki Siregar Sahril Mujani Sri Marleni