Ni Kadek Karuni
Program Studi Kriya, FSRD, ISI Denpasar

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

Pengembangan Motif Daun Pare Sebagai Motif Hias Karya Pintu Kuwadi Di Galih Ukir I Putu Maha Diadnyana; I Nyoman Dana; Ni Kadek Karuni
Hastagina : Jurnal Kriya Seni Vol 2 No 01 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i01.1020

Abstract

This creation was made with the aim of developing one of the decorative styles in Galih Ukir with the title: "Development of Galih Ukir Pare Leaf Motifs as Ornaments for the Embodiment of Kuwadi Doors". From the explanation of this title, a design development will be carried out, especially from the Pare decorative motif found in Galih Ukir so that we look forward to a new motif from the results of this development which will be applied to the kuwadi door product. In addition to the development of the ornamental pare leaf motif in Galih Ukir, the problems that must be solved are the production process of the kuwadi door during the internship/work practice, the form of development of the bitter melon leaf motif, and the finishing techniques applied to the kuwadi door work. In creation using the methodology, it is generally described in terms of exploratory, experimental, and driven by real issues identified in the practice of the work and reinforced by the theory of the three pillars of craft creation formulated by SP Gustami such as exploration, planning, and embodiment. In the discussion it can be concluded that the implementation of the creation of a kuwadi door with the motif of developing bitter melon leaves with the production process or the realization of a kuwadi door is carried out through various stages starting from the design stage, the material processing process, to the final stage, namely the finishing stage, so that a kuwadi door with a development motif is realized. bitter melon leaves in Galih Ukir. And during the implementation of the internship, the knowledge gained is related to knowledge, skills and technology in the realization or production process of kuwadi doors with ornamental motifs of developing bitter melon leaves.
PENERAPAN MOTIF NUSANTARA DALAM PENCIPTAAN KARYA BATIK DI CV. TARUM BALI SEJAHTERA Nurlaeli Dwi Safitri; Ni Kadek Karuni; Ida Ayu Gede Artayani
Hastagina : Jurnal Kriya Seni Vol 2 No 01 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i01.1022

Abstract

Internship / work practice is a practical activity for students with the aim of gaining experience from these activities, which can later be used as a professional development for students. This activity is carried out directly in the world of work for real. As for this internship activity the creator does on the CV. Tarum Bali Sejahtera in Gianyar Bali.This place of business is dabbling in textiles, especially batik and natural coloring. The method of creation used in the creation of the work of this apprenticeship process is through two approaches intuitively, and through carefully planned, analytical and systematic scientific methods. In the method refers to the theory of creation proposed by SP. Gustami in his book entitled "The process of craft art creation: methodological strands" explains the process of creating craft works through three pillars of creation such as exploration, experimentation, and formation of Gustami, 2004: 31 (in Kusyati, 2019:22). The concept of creating this work is to make a work in the form of batik which is the result of collaboration between batik tulis with canting, as well as brushes as additional decorations in the making of batik works. The process of creating batik writing works is done through the design stage, namely digging up the idea that will be created next is the manufacturing process that is through the steps of making motifs, copying motifs on fabric, cutting, coloring, locking and roding. This work is in the form of batik with typical balinese bondowoso coffee motifs, kawung and machete motifs of central Java, slopes of West Java, kakul - kakulan, Samblung patra and balinese poleng fabric, Shaho khas Balikpapan and the addition of motifs in the form of truntum, cecek 5, ceccek 7, ukel sawut and ukel - ukelan. Coloring uses natural colors with a fixation in the form of tunjung and alum.