Ida Ayu Gede Artayani
Program Studi Kriya, FSRD, ISI Denpasar

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

BHUMI IRIGASI KUNO SEBAGAI IDE PENCIPTAAN POT KERAMIK DENGAN SELF WATERING SYSTEM DI UD. TRI SURYA KERAMIK I Gusti Ngurah Diva Ismayana Tjahjadi; I Made Gede Arimbawa; Ida Ayu Gede Artayani; Rai Gede Wahyudi Putra
Hastagina : Jurnal Kriya Seni Vol 2 No 02 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i02.1009

Abstract

Preservation and protection require real action from all of us, therefore the author chooses the general concept carried by the Terramic Bali company, namely the Bhumi concept. By studying from upstream to downstream in running a company, the author hopes to be able to replicate it as a form of independent work opportunity. Every design that carries the Bhumi concept is accompanied by a design lighter idea. The starting idea for the founding of the Terramic Bali company was ancient irrigation. Adopting the creation method from Gustami Sp, namely: 1) Exploration, 2) Design, and 3) Embodiment, it can be seen that the result of the creation is a company engaged in ceramic crafts with distinctive branding. The Business Model Canvas (BMC) of the Terramic Bali company is a simulation of the author's company in an internship program at the Tri Surya Keramik company. The Tri Surya Keramik company is concerned with a digital marketing system as a surefire solution to the Covid-19 pandemic, one of which is Instagram. The company Terramic Bali produces products based on the Bhumi concept, as a design concept to product embodiment and the concept of Earth Tones color which refers to the company's goal, namely: the Environmental Awareness Movement. The products are named Pengalapan, Jelinjing, Cakangan, and Aungan. Storytelling is a strong asset that is used as a means of promotion and education to customers.
PENERAPAN MOTIF NUSANTARA DALAM PENCIPTAAN KARYA BATIK DI CV. TARUM BALI SEJAHTERA Nurlaeli Dwi Safitri; Ni Kadek Karuni; Ida Ayu Gede Artayani
Hastagina : Jurnal Kriya Seni Vol 2 No 01 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i01.1022

Abstract

Internship / work practice is a practical activity for students with the aim of gaining experience from these activities, which can later be used as a professional development for students. This activity is carried out directly in the world of work for real. As for this internship activity the creator does on the CV. Tarum Bali Sejahtera in Gianyar Bali.This place of business is dabbling in textiles, especially batik and natural coloring. The method of creation used in the creation of the work of this apprenticeship process is through two approaches intuitively, and through carefully planned, analytical and systematic scientific methods. In the method refers to the theory of creation proposed by SP. Gustami in his book entitled "The process of craft art creation: methodological strands" explains the process of creating craft works through three pillars of creation such as exploration, experimentation, and formation of Gustami, 2004: 31 (in Kusyati, 2019:22). The concept of creating this work is to make a work in the form of batik which is the result of collaboration between batik tulis with canting, as well as brushes as additional decorations in the making of batik works. The process of creating batik writing works is done through the design stage, namely digging up the idea that will be created next is the manufacturing process that is through the steps of making motifs, copying motifs on fabric, cutting, coloring, locking and roding. This work is in the form of batik with typical balinese bondowoso coffee motifs, kawung and machete motifs of central Java, slopes of West Java, kakul - kakulan, Samblung patra and balinese poleng fabric, Shaho khas Balikpapan and the addition of motifs in the form of truntum, cecek 5, ceccek 7, ukel sawut and ukel - ukelan. Coloring uses natural colors with a fixation in the form of tunjung and alum.