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Dwi Nurrahmi Kusumastuti
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Languange, Linguistic, Communication & Media Social Sciences

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TEKNIK PENYUTRADARAAN DENGAN GAYA EKSPOSITORI PADA PRODUKSI FEATURE “RAMBATING SUMBUT” Falahul Alfiah; Dwi Nurrahmi Kusumastuti; Fadeyanto Prabowo
Jurnal Ilmu Komunikasi AKRAB Vol. 5 No. 1 (2020): APRIL
Publisher : AKADEMI KOMUNIKASI RADYA BINATAMA

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This feature work, entitled Rambating Sumbut, tells about the problems that exist in the agricultural sector, particularly regarding farmer regeneration. As one of the food buffer areas in Bantul Regency, Imogiri sub-district has great agricultural potential, supported by existing natural resources. However, several unfavorable conditions had a significant impact on the agricultural sector in Imogiri District. Now the agricultural sector in Imogiri Subdistrict depends on unproductive peasants, of course this affects the quality of rice cultivation and crop yields.Many young people in Imogiri Subdistrict prefer to work in other sectors, besides that also because there are still old thoughts that say that farmers' children must get more work than farmers, in the hope of improving the family economy. Thus there needs to be an effort to regenerate farmers, to maintain the sustainability of agriculture and the survival of the next generation. The main thing that needs to be done is to change the mindset of young people who still regard the farmer profession as a job that does not promise the future. By integrating agriculture and existing technological developments, one of which is implementing integrated agriculture.
PERAN SUTRADARA DALAM MENGOPTIMALKAN VISUAL YANG DINAMIS DAN ESTETIS PADA PRODUKSI FEATURE “LURIK DALAM EKSISTENSINYA” Riska Setyawati; Dwi Nurrahmi Kusumastuti; Sari F. Nainggolan
Jurnal Ilmu Komunikasi AKRAB Vol. 6 No. 2 (2022): APRIL
Publisher : AKADEMI KOMUNIKASI RADYA BINATAMA

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Karya Praktik Terpadu feature ini berjudul Lurik Dalam Eksistensinya. Programfeature televisi ini memuat tentang kain tenun lurik. Salah satu warisan budaya Indonesiaberupa kain tradisional yang sampai saat ini masih digunakan. Feature ini menampilkaninformasi seputar eksistensi kain tenun lurik saat ini, dari segi budaya, ekonomi, hinggamilenial. Eksistensi dari segi budaya nya, yaitu menjelaskan lurik yang digunakan diKeraton, salah satunya yaitu pakaian abdi dalem. Dari segi ekonominya, feature ini berisitentang seputar penjualan tenun lurik di pasar tradisional maupun toko/butik saat ini.Sedangkan dari segi milenialnya memuat informasi tentang perkembangan tenun luriksaat ini. Mayoritas orang-orang mengetahui kain tenun lurik hanya digunakan di Keratonatau untuk kepentingan adat saja, padahal kain tenun lurik kini mulai dikreasikanberbagai macam karya sehingga bisa digunakan kapan saja diluar kepentingan adat.Peran sutradara dalam memproduksi feature ini adalah dengan mengoptimalkan visualyang dinamis dan estetis. Pengoptimalan ini bertujuan untuk memberikan informasidengan menyuguhkan tayangan yang bisa dinikmati dengan baik terutama dari segivisualnya, sesuai dengan objek yang ada didalam karya ini yaitu sebuah karya seni rupa,yang bisa kita nikmati keindahannya melalui visualnya. Karya ini dikemas dalam durasi 24menit sudah termasuk bumper dan credit tittle. Feature “Lurik Dalam Eksistensinya” inimemiliki pesan untuk selalu menjaga dan melestarikan warisan budaya kita. Dengandimulai dari diri kita sendiri. Karena kalau bukan kita siapa lagi.
PERAN KOMUNIKASI KELUARGA DALAM PEMBENTUKAN IDENTITAS REMAJA AKHIR DI KALANGAN MAHASISWA AKADEMI KOMUNIKASI RADYA BINATAMA Dwi Nurrahmi Kusumastuti
Jurnal Ilmu Komunikasi AKRAB Vol. 7 No. 2 (2023): APRIL
Publisher : AKADEMI KOMUNIKASI RADYA BINATAMA

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Teenage identity is a complex process involving the exploration of values,interests, social roles, and self-perceptions. One of the factors influencing this identitydevelopment is the family environment. The family is the first environment in whichteenagers interact and shape their thought patterns and behaviors. This study aims toanalyze the role of family communication in the process of forming late adolescent identityamong students of Radya Binatama Communication Academy, aged 18-21 years. Theresearch method used is Quantitative with a descriptive approach. Based on the resultsand discussions, it can be concluded that communication intensity within the family isprimarily carried out, especially with mothers, fathers, and siblings living together. Formsof care from parents and siblings are strongly perceived by students as a form of support.Harmony within family relationships still exists, enabling continued family gatherings thatfoster open communication with both parents and siblings, as well as social life outsidethe home. In the study on the role of family communication in the formation of lateadolescent identity among students of Radya Binatama Communication Academy, it canbe concluded that family communication significantly influences the development andformation of teenage identity.Keywords: Family Communication, Teenage Identity, Communication Intensity
PENULISAN NASKAH DENGAN TEKNIK DESKRIPTIF DALAM PRODUKSI DOKUMENTER BIOGRAFI “PISAU BATIK MR. DIMAN” Fanni Annisa Putri; Dwi Nurrahmi Kusumastuti; Imam Subechi
Jurnal Ilmu Komunikasi AKRAB Vol. 8 No. 1 (2023): DESEMBER
Publisher : AKADEMI KOMUNIKASI RADYA BINATAMA

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ABSTRACT Biographical documentaries are documentaries that relate to stories someone's life. Biographical documentaries tell the story of a well-known person broad, has greatness, uniqueness, or other interesting aspects. On The documentary entitled "Mr. Diman's Batik Knife" tells the story of the knife's creator Metal batik is Mr. Sudiman who comes from Krengseng Village, Kalirandu, Bangunjiwo, Kasihan, Bantul. The aim of making this documentary program is: to find out the background of the character who found the idea to make batik knife medium. In this documentary work the author acts as a script writer, Responsible for creating the script with the director. Writer uses descriptive techniques in this documentary program to provide a factual and accurate description of the object being investigated. Technique The descriptive method used is in the form of observations carried out directly with observe, record and see directly how the daily lives of the characters and also batik knife production process. By using descriptive techniques the author can gain a lot information, so that the manuscript presented is in accordance with the techniques used director is expository, therefore this documentary can be used as media of information and delivery of messages that are interesting and can be consumed various groups. Key words: documentary, scriptwriter, descriptive technique.
Co-Authors Fadeyanto Prabowo Falahul Alfiah Fanni Annisa Putri Imam Subechi Riska Setyawati Sari F. Nainggolan