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All Journal Greget Gesture: Jurnal Seni Tari
Maryono Maryono
Institut Seni Indonesia Surakarta
Arts Humanities Education

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HOLISTIK TARI SINGO JOWO LASKAR KARYA UMI USWAHTUN KHASANAH Novia Nur Nurul Amintamah; Maryono Maryono
Greget Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4440

Abstract

Penelitian ini bertujuan untuk mengungkap makna yang terkandung pada Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah. Makna tari dapat diungkap dengan melihat tiga permasalahan meliputi: (1) Bagaimana Genetik Tari Singo Jowo Laskar Karya Umi Uswahtun Khasanah, (2) Bagaimana Objektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah, (3) Bagaimana Afektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah. Penelitian ini dikaji dengan pendekatan Kritik Seni Holistik yang menempatkan tiga faktor yaitu genetik, objektif, dan afektif merupakan satu kesatuan sebagai sumber terjadinya aliran makna. Penelitian yang dilakukan bersifat kualitatif dengan tehnik pengumpulan data meliputi wawancara, observasi, mengkaji dokumen arsip, dan perekaman. Hasil temuan penelitian berdasarkan analisis faktor genetik, objektif, dan afektif Tari Singo Jowo Laskar Yudho Karya Umi Uswahtun Khasanah dapat mengungkap makna bahwa karya tersebut berfungsi sebagai hiburan dan mengangkat nilai-nilai historis kedaerahan, nilai semangat perjuangan, nilai patriotisme dan nasionalisme yang berguna bagi generasi muda dan masyarakat.
Tinjauan Holistik Tari Goyang Ngamprok di Sanggar Ayodya Pala Kotamadya Depok Jawa Barat Nurul Syabani; Syahrial Syahrial; Maryono Maryono; R.M. Pramutomo
Gesture: Jurnal Seni Tari Vol. 15 No. 1 (2026): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i1.72701

Abstract

This research aims to describe and analyze the meaning of the Goyang Ngamprok danceat the Ayodya Pala Studio in Depok Municipality, West Java. This research uses a qualitative research method with a Holistic Critical Approach that places three factors, namely genetic factors, objective factors, and affective factors, as a single entity as the source of meaning. The meaning of dance can be revealed by examining three issues: (1) How are the genetic factors of the Goyang Ngamprok dance at the Ayodya Pala Studio in Depok Municipality, West Java, (2) How are the objective factors of the Goyang Ngamprok dance at the Ayodya Pala Studio in Depok West Java, (3) How the Affective Factors of the Goyang Ngamprok Dance at the Ayodya Pala Studio in Depok Municipality, West Java. The data collection methods used were observation, interviews, and literature review. The research results show that the Ngamprok Dance tells the story of teenage friendships among a group of young people who experience misunderstandings but eventually quickly reconcile and become close again. The music of Goyang Ngamprok dance utilizes Betawi traditional music, fan properties, and corrective makeup.
Co-Authors Novia Nur Nurul Amintamah Nurul Syabani R.M. Pramutomo Syahrial Syahrial