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It Fernando Putra
University of New South Wales
Arts Humanities Education Languange, Linguistic, Communication & Media

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Political sarcasm on tiktok account @podcastkeselaje Alwi Abdullah; Muhammad Adek; It Fernando Putra
BAHASTRA Vol. 42 No. 1 (2022): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v42i1.62

Abstract

Recently, there has been apprehension in the society about expressing ideas, particularly on political concerns. As a result, public figures such as comedians tend to use sarcasm as their primary weapon in exposing political leaders' weakness, incompetence, or corrupt behavior, as well as government officials' actions. The goal of this research is to look at the form, meaning, and function of sarcasm on the TikTok account @Podcastkeseaje. All of the utterances said by the narrator or speakers in the video recording from the TikTok account @podcastkeselaje are used as data sources in this study. Indirect observation was used to obtain data, which was then followed by recording and note-taking techniques. The data were examined using Camp's (2012) theory for the form of sarcasm, Chaer's (2009) theory for the meaning of sarcasm, and Chaer's (2009) theory for the meaning of sarcasm.
Guerrilla Resistance: Sitti Nurbaya and Balai Pustaka’s Censorship Muhammad Adek; Nesa Riska Pangesti; Siska Miga Dewi; It Fernando Putra
BAHASTRA Vol. 44 No. 1 (2024): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v44i1.591

Abstract

Censorship, a tool of cultural hegemony often employed by colonizers, was practiced by the Dutch colonials in the Dutch East Indies through the people's reading commission or Balai Pustaka, as evidenced in the Nota Rinkes, which prohibited literary works with subversive political content, religious sentiments, and immoral themes. This study explores the content of the novel Sitti Nurbaya, a prominent publication from Balai Pustaka, using a postcolonial approach and Gramsci's theory of cultural hegemony as analytical tools. The findings reveal that Sitti Nurbaya contains elements of progressive politics through the Belasting riots, intense religious sentiment in defense of Adat teachings, and characters with flawed morals. Consequently, it is concluded that Sitti Nurbaya managed to circumvent Balai Pustaka's censorship and functioned as an organic intellectual, sparking anti-colonial awareness.
Co-Authors Alwi Abdullah Dewi, Siska Miga Muhammad Adek Nesa Riska Pangesti