Ni Kadek Karuni
Program Studi Kriya, Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia Denpasar

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P Penciptaan Produk Perlengkapan Ruang Tunggu Kantor Transformasi Bentuk Jembatan Kolonial Kampung Tinggi Buleleng I Made Widhya Divabhawana; I Nyoman Suardina; Ni Kadek Karuni
Hastagina : Jurnal Kriya Seni Vol 1 No 02 (2021): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i02.544

Abstract

Generally, when someone is waiting there are many opportunities to see and form opinions about the office being visited, so it is necessary to have attractive office waiting room furniture. The purpose of making this work is limited to office waiting room products consisting of: one table, one chair, and wall decoration. The method of creating works is the transformation method, by applying the stages of SP theory. Gustami are the three pillars of art creation including: (1) Exploration, which is the stage of exploring the source of ideas, collecting data, references, processing and analyzing data. (2) The design, built on the acquisition of important points from the formulated analysis, is continued with the visualization of ideas in the form of alternative sketches. The selected sketch is poured into the working drawing, completed with dimensions, (3) Embodiment, making the design so that it has a form. The embodiment process uses several stages, namely: selecting raw materials, breaking wood, shaving wood, making malls, assembling, sanding and finishing. The creation of the work consists of a set of chairs, tables, and wall decorations for the office waiting room. The style of furniture created has a characteristic rustic style, which is a design concept that has a texture that is not smooth or rough and is not finished.
Penerapan Aksara Lontaraq Pada Karya Keramik Dekoratif Di Agung Grazinia Keramik Sri Devita; Ni Kadek Karuni; Ida Ayu Artayani
Hastagina : Jurnal Kriya Seni Vol 3 No 01 (2023): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Lontaraq script is a cultural heritage from the Bugis tribe that must be preserved. Therefore, the creator adopted the concept of the Lontaraq script which was applied to decorative ceramic works. The ceramic works created became an identity for the Bugis-Makassar tribe which is related to history. 1) Exploration, 2) Design 3) Embodiment, can be seen the result of creation in the form of a work. The work is designed and created through an independent project study program at CV. Agung Grazinia ceramics, a company engaged in the ceramics industry, a company that produces its own dyes, besides that it also concentrates on producing ceramic motifs Bali.