I Made Sumantra
Program Studi Kriya, FSRD, ISI Denpasar

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P Karakter Topeng Manis Sebagai Inspirasi Penciptaan Produk Kriya Kebutuhan Ruang Pertemuan Formal I Wayan Wijaya Kusuma; I Made Gede Arimbawa; I Made Sumantra
Hastagina : Jurnal Kriya Seni Vol 1 No 02 (2021): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i02.543

Abstract

Mask are one of the cultural heritages of people in various part of the world who have a mask culture that use different methods and functions according to local custom. In society, various mask are used, such as being used to support a scared belief or spirituality and used as a support for a theatrical performance as well as commodity goods that are profane. Like wish, there are various types of mask with various characters. Such as hard characters of fierce, sweet, cute and so on, this condition is very interesting to be explore and used as a source of inspiration in the creation of craft products. Condisering the mask that are starting to get less attention by the younger generation at this time so that these mask are not eroded by the current technology, in addition, he also wants to preserve the existence of mask so that in the future that arts will be more awake than these mask. This became the basic idea in creating works for the needs of formal meeting room that apply topeng manis as decorations. The creation process has gone through various stages which can describe an ordely and well structured creation process. That are three stage that are carried out, namely : 1. Exploration here is through the exploration stage to find ideas, observations, interviews, surveys, data colletion and references that will be used as the basis for designing or making desaign; 2. The desaign is made from the result of data acquisition and is formulated in a single unit in the form of a sketch; 3. The embodiment is carried out from the result of the selected sketches and will be transferred to the media so that works that have gone through various processes and techniques such as assembly formation and finishing are realized The creation of this works is used as a product for the needs of a formal meeting room by applying a topeng manis as the creation of the works. Meeting room as a place to accommodate meeting activities that discuss general problems or inspiration about something interesting.
KOMBINASI ORNAMEN BALI UTARA DAN BALI SELATAN PADA PINTU KUWADI I Kadek Komara Yana; I Made Jana; I Made Sumantra
Hastagina : Jurnal Kriya Seni Vol 2 No 02 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i02.1002

Abstract

Internship/work practice is a form of lectures through work activities directly in the world of work. This internship program aims to improve and hone skills and deepen understanding as well as work motivation in the development of soft skills and hard skills. The method used in the implementation of the apprenticeship method is data collection through observation, interviews, and documentation carried out at Galih Ukir related to the creation that is carried out. The implementation of the internship is carried out by the creation process using the method of crafting according to Gustami, which is divided into 3 stages in the creation process, the exploration stage includes data collection and extracting ideas. Second, the design stage includes pouring out ideas in visual form in the form of basic sketches, alternatives and working drawings. Third, the embodiment stage, namely making it happen through the processing of raw materials, assembling, engraving and finishing. The result of the internship at Galih Ukir was getting an understanding and training on the creation of kuwadi door products with modern concepts without losing the traditional character. So that a kuwadi door is created with a modern concept that is decorated with a combination of North and South Bali ornaments with a white wash finishing technique so as to create an antique impression on the product.