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All Journal RETORIKA: Jurnal Ilmu Bahasa Jurnal Onoma: Pendidikan, Bahasa, dan Sastra
Shaya Seriefaza
Universitas Muhammadiyah Jember
Education Languange, Linguistic, Communication & Media

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Kepribadian Tokoh Utama Film”Ku Kira Kau Rumah”: Kajian Psikologi Sastra Sigmund Freud Shaya Seriefaza; Eka Nova Ali Vardani; Dina Merdeka Citraningrum
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 1 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i1.5389

Abstract

Penelitian ini mempunyai tujuan untuk menganalisis dinamika kepribadian tokoh utama dengan nama Niskala, dalam film Ku Kira Kau Rumah dengan menggunakan pendekatan psikoanalisis Sigmund Freud yang mencakup konsep id, ego, dan superego. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis data yang berfokus pada dialog dan adegan dalam film. Hasil penelitian menunjukkan bahwa kepribadian Niskala dipengaruhi oleh gangguan bipolar yang ia alami, sehingga id cenderung lebih dominan dibandingkan ego dan superego. Id Niskala terlihat melalui luapan emosional dan impulsif yang sering muncul secara tiba-tiba dan sulit untuk dikontol. Ego berperan sebagai mediator, meskipun terkadang gagal menjaga keseimbangan kepribadian akibat tekanan emosional yang berat. Superego Niskala, meskipun berfungsi sebagai pengingat moral, seringkali kalah oleh dorongan id dalam situasi tertentu. Penelitian ini memperlihatkan bahwa psikoanalisis Freud relevan untuk menganalisis tokoh dengan kompleksitas psikologis, terutama dalam kaitannya dengan kondisi mental seperti gangguan bipolar yang dialami tkoh utama pada film Ku Kira Kau Rumah.
Women’s Resistance to Male Authority in Madurese Song Lyrics D. Dzarna; Astri Widyaruli Anggaraeni; Shaya Seriefaza; Ichtiar Syahru Ramadhan
RETORIKA: Jurnal Ilmu Bahasa Vol. 12 No. 1 (2026)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.12.1.2026.72-81

Abstract

This research aims to unravel women’s resistance against male authority in Madurese song lyrics. This research is motivated by the limited number of studies examining women’s resistance to men through songs, which are a subtle yet powerful form of cultural expression. Madurese songs serve as a symbolic space for women to express their experiences, injustices, and critiques of gender relations. This study focuses on linguistic elements that contain open resistance, namely relational modality, negative diction, metaphors, and personal pronouns. The method employed is qualitative, utilizing Norman Fairclough's critical discourse analysis approach. The data source for this research is Madurese songs focusing on themes of polygamy, infidelity, and romance. The data are derived from the lyrics of Madurese songs. The findings reveal linguistic elements containing open resistance (public transcript), including relational modalities, negative diction, metaphors, and personal pronouns. Linguistic elements containing resistance are employed in Madurese song lyrics because Madurese women do not receive justice and do not want to be marginalized by male authority. From a feminist perspective, Madurese songs represent women’s negotiation of unequal power relations. Thus, Madurese women are not entirely naive; rather, they have their own ways of resisting, maintaining their dignity, and building awareness of their position within the social structure.
Co-Authors Astri Widyaruli Anggaraeni Citraningrum, Dina Merdeka D. Dzarna Ichtiar Syahru Ramadhan Vardani, Eka Nova Ali