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p-Index From 2020 - 2025
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All Journal Sense : Journal of Film and Television Studies Jurnal Ilmu Komunikasi
Eko Hari Saksono
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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Representasi Pola Komunikasi Keluarga dalam Film “Sabtu Bersama Bapak” Sigit Surahman; Tiara Dewi Asmarani; Annisarizki Annisarizki; Eko Hari Saksono
Sense: Journal of Film and Television Studies Vol 6, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sense.v6i2.10946

Abstract

The film Sabtu Bersama Bapak communication patterns between characters interacting with each other, the communication patterns presented can be verbal or non-verbal communication, this film illustrates that each family has different communication patterns depending on the situation and conditions. This research aims to describe the concept of communication patterns which divide four types of family communication, namely consensual, pluralistic, protective and laissez-faire communication patterns. Through a qualitative approach using Roland Barthes' semiotic analysis method to understand the meaning of denotation, connotation and myth. Data collection techniques use observation, documentation and interview techniques. The research results show that the film Sabtu Bersama Bapak represents the communication patterns of two families. In the Gunawan family there is a consensual communication pattern and a pluralistic communication pattern, while in the Satya family there is a consensual communication pattern and a protective communication pattern, and in this research no free communication pattern was found (laissez- faire). 
Re-presenting Disability in Cinema: A Semiotic Study of Srikanth Based on John Fiske’s Framework Fatimah Bilqis; Eko Hari Saksono
MUKASI: Jurnal Ilmu Komunikasi Vol. 4 No. 3 (2025): Agustus 2025
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/mukasi.v4i3.5461

Abstract

This study aims to examine the representation of disability in the film Srikanth through John Fiske's semiotic approach. Using a qualitative method and media text analysis technique, the study explores the three levels of semiotic codes developed by Fiske: the codes of reality, representation, and ideology. The analysis reveals that Srikanth presents the narrative of a visually impaired individual not merely as an object of pity, but as a subject with agency, resilience, and a strategic role in society. At the level of reality codes, the character Srikanth is represented through body language, facial expressions, and dialogues that emphasize independence. The representation codes highlight how cinematography, props, and characters are constructed to build a positive image of disability. Meanwhile, the ideological codes convey values of inclusivity and the recognition of the rights of people with disabilities. This study affirms that Srikanth serves as a significant example in shifting the paradigm of disability representation in mainstream media, from stereotypical portrayals to more humanizing and empowering narratives.
Co-Authors Annisarizki, Annisarizki Fatimah Bilqis Sigit Surahman Tiara Dewi Asmarani